Written By Jason Voorhees

In this week's edition of Top Albums we will cover the Crown Prince of Metal...Ozzy Osbourne.  The Prince of Darkness is one of the most iconic figures in heavy metal history.  While Ozzy earned his early stripes fronting "Black Sabbath", it was his solo career that truly defined his fame and popularity in the mainstream world.

Over the years; Ozzy Osbourne has enjoyed quite a career while producing a definitive collection of timeless classics. While there have been numerous lineup changes in his band, its always included elite musicianship.  There was no better example of this than his unrivaled ability to recruit world class guitar talent.  Whether it was the super prodigy Randy Rhoads, or his successor Jake E Lee, to the longest tenured Zakk Wylde; all of these guitarists made it much easier for Ozzy to shine in the spotlight.

Last week we covered Ronnie James Dio, who ironically replaced Ozzy in Black Sabbath.  This time we get to take a deep dive into his predecessor's solo career.  As we embark on this latest challenge, there is no doubt that this trip down memory lane should be epic.  So without further ado...let's take a look at the mind of the Crown Prince as we chronicle the diary of a madman... 

Despite a new refreshing sound, this album unfortunately misses the mark.  The departure of Zakk Wylde and less than stellar songwriting doomed this album before it ever began.  That's not to say that its a terrible album, but clearly sub standard for the Prince of Darkness.  Ozzy had recruited Gus G, previously from Firewind to replace Zakk so there was already huge shoes to fill.  Add to that the over dubbed vocal overtones to enhance his lyrics and the album just couldn't live up to the hype.  There were however a few winners on the record despite its poor reviews.  Standout tracks include 'Let Me Hear You Scream', 'Diggin Me Down' and 'I Want it More.'  As stated, not a poor record using an average band metric but certainly not one of Ozzy's finest hours. 

Most people call this a black mark in Osbourne's catalog.  I would say that "Black Rain" is more like the black sheep.  Unfortunately it did mark the end of the road for sensational axe man Zakk Wylde.  While the album clearly lacks creativity, it still has flashes of brilliance that only Ozzy can produce.  The lead single 'I Don't Wanna Stop' absolutely brings the house down in typical fashion.  The title track 'Black Rain' follows the classic formula as well.  However; it's hidden gems like '11 Silver' and 'Countdown's Begun' that make this his most underrated album to date.  Killer guitar and skillful songwriting.  While many go left, Ozzy always goes right.  This is an album that really gets better over time.  Check it out...you may be pleasantly surprised.

After producing "Ozzmosis", Ozzy embarked on a short Black Sabbath reunion.  When he brought the solo band back together again, he also called upon a panel of collaborators to write the songs.  The results was a mixed bag of nuggets and the album quality suffered.  Yes, Zakk Wylde was still present on guitar but his unique songwriting style and technique was sadly missing.  It's almost like Ozzy forgot the all important formula to making a great record.  Nonetheless, the album did enjoy success on the charts as it hit #4 on the US Billboard Top 200.  The album was not star exempt as he also recruited Mike Bordin (Faith No More) on drums and Robert Trujillo (Metallica) on bass.  Standout tracks include 'Gets Me Through' and 'Running out of Time' as well as the super ballad 'Dreamer.' 

It's safe to say that the Prince of Darkness has passed his better years.  With that being said, this surprise out of nowhere release was his best album in many years.  Post Malone's Andrew Watt helped produce the record and the result was nothing less than spectacular.  Mr. Osbourne's vocals were the best we have saw since his glory days.  The creative juices were flowing once again and the overflow spills into fantastic musicianship.  'Under the Graveyard' is a metal analogy to Ozzy's almost near death experience after leaving Sabbath to his eventual rise again in his solo career.  Its a magnificent piece of art and he definitely shocked the world with this one.  Kudos to Ozzy for his undying passion for music and this album is that sorta rebirth we've all been waiting for.

Ozzy was running wild on this one as he commandeered Zakk Wylde to replace Jake E Lee on the axe.  It was a match made in heaven as the band instantly clicked on "No Rest For The Wicked."  Wylde brought a more aggressive approach and the songs were more on the edgy side.  Likewise, Zakk had a knack for intense songwriting and you could see that expertise crawling out of every tune on the record.  The final product was a double platinum masterpiece once again placing Ozzy at the top of the food chain.  Many solid hits on this one including "Miracle Man", "Crazy Babies" and "Tattooed Dancer" while housing uncut gems like "Bloodbath in Paradise."  This was definitely a better album than it often gets credit for and will always have a special place in every die hard fan's heart.

Many people would scoff at this album being so high on the list.  However; true metal scholars realize the relevance of this smash hit wonder.  It was a tremendous follow up to a predecessor that absolutely screamed gold standard.  Although the album continued down the commercial mainstream track, it definitely had spurts of underground flavor.  It was a strong mixture of heavy riff balls to the wall energy along with symmetrical melodic ballads with some raw and edgy noise in between.  Definitely the most diverse album of Ozzy's career and beloved by even his most harshest critics.  The albums lead track "Perry Mason" is an ode to the long lost "Mr. Crowley" while "See You on the Other Side" brought back memories of "Mama I'm Coming Home."  Tremendous album by one of the best hands down.

Losing Randy Rhoads would almost certainly spell doom for any other artist but not Ozzy.  After Rhoads untimely death, Osbourne tapped Jake E Lee for the lead guitar gig and the rest was history.  While Jake showed a bit of a difference in style, his skill would prove to be no flash in the pan.  The lead title track may be the best opening track ever on any Ozzy record.  Fast, heavy and straight to the point.  Even if this was the only track on the album that would gain stardom, the rest of the record proved that Lee belonged to stay.  It was a monumental record for the Prince as he showed that it was the music not the personnel that ultimately defined the band.  "Center of Eternity" and "Waiting for Darkness" remain the bands most underrated tracks of all-time.  Welcome aboard Jake!

This was an album that has gained more and more credit over time.  It's release did not sit well with many of the faithful and did not fair particularly well on the charts.  However; mainstream popularity is the last thing that should be measured when rating an album.  And that's exactly the case with this one folks.  Although the album did not have smash hits on the billboard chart, the record is littered with A list star power when applying the ear test.  Tracks like "Secret Loser", "Never Know Why", "Thank God For the Bomb", "Lightning Strikes", "Killer of Giants" and "Shot in the Dark" are all stellar songs both lyrically and stylistically.  While "The Ultimate Sin" and "Shot in the Dark" are bookend masterpieces.  Zero filler and the tunes are killer.  Mark of an excellent album.

This was an extremely tough pick for me as it almost made #2.  It could have gone either way but nonetheless here we are.  Not much to complain about on this effort.  4x Platinum.  A title track that rivals any song in metal.  Numerous hidden gems and little to no filter.  While the album did still feature that raw energy we had grown accustomed to as Ozzy fans, it also featured the commercialized radio friendly focus that ultimately drove the popularity.  The band called upon Lemmy Kilmeister to help produce the record and in doing so channeled their inner Motorhead.  The creative aspects on this album are endless and circumventing.  The results are priceless.  An instant classic that would be any other band's Mount Rushmore...which even furthers the depths of the albums greatness.

This would unfortunately be the swan song for Randy Rhoads who would tragically die one year later.  How sweet that final lap was though.  Another magnificent record for the Prince of Darkness that would definitely mark a more creative side for the band.  Another blistering title track that would even send chills down Alister Crowley.  And a lead track to die for in 'Over the Mountain.'  It's those subtle sleepers that set this album apart though as another epic effort for the forefather.  Randy flexes his muscles on those lesser known classics that truly endow him as a guitar god.  However; the solo on the title track is an epic fortress the likes we may never see of again.  Wow is all you can say as you gasp in awe.  Another true metal album giant.

This may be the easiest pick I have ever had to make for top albums.  In fact, this album is in my Top 5 heavy metal albums of all-time so rightfully its Ozzy's best ever.  The crème de le crème of Osbourne's mountain.  A solid metal record from beginning to end.  A timeless work of art that even gets better with time.  "Crazy Train" may be the best anthem of all-time.  "Mr. Crowley" is certainly the most well put together metal song we have ever heard.  The list can keep going.  Some of the best lyrics ever penned to paper as well; not to mention the super fine artwork.  Everything that you could ask for in a debut album, probably the greatest debut album in music history and that's no stretch.  Straight up Fire!

Hope you enjoyed this week's edition because we certainly had fun doing so!  Ozzy is one of the near and dear figures of the entire metal community and we all adore him like a father!!  Excellent catalog and one that will live on forever as we move into the next generation!  As we look towards next week, we hope that you are all staying safe and sound in quarantine!  And please don't forget...Check out Kevin Law and Johnny E on Thursday evenings 7PM-9PM as they count down all of your favorites from past and present as well as future!!  And we leave you with one of Ozzy's classic masterpieces!!!! Rock On Mates!!!!!

Written By Jason Voorhees

In this week's edition we will tackle one of the most quintessential artists of heavy metal history...Mr. Ronnie James Dio. 

While RJD carved out his legacy during his early years in Elf, Rainbow and Sabbath; it was during his solo career where he truly earned his stripes.  During his stellar career, DIO created one of the most extensive catalogs that the metal genre has ever saw.  While many people celebrate his work in those high profile gigs, some forget how truly magnificent his solo efforts actually were. 

Over that same solo career, his band saw many lineup changes while suffering many ups and downs.  One thing always remained constant though and that was Ronnie's vision.  No matter what style of music, no matter what themes of choice, no matter who was playing the instruments, one could always recognize that the music was DIO.  And that my friends is what makes this guy one of the legends of heavy metal.  Simply put...a rock god.  

Opinions are widespread on where his albums stack up when ranked to each other.  Once again, a challenging project to undertake; nonetheless one that we are ready to take head on.  So don't be the last in line as we lock up the wolves on this journey down these very strange highways!

Released during the height of the grunge movement, this album was probably set up to fail before it ever began.  While you could definitely hear a much different tone with elements of industrial and grunge present, the band still tried to stay true to its roots.  Although this record comes in as the last on the list, it certainly is not a terrible effort.  In fact, I would venture to say it's probably the band's most underrated.  The piano ballad 'This Is Your Life' became a smash hit after his passing and encompasses Ronnie's brilliance when it comes to song writing.  Tracks like 'Hunter of The Heart', 'Black', and 'Stay out of My Mind' still inject that Sabbath doom and gloom flavor that we all have grown to love.  Definitely an undervalued album that grows on you the more that you listen...an aggressive assault on the senses. 

With an entirely new lineup in toe it was time for a clean slate at the dawn of a new decade.  18 year old prodigy Rowan Robertson was ready to take the world by storm on this release.  While anticipation was high, the results were a mixed bag of praise and criticism.  Many fans were disappointed as the album took on a different style than the one they had grown accustomed to.  Lacking the star power of a truly stand out track, the record is sometimes labeled dull and uninspired.  Unfortunately, the expectations were not met on the album which is why its ranked close to the bottom.  However; die hard DIO fans will tell you that its just misunderstood.  Tracks like 'Hey Angel', 'Evil on Queen Street' as well as the title track continue to invoke the signature sound we all know.  Good but not great...simply put.

After another Sabbath reunion came suddenly crashing down, Ronnie James Dio and Vinny Appice were once again left holding the bag.  However; the controversial split would not mean the end, but instead a rebirth for the two stalwarts.  The band added Tracy G on guitars and Jeff Pilson (formerly of Dokken) on bass.  The result was Dehumanizer 2.0.  Although the album did not match the success of it's Sabbath predecessor, it certainly sounded like a reboot.  Definitely one of their most underrated pieces, 'Strange Highways' brings that signature doomy sound and style.  Slow eloquent tempos with a mixture of grooves, bends and hooks.  Plenty of hidden gems and not much filler on this one.  While the title track firmly stands out, it's the sleepers that truly define this album among the best.

The third album for DIO was a bit of a step down from their previous efforts.  As the saying goes, "The best laid plans of mice and men often go awry."  Sometimes going to the well one too many times can be detrimental and that's exactly what happened on this album.  That's not to say that the album was a failure because that would be a flat out lie.  It was just too much of the same as the favorite recipe had become stagnant.  With that being said, the album was still catchy and some tracks hit the nail.  In fact, the title track remains one of the bands greatest overall tunes to this day.  In retrospect, the sound production probably hurt the record's overall success.  In a cruel twist of fate, this would  mark the end of the road for Vivian Campbell in the band.  Substandard for DIO, but still pretty solid.

Sadly this would be the last album for Dio but what a swan song it was.  A solid album that featured frequent collaborators from the bands past.  RJD's vocals aged like fine wine as he could still belt out lyrics with ferocious tone and synergy.  And the rest of the band was able to match that intensity resulting in an epic finale of success.  Consistent and focused, there is not one bad track on the album with little to no filler.  Beginning with the opener 'One More For the Road' the record absolutely hits hard.  Other standout songs include 'End of the World', 'Shivers', 'The Man Who Would Be King' and 'Death by Love' as well as the title track.  While the album is overshadowed by the classics, there is definitely a place at the top for die hard fans.  Its always nice to go out on top and this record fits that narrative.

How could Dio's legacy be complete without a concept album.  RJD's love for the dramatic is encompassed entirely on this conceptual thriller.  Record sales definitely do not tell the story for this one as they tanked.  However, the album is littered with all of his most beloved musical trademarks and traits.  The album has since gained a cult following among die hard fans and heavy metal analysts alike.  A stellar mixture of heavy dark energy and soft ballad melodies make this one of their most underrated works of art.  Of course the plan of a conceptual trilogy would never come to fruition so we may never fully understand the of the ending of the story.  Nonetheless, this fantasy laden record sends chills down your spine.  Pop it In and take a spin, be prepared to be blown away. 

Removing star guitarist Vivian Campbell from the lineup could have spelled doom for any other band.  Not Dio.  Adding Craig Goldy actually ignited a fire in the band and the result was an epic blast of heavy metal destruction.  The newfound energy enabled the band to produce an A list record.  The album once again featured top notch songwriting and elite musicianship.  The band was back to the formula that helped them rise to the top of the metal food chain.  The band's new guitarist embodied some similarities in style to Ritchie Blackmore which paid homage to Rainbow on a few tracks.  The opener 'Night People' is a speed metal eulogy which features an absolutely epic solo.  Other stand out songs include 'Dream Evil', 'Sunset Superman', 'All the Fools Sailed Away' and 'I Could Have Been a Dreamer'.  Excellent album from an excellent band.

This was a throwback to the classical era of Dio.  This version of Dio featured Doug Aldrich on the axe and he did not disappoint.  Crisp and tight musicianship that featured inspiring riffs and hard hitting bass lines.  The band went away from commercialized mainstream style as they tried to emulate their roots.  The finished product was a traditional metal album that fans would love.  Its almost like Ronnie jumped into a time machine back to 1983 in one fellow swoop.  The lyrics were once again more focused, the songs had more energy, the sound was more polished.  This was an album that was released way after its time but yet one that could have followed the big 2.  One of my personal favorites and definitely top of the list worthy.  One of Dio's finest hours.

So much for the sophomore jinx.  There was no slumping on this album.  Dio was in it to win it and there was no turning back.  As their breakout debut became one of the greatest debuts of all-time, you could probably say that this one ranks among the best of sophomore metal lore.  The album featured all of the classic Dio characteristics including themes of fantasy and mysticism.  Far from a reboot though, it had its own attitude which sets it apart from its predecessor.  The title track is the most notable but the true sleeper is the epic finale 'Egypt (The Chains Are On)' which once again features Vivian Campbell's dominance on the axe.  Another prototype masterpiece for Dio and one that would further cement their place at the Mount Rushmore of Metal.

This might as well have been titled the Holy Grail.  The seminal album of Ronnie James Dio career marked the apex for the band album wise.  Not only is this Dio's top album, many consider this as one of the top heavy metal albums of all-time history.  Definitely one of the best debut albums of all-time as well.  Simply a masterpiece in every way.  The record featured every aspect of a great heavy metal album.  Awesome musicianship.  Top of the line songwriting.  Multiple mega hits.  Plenty of relevant substance.  Zero Filler.  All the marks of an excellent album.  Dio struck gold on this one and the record lives on forever.  Raw and edgy but to the point.  Lyrically and stylistically elite.  The top of the food chain for Dio and one many metal fans all time favorites no doubt.  Bow to the King.

Once again, we hope that you enjoyed this edition of top album lists.  Dio is one of the all-time greats and it was a treat going back in time to chronicle their catalog.  Of course, as always this is a matter of opinion and hopefully you will share yours.  We will continue to bring you the best of top album lists and we challenge you to request your favorite bands so that we can cover them in the future.  As always, we hope that you will join Kevin Law and Johnny E every Thursday from 7PM-9PM as they pound out the best of metal old and new!!  And in closing, we wish you continued safety during these unchartered times.  As we close, please enjoy this special from Holy Diver!!!  Rock on Mates!!

Written By Jason Voorhees

Considered one of the most successful heavy metal bands in history, Iron Maiden has carved their legacy in stone despite very little mainstream efficiency. 

Instead the band has mastered the underground platforms In an effort to forge an army of loyal fans and support.  The band's success is due in large part to their energetic coma induced live performances that have become legendary in the metal industry.  

Throughout the years Maiden has produced a catalog of some of the greatest metal albums we have ever saw.  With that being said, there is widespread debate on which albums belong among their best.  In this week's addition we will attempt to put aside the doubt and face the critics head on while compiling our very own ranking of Maiden's top records.  

So, take a journey back to Somewhere in Time; its A Matter of Life and Death as we take this Dance of Death into the Final Frontier ​with Iron Maiden...

One of the top albums during their reunion era, this classic brought the audience to a warfront stage.  While infusing themes of war, death and religion the record was a lyrical and musical masterpiece.  It's a spirited mix of classic Maiden epic synergy and elite songwriting.  There are plenty of stone cold hits as well as some sleeper stalwarts.  Tracks like 'These Colours Don't Run,' 'Brighter than a Thousand Suns' and 'The Reincarnation of Benjamin Breeg' belong on the same level of their most beloved classics.  It's truly those hidden gems though that set this album apart among their very best.  This is truly one of Maiden's most underrated albums and it was no coincidence that they chose to play it in it's entirety during the debut tour.  Solid effort and definitely among the best of Maiden's catalog.  

The return of Bruce Dickinson and Adrian Smith marked the resurrection of Iron Maiden.  And this album represented a return to greatness for the band.  The highly anticipated release came on the dawn of a new millennium as all of the stars aligned.  When all hope seemed to be lost, Maiden proved that they could once again rise to the top as they produced this timeless classic.  Musically and lyrically it followed the bands prudent formula of galloping rhythms, blistering solos and mystified story telling.  The result was another epic standout of heavy metal purity.  Standout tracks include 'The Wicker Man', 'Ghost of the Navigator' and 'Blood Brothers.'  There was not much filler here.  Fans were ready and the underground giants definitely delivered on this one.  Exhilarating album at the least.

Often mistaken for a concept album, Maiden's latest studio album has received widespread criticism.  And this is the exact reason why the record belongs so high on the list.  Iron Maiden has never been afraid to experiment and test the boundaries as far as creativity goes.  'Speed of Light' was an enigmatic anthem that returned to old school  Maiden of yesterday and the sound was brilliant.  The album boasts many other classic style tracks that pay homage to the band's roots.  I sometimes see similarities between negative attitudes of  this album and Judas Priest's conceptual  thriller 'Nostradamus.'  These criticisms usually center around the length of many of the tracks.  However; it's the longevity at the album's core that has always separated Maiden from its competition.  Best album in years hands down.

A progressive classic from beginning to end.  The album blends synthesizer laden music with Maiden's trademark gallop riddled rhythms.  A colorful epic flavor of heavy metal madness.  Another underrated record in their catalog, its sometimes the forgotten step child because its buried between two seminal giants.  However; the album does not lack star power as it assaults the senses musically and lyrically.  When it comes to Maiden, there is always going to be an underappreciated value to all of their work and 'Somewhere in Time' is no different.  "Wasted Years" is among the bands greatest tracks of all-time while "Alexander the Great" ranks among their most prized sleepers.  A must own for die hard Maiden enthusiasts and if you have never listened I challenge you to take a spin; you will be pleasantly surprised.

The birthplace for Iron Maiden made its bed in this raw edgy debut self titled thriller.  The pioneers of the new wave of British Heavy Metal made a dazzling impression with their original style and sound.  If it were not for the sound production this one could have landed closer to the top.  With that being said, what the album loses in sound it certainly makes up with  brilliant musicianship.  The album also featured the band's first lead vocalist Paul Di'Anno who could absolutely wail on the microphone.  The combination of Dave Murray's stellar guitar, Steve Harris' elite bass playing, Clive Burr on Drums and Di'Anno's jaw dropping vocals was exactly what the heavy metal world had been waiting for.  Some of Maiden's most cherished songs make there home here; the band's very first instant classic. 

Although it would mark the end of Di'Anno on vocals, it did usher in the era of Adrian Smith.  The duo of Smith and Murray gave Maiden their very own KK. Downing/Glenn Tipton montage and the results paid instant dividends.  There was more harmony and inspiration which invoked more energy.  It seemed that the group had graduated from jayvee as they joined the ranks of varsity lore.  And even though the record was Di'Anno's swan song, he was leaving the band at his absolute peak and this album signified that feat.  From the inglorious intro "The Ides of March" through the galloping glory of "Wrathchild" to the raucous "Murders in the Rue Morgue", the album was filled with metal magnitude of top line proportions.  This was where Maiden made their jump and there was no turning back.

This conceptual masterpiece saw Iron Maiden embrace their progressive style as they perfected the brand.  As concept albums normally do, the album takes the audience on a visual journey that's more real than your most remembered dreams.  Honestly, when I first heard this album I had nightmares for two weeks; that's how powerful the trance centered core screams as you listen to the album in its entirety.  Its no wonder that this was one of Maiden's most successful commercial endeavors as the album charted high all over the world.  An album that's littered with top notch hits and zero filler.  Sounds like an excellent recipe for success to me.  Tracks like "Moonchild", "The Evil that Men Do" and "Clairvoyant" provide chills while the title track is a nine minute marathon of non stop attitude. Top notch metal album from start to finish.  A grand slam home run.  

Some fans and critics say this is Maiden's best pure album.  There is definitely something that can be said about the songwriting and literacy of their lyrics.  Nicko McBrain made his debut behind the drums and provided a new element; that which elevated the band to new heights as they were rising to superstardom around the world.  One significant characteristic that stands out is the technical tightness of the band as a whole.  While its predecessor put them on the mainstream map, "Piece of Mind" truly showcased their elite status as artists.  It also marked a transition from classic metal to a more progressive and novel approach.  The band was maturing in front of our eyes and were truly successful in making that jump.  This was the straw that stirred the drink for many years to come.

If we were doing a popularity contest this one would definitely take the cake for Iron Maiden.  In fact, this album is mentioned whenever top heavy metal albums are discussed.  A wall to wall cataclysm that sent Maiden over the mainstream threshold and onto commercial success.  The debut album for Bruce Dickinson represented the bands breakthrough.  Although Di'Anno was an elite vocalist in his own right, Dickinson simply had more range and his stage presence was contagious.  You can hear that endless energy throughout the album.  Too many hits to list, this was definitely Maiden's calling card of epic stardom.  This timeless classic is owned by heavy metal maniacs all over the world.   Definitely one for the ages and one that I can still listen and jam to from beginning to end at capacity volume.

How do you follow up a record of magnitude like 'The Number of the Beast'.  That answer is easy...just perfect the formula.  That's exactly what Iron Maiden did when they released this bombshell.  Many would consider this as a controversial pick for top album but not the true experts.  These metal enthusiasts consider this the definitive album of Maiden's entire catalog.  A fierce collection of big dick energy, the record consists of several top of the line giants.  There are a smattering of hidden gems and sleepers.  And then there's the encore "Rime of the Ancient Mariner."  Wow.  There is really not many words that can describe this epic giant.  Not only is this Iron Maiden's Mount Rushmore, it also features some of the most elaborate artwork penned to an album cover.  Phenomenal album by a killer band!  

Thanks so much for taking that journey with us as we chronicled the best of the best of Iron Maiden.  We certainly hope that you have enjoyed this new segment and challenge you to send in your picks; so that we can rank your favorite band's catalogs.  In the meantime, we hope that you will check out Kevin Law and Johnny E Thursday evenings from 7PM-9PM as they play your favorites from past and present.  I also would like to wish you and your families best wishes and pray for your continued safety during these unchartered times. 

​As we leave you...please enjoy this timeless classic from the Powerslave album.  Until next time...rock on mates!!!

Written By Jason Voorhees

Black Sabbath is recognized as the forefathers of heavy metal music.  While Sabbath may have invented the genre, Judas Priest is most responsible for being it's biggest pioneer and one that has most defined the style over the years.  In fact, Judas Priest even once labeled themselves the Metal Gods and rightfully so. 

2020 marks the 50th anniversary of the bands existence and they are still going strong despite some line up changes along the way.  

With that being said, their catalog remains one of the most extensive in metal encompassing 18 studio albums.  When reviewing most other band's top albums, the same ones usually appear at the top give or take a few.  However; there is widespread debate when it comes to Priest's catalog.  Ranking this bands albums will certainly be a challenge but Philly Rock Radio is up to the task.  

Without further ado, here is Judas Priest's top albums ranked worst to first...     

The 14th Studio Album by Priest was the second and also the last to feature Tim "Ripper" Owens on vocals.  The follow up to 'Jugulator' was in fact not very good.  Taking Rob Halford away from Judas Priest is like taking a bottle from a baby, its just not the same.  This is in no way a shot at Tim Owens; who in deed did a very admirable job taking over the lead gig in Halford's stead.  The album just lacked that Priest energy and upper echelon sound.  Stylistically generic and over produced.  Unfortunately this one missed the mark which leaves it at the very bottom of the barrel for Priest.  Not a terrible album, just not the standard we have grown accustomed to with Judas Priest.

'Jugulator' was the first album to not feature Rob Halford on vocals.  As expected, this did not sit well with the fans and record sales suffered.  The band adopted a more ferocious style in the realms of Pantera and Slayer.  Judas Priest was trying to adapt to the times and the new persona showed.  Overall, much better than 'Demolition' and an album that gets better with time.  It sort of grows on you after you put away your preconceived stereotypes of what Judas Priest should sound like.  While the album lacked melody it was replaced with a more in your face approach and the results were mixed.  Nonetheless, it did have a few standout tracks including "Blood Staind" and the epic finale "Cathedral Spires."  All in all this is a record that has gotten better over the years.

This was ground zero for Priest.  The debut album was definitely edgy and raw.  Although the record was not groundbreaking, it did provide a blue print that would eventually help the band strike gold.  A polished work of art, this was the record that would plant the seeds of future success.  Tracks like "Never Satisfied" and "One for the Road" were hard rock in its infancy and the sound was much more progressive.  The album also provided a sneak peak into the dual guitar mastery that would later be the band's trademark.  The songwriting was masterful as Priest was putting their stamp on the music world.  A solid album overall but certainly not the same level as their heavyweights. 

After their attempt at going glam with 'Turbo', Priest decided to return to their classic sound on this one.  While the album still contained traces of electronics it was more synthetic.  With it's long term producer Tom Allom jumping ship, the band seemed out of sync.  Nonetheless, the record took on a much heavier tone as they tried once again to embrace their roots.  While the songwriting suffered, the album did produce a few bona fide hits with "Ram it Down" and the epic "Blood Red Skies."  Unfortunately there was more filler than sizzle as Priest was still trying to capture the flavor of yesteryear.  Let's call it all or nothing as the band was still seeking elite status after this bumpy detour.

This album would undoubtedly sit much higher if it didn't sit smack in the middle of two instant classics.  The bands third album still shared that raw edgy sound of classic Priest and represents the calm before the storm.  A transitional record at heart, the band had not quite hit puberty.  However; tracks like "Starbreaker" and "Dissident Aggressor" hinted at that changeover to heavy metal glory.  The highlight of the album was actually a cover of Joan Baez's "Diamonds and Rust" which showed the dynamic nature of the band.  Another record that is littered with filler but one that predicted the bands readiness to overtake the upper echelon of metal.

Probably the most debated pieces of work ever done by Priest.  A conceptual album in its purest form, opinions were widespread and split across the board.  While many experts rank the record much lower due to its marathon longevity, they seem to miss the elite song writing and musicianship that is captured throughout.  Concept albums tell a story and Priest brings you on a joyride into one of the most controversial figures in history.  In fact, if you listen to the album straight through you can almost see the prophetic visions in sight.  Standout tracks include "Nostradamus", "Prophecy" and "Pestilence and Plague."  A masterpiece of art and highly underrated among the Judas catalog.

Judas Priest meets glam metal in this synthesizer induced coma.  'Turbo' was met with much criticism by die hard fans and music critics alike.  However; even though this was a far cry from what Priest is known for, the album was actually really good.  The title track was as good as any of their big name classics and is still played during concert tours till this day.  While the style was much different, the songwriting was magnificent.  Underrated tracks galore on this one including "Parental Guidance" and "Private Property."  Critics will say that the synthesizers dumb down the music when in fact they truly emphasize the stellar guitar mastery.  An instant classic even if it wasn't classic Priest. 

The soul of Judas Priest was redeemed by this record, one that wasn't even supposed to happen.  KK. Downing had retired thus ending the career of the band.  Enter Richie Faulkner.  The young prodigy guitarist had played for the band during the Epitaph tour and had done such a great job.  This is a record that spans the entire career of Priest as far as style goes.  "Sword of Damocles" takes you back to seventies Priest while the title track and "Halls of Valhalla" scream Painkiller era.  The band does not miss a beat with Faulkner on the axe and the record sizzles.  "Down in Flames" has an old school 80's feel much like the Defenders era.  Yes Priest was going full on back to their roots.  Long live metal.

This was deja vu as Rob Halford was back in the band.  They say lightning rarely strikes twice but that is exactly what Judas Priest did with this album.  It was clearly what the fans had been waiting for and the results were marvelous.  A solid metal album from beginning to end, Priest was back with a vengeance on this masterpiece.  From the opening track "Judas is Rising" Halford's voice was ferocious and epic.  "Deal with the Devil" and "Revolution" continued the lyrical onslaught moving right into the semi ballad "Worth Fighting For."  And the classic dual guitar energy was present throughout the entire album.  This release proves that you can take the band away from Halford but certainly cant take Halford away from the band.  Welcome back metal god.   

Quite possibly the most underrated album of their catalog.  This one had huge shoes to fill as the follow up to 'British Steel' and the band did not disappoint.  Although you don't see the same love or fervor for this particular record, there is no denying that its a damn good album.  The opening track "Heading out to the Highway" makes you want to hop in a convertible to speed down the sunset strip.  If your looking for hidden gems you don't have to look further than "Desert Plains."  And if its party anthems that feed your fancy check out "Solar Angels" and "Hot Rockin."  The sound was much more commercial but the attitude was still blazing.  Love me some classic Priest baby.  

Rated by many as the top heavy metal album of the past decade, 'Firepower' took the world by surprise.  Maybe the biggest surprise is that Rob sounds like he has not aged a day.  Amazing album from top to bottom, it displays the full Judas Priest mantra on a platter.  Blistering guitar solos embody the epicenter while Scott Travis' drumming keeps the sound on point.  The title track sounds like a reboot from the Painkiller album while "Lightning Strike" literally strikes fear into its audience.  This is as close as you will come to Priest in their prime.  Not to mention, coming in at number 5 on the billboard top 200, it was the band's highest charting album of all-time.  

Released as "Hellbent for Leather" in the United States, this album was the first one to embody that classic incarnate sound.  It was the gamechanger we had all been waiting for and Judas sealed the deal with a kiss.  One of Priest's calling cards is their songwriting and this one defined the essence of elite.  The record is littered with stalwart anthems including 'Delivering the Goods," "Hellbent for Leather;" "Killing Machine," and "The Green Manalishi."  They also recorded another top line ballad with "Before the Dawn."  The maturity of the band truly rang out throughout this record as their diversity shined brightly.  Pretty much the straw that stirs the drink in Priest's rise to the top. 

A kick ass heavy metal masterpiece.  The opening one-two punch of 'The Hellion/Electric Eye" may be the greatest in heavy metal history.  The dual lead guitar work is quintessential Priest at its absolute best.  And the rest of the album maintains the signature style and sound that we all love.  This album is always mentioned when discussing classic metal records that truly defines this genre.  In fact, some critics actually rank the album as Priest's best.  The only reason its not higher for me is a few useless duds.  No doubt one of their seminal albums and definitely top rank worthy.  Other standout tracks include "Devils Child," "Bloodstone," "Screaming For Vengeance," and "You've Got Another Thing Coming."    

The sophomore release for the metal gods may have very well cemented heavy metal at its core.  In fact, some historians consider this the very FIRST true metal album.  Wherever you stand on this argument, there is no doubting the albums importance to overall heavy metal lore.  Lead vocalist Rob Halford showcased his screeching high pitched voice throughout the record and quickly became a fan favorite.  "Victim of Changes" is an epic musical masterpiece that features multiple bridges, bends, twists and many other facets of metal mania; while "The Ripper" showcased the first example of KK/Tipton golden dual axe action.  This may have been infancy but it was certainly mastery.  An instant classic.

Judas Priest hit heavy metal bedrock with this iconic album.  The band emphatically announced their arrival as the "Metal Gods" and the rest was history.  Not only was this one of Priest's most important albums, its also the one that put them on the mainstream map.  "Breaking the Law" and "Living After Midnight" became MTV main stays while "Metal Gods", "Grinder" and "Rapid Fire" became cult fan favorites.  'British Steel' is lean and mean to the core.  No lavish double disc filler.  Straight and to the point.  It was at this point that The Priest decided to take on the entire world and the rest were left in the dust.  One of my personal favorites and definitely near and dear to metal fans everywhere.

Judas Priest redefined traditional metal with one fellow swoop when they released 'Painkiller.'  Unfortunately this would be the last record to feature Rob Halford for a very long time.  This was the archetype metal album on display for the entire world to see; all guns blazing!  The dictionary and thesaurus for all future metal bands to forge their craft.  From beginning to end this album flat out rips.  The opening title track provides the narrative for the rest of the album.  Loud, heavy, intense, heart pounding, and lightning fast.  A superb fistful of metal at your fingertips and all you have to do is hit play.  The album contains multiple hits including "Painkiller", "Nightcrawler" and "A Touch of Evil" but its the uncut gems that truly make this a standout among rulers. Now let 10,000 heavy metal maniacs scream!  

Speed metal was spoken into existence on this instant classic.  "Exciter" was the prototype speed metal art de jour and spawned an absolute beast of an album.  Finally Judas Priest had arrived at the edge of their peak and the result was a technically perfect blend of musical mastery.  'Stained Class' is the moment that The Priest announced they were kicking ass and taking names.  Epic riffs, melodic symphonies, the Halford screech; this one has it all folks.  And dare I say maybe the greatest heavy metal ballad ever written..."Beyond the Realms of Death" which takes the listener into another level of trance.  One of the greatest pieces ever written by Priest and a flat out mortal lock in the realms of heavy metal history.

Eternal debate shines its light when ranking the favorite albums in The Priest catalog.  However; there is no debating which album was made at the band's absolute peak and that would be 'Defenders of the Faith.'  Definitely the most polished effort they have ever recorded.  The album once again is filled with masterful songwriting and the musicianship is elite.  The lyrical content is top notch and the composition is legendary.  The entire album is enjoyable, especially the first 8 tracks which rival most in their catalog.  An innovating, inspiring performance by the entire band.  "Freewheel Burning" brings the energy.  "Jawbreaker" brings down the house.  "Rock Had Ride Free" has one of the most glorious intros you will ever hear.  And "The Sentinel" may be their best song ever.  Point is, I could write a novel about just how good this album is but will settle for a paragraph.  The best of the best hands down.

Judas Priest will always be near and dear to all of those that admire heavy metal. 

It's no secret that they have produced one of the greatest catalogs in metal history.  Hopefully you enjoyed our journey as we chronicled these albums and ranked the best.  This has been an exciting new segment and we hope to continue this trip down memory lane with the greatest metal bands of past and present.  We certainly would love to hear feedback and we challenge our fans to request their own personal favorite bands.

Don't forget to check out Kevin Law and Johnny E every Thursday evening from 7PM-9PM as they countdown the greatest metal from present to yesteryear!  And as always, have a great week and please stay safe in light of the recent coronavirus incident and mania.  Please enjoy this Judas Priest classic as we leave you until next week...Rock Hard Ride Free!!!

Written By Jason Voorhees

Welcome back to another addition of Top Album Lists here at Philly Rock Radio. 

Thanks for joining us as we have taken a deep dive into some of the most iconic metal band's catalogs in history.  Today that journey continues as we take a look at one of the most popular metal band's to ever grace the stage. 

That band is of course AC/DC.  And just like the previous bands, these guys do not need any introduction. 

Their history and legacy speaks for itself.  Formed in 1973 by the Scottish-born brothers Malcolm and Angus Young, AC/DC quickly forged a path of elite musicianship in their rise to the top of Mount Rushmore. 

The results tell the true story...over 200 million records sold world wide; including 71.5 million albums in the United States alone.  The band was named the seventh greatest metal band of all-time by Rolling Stone Magazine.  VH1 ranked them at #4 on their "100 Greatest Hard Rock Artists of All-Time."  Some experts have even named them the greatest rock and roll band ever.  You get the point...this band is an iconic brand if we ever did see one.

Needless to say, when ranking the catalog for a band of this magnitude, the task will be incredibly difficult.  However; we are confident that our expert knowledge and ears for talent will help solidify the best of the best. 

​One fun part about these projects is that we get to go back In time and replay the albums in their entirety.  This process has been extremely rewarding and enlightening.  So For those about to rock we salute you.  Now let's go back in black on this highway to hell...      

An extremely underrated album and definitely one of my personal all-time favorites.  In fact, there is not one bad track on the record.  One popular knock on AC/DC is that many of their tracks sound exactly the same.  Well I would say that this particular release definitely spit back in the critics faces.  The record was more stylistically advanced and definitely had much more variety.  Overall a solid album from start to finish.  The album charted at # 4 on the US Billboard Top 200 and shares a 2x platinum in sales.  Key tracks include "Hard as a Rock", "Burnin' Alive", and "Ballbreaker".  If you want a sleeper though check out "Hail Caesar"...wow.  I think the x-factor was Rick Rubin as he initiated  an absolute killer production.  Obviously not the best AC/DC album ever but definitely top ten worthy! 

The eight year hiatus between albums was the longest tenure in AC/DC's history.  The fifteenth studio album just happened to be the bands' longest running time as well.  This record truly tried to recapture the classical sound that AC/DC fans had grown to love and the band did not disappoint.  "Black Ice" was a huge success as far as sales and it landed at #1 atop the billboard charts.  This was the kind of comeback that fans had all been starving for.  Great album with lots of energy.  Unfortunately, this was also the last time you would see the "Back in Black" era gang together as one.  Nonetheless, this was a solid effort that put AC/DC back on top of the musical mountain.  Did not think they would ever out due 'Ballbreaker' but this one absolutely ate the cake.  A must own for any of the classic era fans. 

What an awesome name for an album title.  Evil, raunchy and rowdy.  Album title and cover aside, this is a tremendous rock and roll record.  In fact, many say that this is arguably Bon Scott's best effort with AC/DC.  The title track is a live show staple and has stood the test of time as an absolute stalwart at all of the band's concerts.  Dirty Deeds as its known for short exemplifies the bands attitude and even more so the persona of lead singer Bon Scott.  The honesty and suggestive narrative is what separates the album from mainstream melancholy.  Tracks like "Big Balls", "Squealer", and "Problem Child" represent the epicenter of a band riding that bad boy mentality to pay dirt.  This masterpiece is raw and relentless.  Definitely one of the best albums in the catalog. 

The birthplace for AC/DC in the United States.  In reality, its the international version of T.N.T. which was only released in Australia.  Despite this confusion, there is no doubt that this album put the band on the map for the long haul.  An instant classic full of high energy tracks that is the calling card for the group.  Edgy and raw rock and roll in its truest form.  Although the album did not chart particularly well, it did receive critical acclaim for being original and to the point. This is what you call a plug and play as there is not one dud to be found.  Many of these tracks can be found on almost any AC/DC concert set list.  The staying power of this material makes it one of the most influential of the entire catalog.  T.N.T its dynamite, take cover from the high voltage folks or you may get the jack.  Top notch album.

As the successor to 'Back in Black' this album was pretty much set up to fail before it even began.  In fact, over the years the album has endured its fair share of criticism from countless avenues.  Despite the negative perception though, the album was a big hit as it scored a #1 rating on the Billboard, a feat that is sometimes forgotten.  One could say that this record lives mainly off of the gargantuan hit title track and that is the easy way out.  However; truth be told there are many solid songs on the album in spite of the lack of name recognition.  I think its safe to say that had this record been released before its predecessor, its popularity would have been off the charts.  Brian Johnson's pipes are even more glorious on this one if that can even be possible.  4 Million record sales later, it still remains a classic.

This was AC/DC's rebirth 2.0.  Just like 'Back in Black' had done ten years earlier in revitalizing the band's career, this album was the spark that fans had been waiting for.  Sometimes all it takes is a new producer with a new vision to get a band back on track.  That is exactly what happened here as they now had Bruce Fairbairn in toe and the rest was revisionist history.  Angus Young was given an ultimatum to travel the time machine to a place where he was once again seventeen.  And the finished product was absolutely epic.  The first track "Thunderstruck" is arguably the band's greatest song of all-time.  And the album is compromised of many other 'A' list monsters.  As other musical genres (grunge, nu-metal, etc.) were taking over, The Razors Edge saw AC/DC once again claim top dog of hard rock greatness.

Widely considered the crown jewel of the Bon Scott era, Let There Be Rock is the straw that stirred the drink for the bands takeoff in popularity.  This album was the antithesis to technical sound and progressive musicianship.  Punk rock meets heavy metal so to speak.  Angus Young truly showcased his talents on this one folks and Bon Scott's vocal words were musical magic.  If you did not know any better, one might mistake this studio album for a live one as far as sound production goes.  In fact, 'Hell Ain't A Bad Place to Be' was recorded completely out of tune.  The sound of the record was aggressive and raw; a feature that appealed to the masses.  The rest of the album smelled as good as roses...especially a 'Whole Lotta Rosie.'  Everyone was going left while AC/DC went right with this instant classic.

The band was finally able to take the platinum plunge.  AC/DC's breakthrough album busted down the highway and when the dust settled there was only hell to pay.  This would be the last album that Bon Scott would ever record as he sadly passed away only one year later.  Not only did the album fair better in sales and popularity, it also marked a change in production and sound quality.  Definitely the most polished and technical album of the Scott led era.  The title track may be the greatest arena anthem ever made and embodies the passion of the entire band.  The addition of Mutt Lange as the band's producer paid huge dividends.  They finally boasted a record with top of the line sound and quality.  This was the high point for the band till this point a crescendo that would not last very long though.

This was the album that truly showcased the dual guitar talents of Angus and Malcolm Young.  The duo was brilliant and Scott's lyrics were the missing link to an incredible masterpiece.  The infancy had matured in many ways, the training wheels were off and the band was rocking on all levels.  However; they still enjoyed that raw and unkept flavor and that's what made this album better than its successor in 'Highway to Hell.'  Most experts and many musicians consider this the best overall album of the band's catalog and cites its musical purity.  Another record with attitude but with more focus this time around.  You could tell that the group was trying to tell as story and the results were unanimous.  They finally struck gold and this was the holy grail.  This is another one you just have to crank up!

This was probably the easiest pick for a band's top album that I have ever had the chance of making.  A slam dunk, grand slam, power play, pick six all in one.  This album was literally the resurrection of AC/DC, as they had just lost their lead singer.  Not only was this the grand daddy of all comeback records, but it is mentioned as arguably the greatest rock and roll album of all-time.  The cream of the crop for the Australian Metal Gods, this represented their finest hour.  The album is littered with "A" list hits.  The hits keep coming fast and furious and if your looking for down time you will never ever find it.  I consider this one of the greatest overall records of all time in all musical genres.  The album never gets old and its one that you can still play through from beginning to end without skipping a track.  Passes the ear test with flying colors.  To hell with Mount Rushmore...This is more like Mount Everest.

Hope you enjoyed the walk down memory lane with AC/DC.  Next up is the METAL GODS themselves...Judas Priest.  Don't forget to check out Kevin Law and Johnny E every Thursday from 7PM-9PM.  Let us know what you think of the new segment and don't forget to send in any requests for a band you would like us to cover moving forward.  Until next time...Rock on Mates!!  We leave you with a special treat from AC/DC!

Written By Jason Voorhees

We here at Philly Rock Radio certainly hope that our loyal listeners have enjoyed our latest showcase of "Top Album Lists".  During each segment our favorite band's albums are rated and ranked from worst to first.  

Of course we had to start with the forefathers of heavy metal in Black Sabbath.  We then tackled the British legends Def Leppard for the sophomore piece.  As mentioned...if any of our listeners would like us to feature a specific band feel free to speak up or give us a shout out.

In any event...

The next band up on this carousel is Van Halen.  And when it comes to VH...which side of the ride you find yourself on depends on whether you prefer the David Lee Roth flavor or the Sammy Hagar variety.  This is a debate that is not easily settled and definitely shares many layers.

For me personally, I have always preferred the Sammy Hagar led version of the band.  With that being said, I have always maintained an objective mindset and admiration for the Diamond Dave era as well.  Both versions have produced many excellent albums which will make the task of ranking them that much tougher.

Van Halen's catalog remains one of the most unrivaled in hard rock/heavy metal history in large part to the man on the axe...Mr. Eddie Van Halen. 

When your band employs a guitar God you simply cannot go wrong.  The band has released twelve albums in total so two will be left off of this list.  Nonetheless, there will be some difficult decisions but we are definitely up for the challenge.  So get your popcorn ready, crank up the volume, pull up a chair and prepare yourselves for the Top Ten VH albums of all-time...

Often mislabeled a "cover album", this release often gets negative publicity.  In fact, Eddie Van Halen himself was angry at the way the album's production was rushed to get released by the label.  Although this is far from their best effort, Diver Down does have a lot of positive energy.  Even though the album is in fact cut in half by covers...those covers are pretty damn good!  "Where have all the Good Times Gone", "(Oh) Pretty Woman", and "Dancing in the Street" are all gold standard pieces of art.  And the original material is equally good as well.  While the album lacks the star power of the rest of their catalog, it does not warrant leaving it off the top ten list.  If this album had not been rushed, there is no telling where it could have landed.  So take a dive and get down with this classic.      

The final release of the Sammy Hagar era saw the band at the height of their maturity.  While the tensions and relationships were tumultuous at best, the band was able to focus and the result was another #1 on the US Billboard Top 200.  Balance saw the band take a deep dive; as far as a shift in topics and themes from what fans had grown accustomed too.  The album also employed a good amount of ballads, something die hard fans remained unhappy with.  Nonetheless, the band was able to release another top notch record that has stood the test of time.  Mainstream radio loved the record which regularly played "Can't Stop Loving You" and "Don't Tell Me What Love Can Do."  But the true gems were hidden like "Take Me Back (Deja Vu)", "Not Enough", and "Feelin".  Another great VH record down.

This was Van Halen at their most raw.  Full throttle rock and metal at its core.  VH's third studio album charted at #6 on the US Billboard Top 200 and was their heaviest to date.  One thing that truly stands out about this record is the bands shift from commercial popularity to an all out assault on the senses and the results paid off.  Timeless classics like "Everybody Wants Some" and "The Cradle Will Rock" are staples for any true Van Halen fan.  I also think this was the album where David Lee Roth truly exploited his song writing prowess and lyrical mastery.  No two VH albums are alike and this one was the next step in the bands rise to the top. Definitely a must own for VH enthusiasts and among the bands greatest of all-time.

Welcome to the second installment of the Van Hagar catalog.  The album would be hard pressed to top the success of its predecessor and rightfully so.  And although this record did not have the same level of success, it was still a damn good record.  In my opinion, this is the most diverse collection ever in the band's catalog.  From the opening guitar riff on "Mine all Mine", through the heart pumping ballad screaming "When its Love", to the bluesy ender "A Political Blues" the album has a fine mixture of style and content throughout.  Plus you can hear a focused man on a mission through Sammy's vocals.  Yet another US Top 200 Billboard hit for the band, the record has since went 4x platinum...an amazing feat for a band that thought life was over after Dave.

A pretty straight forward album title with an even straighter approach.  Less diverse than the previous two Hagar era records, this one was more guitar oriented with more in your face flavor.  The results was a blend of elite craftsmanship and production.  An album that can absolutely rock your socks off...one that you can put your top down too when racing down the freeway.  The tracks "Poundcake", "Runaround", and "Top of the World" were tremendous hit singles that defined the band's popularity in the music world then and now.  While "Right Now" became a staple on MTV for years to come as well as raising the bar to unseen levels once again.  An awesome album and one of my personal favorites. 

Sequels like Rocky2 and The Godfather2 are some of the most notable cinema sequels to rival their counterparts.  Well this was Van Halen's answer to their debut in music and the results were similar.  Not quite as epic as the beginning but certainly high level and impactful in quality.  "Eruption" meets acoustic with "Spanish Fly."  The album also produced more timeless classics to add to the bands catalog like "Dance the Night Away", "Somebody Get Me a Dr.", and "Beautiful Girls."  This was a killer record at a point in the band's life where it may have seemed impossible to recreate the magic of their first album.  While Van Halen faced enormous expectations; they were able to silence the critics thinking they were only one hit wonders by showing that they were at the top and here to stay.

Many Van Halen die-hard fans consider this the bands best overall piece of work.  No matter where you rank it, there is no doubt that this album belongs close to the very top of the scale for VH.  The band's fourth studio album is definitely their most dynamic.  Although the album didn't sell particularly well at first it still made it into the top 5 on the Top 200.  This album tends to portray a darker style of music than the bands previous efforts.  Tracks like "Unchained" are littered with attitude and Eddie displays a more ballsy approach on the axe.  I must admit, the more I listen to this record the more I grow to appreciate how truly good it is.  I might as well ​WARN you, this album is ​FAIRLY addictive and will light your pants on fire.  Give it a listen and you will instantly be hooked.     

When it was realized that David Lee Roth had left Van Halen, all hope was lost.  No band is supposed to survive the loss of such a charismatic and elite entertainer of that level.  Enter Sammy Hagar.  When the new album was finally released, it truly was like Dave had never left.  5150 was an instant classic and cemented the idea that bands can certainly overcome a change at the helm.  Sammy Hagar proved to be Van Halen's version of Brian Johnson or Ronnie James Dio, other lead vocalists that had joined star bands where the band refused to miss a beat.  Not only was this album iconic for Van Halen, it also produced some absolute gems.  "Best of Both Worlds", "Dreams", "Why Can't This Be Love" and "Love Walks In" are all top of the line stalwarts of their catalog.  Not to mention the album is the third highest seller coming in at 6x Platinum.  Not bad for a band that thought they had lost their way.

This is where it all began for me as far as Van Halen goes.  The first album I ever owned, and I was instantly a junkie.  While their debut album put the band on the map, 1984 catapulted the band into superstardom that is rarely seen.  Not only did the album chart well (#2) and sell a ton of records, it also produced three smash singles that were played out endlessly on MTV and radio.  This was Van Halen's "Black" album.  The record that infiltrated the bands presence into the mainstream like a shot of heroin.  This was the absolute peak for the band even though it was the end of the road for Diamond Dave.  Not only does the album have star power, its also riddled with sleepers like "I'll Wait", "Drop Dead Legs", "Top Jimmy", and "Girl Gone Bad."  Although its 36 years old, it still has the smell of a brand new car today.

The birthplace for Van Halen, their debut album just so happens to be their best as well.  Guitar god Eddie Van Halen was introduced to the world and the rest was history.  Van Halen's self titled album not only put Eddie Van Halen on stage, it was the beginning of the entire band's rise to the top.  "Eruption" hit the masses with a volcanic blast.  "You Really Got Me" screeched louder than a lion.  "Runnin with the Devil" shook people to the core.  "Jaime's Cryin" had all the girls panties in a bunch.  Ok...you get the point.  There is not one bad track on the album and it almost tells a story...sort of like a concept album but kind of not.  Anyways, I could write a book about how good this album is and it would not do it justice.  This is the album that all great guitarists pay close attention to and we all know why.  The crème de le crème on every level for Van Halen.  Masterpiece 101.

Written By Jason Voorhees

During last week's episode, we chronicled Black Sabbath's top ten albums of all-time.  Hopefully you all enjoyed the content and we received plenty of  feedback both positive and negative. 

Being die hard fans of heavy metal, it was easy to take a deep dive into the catalog of the band that started it all.  Black Sabbath is the perfect place to begin when traversing the heavy metal landscape.  With that being said, its time to embark on another journey into another band's path and to rank their most notable albums.

In this segment we will focus on the British Rock icons Def Leppard. 

This is yet another band that truly needs no backstory as their work speaks for itself.  Over 100 million records sold world wide.  2 Albums that have achieved RIAA Diamond certification.  One of only five bands ever to sell over ten million copies on two original studio albums in US history.  And a band that finally joined the ranks of the Rock and Roll Hall of Fame in 2019.

Def Leppard has overcome many odds during their existence and they have produced many great albums in their day.  Without further ado, here are Def Leppard's Top Ten albums of all-time...

An arena rock classic that rejuvenated the ever popular band.  This album saw Def Leppard embrace their roots quite frankly.  It debuted at #5 on the Billboard Top 200 and sold 55,000 copies during its first week.  Not bad for a band that had begun to descend the popularity ranks during the previous few years.  The bands members described the album tracks as being written in the style of "Hysteria" with the production style of "High and Dry."  Any time you are searching for success, its always a good idea to go back to what got you to the top and this was no different.  The band even recruited country singer Tim McGraw who performed on the super single "Nine Lives." Overall this was a solid effort for Leppard and put the band back on the map.  A definite must own for any and all Def Leppard purists.    

This album marked the return of the band's former star producer, Mutt Lange and the results did not disappoint.  Although his role was limited, the material was well worth the wait.  Euphoria debuted at #11 on the US Billboard Top 200 while producing the smash hit single "Promises" which Lange was responsible for producing.  While the album invoked a similar style as Hysteria it unfortunately missed the mark with some of the material.  There were some stretches where the album lacked focus.  Nonetheless, another pretty solid effort and definitely worthy of top ten prowess.  Despite the albums inconsistency, it did earn gold certification and according to the band ranks among their best albums of all-time.  Taking all of that into account, the album slots in perfectly at #9. 

Finally a return to the band's glory days.  Def Leppard's self titled album was the perfect annex for time travel as they were able to gracefully step back into the eighties and the results were priceless.  An instant classic that screams masterpiece.  This was the album that die hard fans were all waiting for.  An album that went back to the good ole days of yesteryear.  A solid effort up and down the lineup littered with star power.  Stand out tracks include "Let's Go", "Dangerous", "Man Enough", "We Belong" among many others.  Definitely worthy of the top ten and definitely one of Leppard's most consistent studio albums ever.  If you have not heard this one you will definitely want to check it out as I dare you to be disappointed. 

The fifth studio effort for Def Leppard unfortunately came at the low point for the band following the untimely death of guitarist Steve Clark.  As if that was not hard to deal with in itself for the band personally, the album was also the follow up to their greatest effort ever with Hysteria.  Despite all of the turmoil, Adrenalize was a huge success as the album debuted at #1 on the US Billboard Top 200.  A magnificent blend of hard rock mixed with potent pop rock flavor.  Released during the infancy of digital, the sound production may have been a bit overdone but it nonetheless succeeded in winning over the audience.  A solid album from top to bottom, Adrenalize represents Def Leppard's full transition from heavy metal pioneers to pop metal icons.  This album is still catchy today...28 years later!

If this was a popularity contest, Slang would probably fall much lower on this list.  However; this is a "best of" list which means that all boxes must be checked to truly get an idea of the albums overall achievement.  With that being said, Slang ​may be the most underrated album of Def Leppard's career.  While musical styles and genres shifted from glam to grunge, this was a difficult time period for bands that were used to playing glam and thrash metal.  Nonetheless, Def Leppard was able to release this stalwart as they transcended their musical boundaries both musically and lyrically.  The result was a terrific blend of grungy sound with a balance of their classic sound and energy.  I must admit that when this album was first released I absolutely hated it, but it has aged better than your local fine wine and spirits.  Definitely belongs among the best of Leppard's catalog.  

This was the album where it all began.  This was Def Leppard at its heaviest and the sound was delightful.  Probably their most "metal" album ever produced, their debut release was raw and to the point.  Steve Clark and Pete Willis formed a dynamic duo on guitars that could absolutely shred with the best of them.  Songs like "Wasted" and "Rocks Off" are still to this day considered some of Def Leppard's heaviest sounding tracks ever.  Remember, this was a time period where the British Invasion was in its earliest stages and bands like Judas Priest and Iron Maiden were dominating that scene.  Def Leppard was able to provide a unique sound that truly was original and different and the fans loved it.  The first may have not been their most polished effort but it certainly put Def Leppard on the map and there was no turning back.  

While On Through the Night was the album that put Def Leppard in the game, Pyromania was the absolute game changer.  A Heavy Metal masterpiece in both production and results and the rest is history.  The album reached #2 on the Billboard Top 200 and produced many hit singles including "Pyromania", "Photograph", "Rock of Ages" and "Foolin" among the most notable.  A classic from top to bottom, this album cemented Def Leppard's rise to the top of hard rock and heavy metal glory.  If you were to take a poll...this album would almost absolutely take the cake as far as everyone's favorite Def Leppard album.  Heavy but yet pop sounding.  Definitely mention worthy when ranking the band's top album ever.  For me its close but no cigar as there were others that check more boxes.

Casuals and mainstream Leppard fans may be questioning the placement of this album so high on the list.  But true metal fans and knowledgeable music fans will recognize the truth to the madness.  This was the first installment of the Vivian Campbell era in Def Leppard and this album is a true diamond in the rough.  While Vivian brought a new dynamic to the band, this album was the last one to include material from Steve Clark.  Overall, this may have been the bands most complete pieces of all-time.  First of all, it charted at #9 on the US Billboard Top 200 as well as going platinum in record sales.  But more important than notoriety and album sales, this album showed that Def Leppard could be just as dynamic with a new guitarist in toe.  Retroactive is extremely underrated and is the bands most dynamic album ever produced with a mixture of ballads and some heavy kick ass riffs.  Solid from top to bottom.

High and Dry was the band's second studio album and the first to feature producer Mutt Lange.  The production of the album was leaps and bounds better than the previous album and showed that Def Leppard was ready to be players in the heavy metal community.  The record hits the ground running with "Let it Go" and doesn't look back.  Overall a classic from beginning to end; there is not a clunker to be found.  Tracks like "Another Hit and Run" and "Mirror Mirror...Look into My Eyes" have star power written all over them.  While "You Got Me Runnin" and "Lady Strange" keep the ball rolling.  "Bringin' On the Heartbreak" was their first true ballad that foreshadowed their rise to pop.  This may be the most catchiest Leppard album ever produced and definitely remains my personal favorite.

Do you believe in miracles.  Well this album surely should have made you a believer as Hysteria was nothing short of spectacular.  Numbers alone do not show the sheer amazingness of this album (although over 25 million records sold worldwide is not too shabby in itself).  Every song on the album was a potential #1 hit.  In fact, six of the twelve tracks made it to the Top 20, something only a few albums have ever been able to accomplish.  The fact that the band was able to produce this album with a one armed drummer made that feat that much more amazing.  When looking back at albums that made lasting impacts on a bands legacy, you would be hard pressed to find one that matches up to this one.  This was definitely the crown jewel for Def Leppard and they struck gold.  This album is so good...it actually was ranked as the Top Hair Metal album of all-time by Rolling Stone Magazine.  This was definitely hard rock's answer to Michael Jackson's "Thriller."  They hit a grand slam and inside the park homerun on this one folks. 

Check out what we here at Philly Rock Radio are listening to this week. Just click on the song title or use our weekly Spotify playlist. And as always, we welcome you to add your new favorite song to our list!