It was 1988 when Aerosmith unleashed his epic song. Fans across the globe went crazy for the tune, and poker players in particular appreciated the title (because who doesn't like to have a wild card in a poker game?).

Aerosmith’s delightfully fun lyrics, “I love you 'cause your deuces are wild, girl, like a double shot of lovin' so fine,” create a perfect link between the love of poker and the passion of a secret love affair. And the narrator further confirms his feelings for the mystery girl as he proclaims, “cause you and me is two of a kind.”

Poker has always had a hold on culture like no other game, and this has been highlighted in particular by great rock musicians. Thanks for reading, and please check out our blog for more content on all things rock 'n' roll. 

​PRESS RELEASE: For immediate use
Contact: Sandy Hall, 215-490-4699
sandyhall@me.com
For more info: https://www.josiemusicawards.com

Long time Philadelphia, PA vocalist Sandy Hall, originally from Vukovar, Croatia has won Artist of the Year in Rock from The Josie Awards, the largest, privately owned, multi genre award show recognizing the hard work of independent music artists, songwriters, and support businesses in multiple genres.
 
Hall is founder of Kick It Out, A Tribute to Heart band based in the Philadelphia and the South Jersey area. The magnetic, seasoned vocalist and songwriter received the award Sept 18, 2021 at the ceremony in Pigeon Forge, Tennessee. Out of almost 40,000 submissions, Hall was in the 2.6% that made it to nomination and was nominated in 4 categories.  The awards show was filmed to be streamed with a date to be announced soon.
 
Since 2008, Kick it Out has performed to crowds at large venues in NY, NJ, PA, Delaware, Virginia, Massachusetts, Connecticut and in 2017 at Springfest in Ocean City Maryland on the same bill with legendary Joan Jett and the Blackhearts.  Singing in the role of Heart’s Ann Wilson, Hall’s soulful tone coupled with her powerful "big" voice is often compared to iconic female rockers like Pat Benatar, Chrissie Hynde, Melissa Ethridge and Stevie Nicks. Her soaring vocals and moving performances have left crowds with many “a goosebump moment.”

Hall started singing professionally very young—appearing on local TV in grade school and soloing in church as a teen. She recorded national radio commercials, including a Carefree sugarless gum ad that aired in 11 cities. Since the 80’s she has rattled the rafters of noted Philadelphia, Delaware and New Jersey hot spots to thousands of fans as a lead vocalist for many rock/pop and special affairs bands as well as original bands opening for national performers Robert Hazard and Heaven’s Edge. In recent years, Sandy has performed her originals supporting Kip Winger, Dan Reed of the Dan Reed Network, Jeffery Gaines and Living Colour.

Hall also has extensive recording studio experience, lending her voice to original tracks written by others as well as writing and recording her own music. Along with her KIO shows, she vocal coaches and mentors young aspiring singers and she continues to perform her own original music written with Chris DeMuro and music written John Ignatius Callaghan from her CD Sign Language in the tri-state area. New music is presently being recorded for upcoming release.
 
For her day job, Hall is a Registered Nurse clinical program consultant for a healthcare company. She and her husband, Chris, founded the North Ridge Music School and have three children.
 
She was nominated in 4 categories: Artist of the Year Rock genre, Vocalist of the Year Rock genre, for Sign Language CD songs submitted written by Callaghan, for Songwriter Achievement for Full Circle cowrite with DeMuro, and Tribute Artist of the Year Heart tribute band Kick It Out.
 
Hall’s CD Sign Language was remixed, remastered, and released in 2021 and submitted for these nominations. 
 
The award show was held at the Country Tonite Theater, which holds about 1,500 people. The two-day included the award show, red carpet, media interviews, a Vocal Competition,  Songwriter Workshop and multiple artist performances at the pre-concert and awards ceremony.
 
For more information on Hall and the band:
www.sandyhallmusic.com
http://www.kickitoutband.com/home.html
For streaming platforms:
https://sandyhall.hearnow.com
 
 
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Germany's gritty blues-rock-duo The Picturebooks have released their new single / video, “Rebel”, featuring Halestorm's Lzzy Hale. The video was filmed in Nashville and Berlin (Sony ‘Circle’ Studios) and the single is available to purchase and on all streaming platforms.

Lzzy states about track, “This project came into my life at a time when I really needed it. The Pandemic stole a huge part of my life, and my identity. I was forced to look myself in the mirror and figure out who I am without that missing piece. I had to remind myself that no matter what is happening outside...the flame that burns inside of me is still alive. Writing these lyrics was like drawing a road map to guide myself back to who I am. No one can do it for me, no one can save me but myself. In order to do that, I have to start a revolution inside my soul, and be a rebel from the inside out. This song is my war cry.

The instrumental music was so inspiring that by the third listen the melody naturally spilled out like some alien hybrid of all my influences. 

I am so grateful to The Picturebooks for bringing me into their world and giving me the freedom to express my personal journey of rediscovering myself. And I know that, in times like these, this song will bring the listener hope for the future and the confidence to survive whatever that future becomes.”

www.youtube.com/watch?v=lftJu1W8UMk

The Picturebooks adds, “It’s hard to put in words how excited we are about this collab. Lzzy has been the number one artist we wanted to work with when we started this project and bottles were poppin’ when she gave us the go to be a part of it. 

Honestly, the stuff she came up with for this song was beyond our expectations. When we wrote the song we knew that if we send this to anyone, it’s gotta be Lzzy.
We knew about the potential of the song, but we didn’t know it could be this good. How in the world did she pull this off? 

Beyond excited, Beyond happy. Mission accomplished.”

Due to their recently released collaborations with Dennis Lyxzen (Refused), Neil Fallon (Clutch) and additional musical appearances by Ryan Sinn (The Distillers) and Dave Dinsmore (Brant Bjork), the duo created some wild rumors within the last weeks with their unstoppable activities and tirelessness. This said, it is time to put an end to the secrecy and officially announce their new album "The Major Minor Collective" will be released September 3rd.

The Picturebooks & The Major Minor Collective was born out of the insane idea of bringing together various artists, who have either inspired the duo or who are their friends. The idea was to have some kind of creative exchange in these crazy times, a bridge to fellow artists. It also opened the musical range of the band in many ways and leads to the most varied musical work the pair have ever done in their career.

THE PICTUREBOOKS “ON THE ROAD AGAIN“ 2022 Tour Dates:
13/03/22 Hamburg @ Nochtspeicher (GER)
15/03/22 Gothenburg @ - Pustervik (SWE)
16/03/22 Stockholm @ Slaktkyrkan (SWE)
17/03/22 Copenhagen @ Hotel Cecil (DNK)
19/03/22 Antwerp @ Kavka (BEL)
20/03/22 Zwolle @ Hedon (NLD)
22/03/22 Cologne @ Artheater (GER)
23/03/22 Wiesbaden @ Schlachthof (GER)
25/03/22 Berlin @ SO36 (GER)
26/03/22 Leipzig @ Moritzbastei (GER)
28/03/22 Prague @ Futurum (CZE)
29/03/22 Krakow @ Kwadrat (POL)
31/03/22 Budapest @ Robot (HUN)
01/04/22 Vienna @ B72 (AUT)
02/04/22 Zurich @ Werk 21 (CHE)
07/04/22 Barcelona @ Razzmatazz 3 (ESP)
09/04/22 Madrid @ Caracol (ESP)
10/04/22 Bilbao @ Stage Live (ESP)
12/04/22 Stuttgart @ Universum (GER)
13/04/22 Munich @ Strom (GER)
14/04/22 Bielefeld @ Forum (GER)
17/04/22 Paris @ La Maroquinerie (FRA)
19/04/22 Manchester @ Rebellion (GBR)
20/04/22 Dublin @ Grand Social (IRL)
21/04/22 Glasgow @ King Tuts (GBR)
23/04/22 London @ The Dome (GBR)
24/04/22 Bristol @ Exchange (GBR)
27/04/22 Sheffield @ Corporation (GBR)
28/04/22 Birmingham @ Mama Roux´s (GBR)

​

ACCEPT have been flying the flag of classic metal for decades, and with their latest album, "Too Mean To Die", they have once again proven themselves to be international chart stormers with top 10 placings worldwide.

Now, after a long absence due to Corona, they are proud to announce they will finally be returning to European stages in 2022, with their usual driving energy full of irrepressible power. They will be playing the new album "Too Mean To Die" and the ACCEPT classics.

Watch the tour trailer here: https://youtu.be/Tu6_dZlQpCA

For decades, ACCEPT have stood for pure metal, great melodies and unforgettable live moments. Their three exceptional guitarists will undoubtedly transform audiences into a surging mass and blow the virus into oblivion.

Because, according to Wolf Hoffmann: "We are too mean to die! Weeds do not die! ACCEPT won't let it get them down!"

Philip Shouse adds: "The best thing that will happen for us is to go to the airport, get on a plane, fly to you and play a big, fantastic gig".

The words say it all, because 'The Best Is Yet To Come' is not only an outstanding song from the new record, it also sums up the current situation - things can only get better.

ACCEPT will be supported in Europe by none other than PHIL CAMPBELL AND THE BASTARD SONS, who unforgettably brought venues around the world to boiling point with MOTÖRHEAD and stands for pure Rock N Roll, because even without Lemmy (R.I.P.), Phil has the controls set to 12 or 13!

The US speed/thrash wrecking ball veterans FLOTSAM & JETSAM complete the billing and can't wait to play the stages to the ground.

Today, the band also kick off the pre-order for their brand new "Too Mean To Die" Glow In The Dark vinyls. Pre-order your copy here: http://nblast.de/AcceptTMTD-Glow

"Too Mean To Die" is also available in various other formats, here: http://nblast.de/Accept-TooMeanToDie
​

​Sadly on May 19, 2020, the rock world lost Smashed Gladys frontwoman, Sally Cato.  

Golden Robot Records wants to honor Sally by releasing Smashed Gladys "Raw" later this year. 

"Raw" is a collection of  new material which they were recording as demos for their 3rd album, newly remixed and remastered by the bands' first producer, Mark Dearnley.

"Raw" will also include 4 additional songs, being released for the first time ever, taken from when the band recorded close to an album worth of material produced by Kiss legend Gene Simmons.

First up is the single "Bump In The Night" which Golden Robot Records will release on April 12th.

A classic 12-bar boogie rock 'n' roll song, "Bump in the Night" is a twist on the horror movie trope in the vein of Buffy the Vampire Slayer.

​https://www.facebook.com/Smashed-Gladys-185987408115461
https://twitter.com/SmashedGladys
http://www.smashedgladys.nyc/home.html

10. Mother Love Bone, 'Apple' (1990)

Who said supergroups couldn't rock. 'Apple' is one of those records that flies under the radar. The album features a combination of jazz-infused punk and funk metal. Many of the tracks share a Zeplinesque tone infused with a modern-day flavor. Standout songs include "Come Bite The Apple," "Stargazer," and "Capricorn Sister." There is no telling how great this band could have been, as their career was unfortunately struck down by tragedy before it began. Sadly, lead singer Andrew Wood would die of a heroin overdose just a week before the record's release. 

​Stone Temple Pilots debunked the sophomore jinx with this standout release. Coming off a very successful debut record with 'Core,' the boys were looking to take their brand to the next level. 'Purple' was just what the Dr. ordered as the record hit #1 on the Billboard Top 200. While the era-defining hits "Vasoline," "Interstate Love Song," and "Big Empty" paved the album's success, those stellar deep cuts like "Army Ants," "Silvergun Superman," and "Kitchenware and Candybars" truly defined the greatness of this masterpiece. 

8. Temple of the Dog, 'Temple of the Dog' (1991)

​​What initially began as a side project to honor Andrew Wood's passing; quickly morphed into one of the great all-time grunge classics. The collective star power on the record was enough to light up any stage, with Chris Cornell, Stone Gossard, Jeff Ament, Matt Cameron, Mike McCready, and Eddie Vedder. Touching tributes like "Say Hello to Heaven" and "Hunger Strike" are fantastic songs in their own right. Add in tracks like "Pushin' Forward Back," 'Call Me A Dog," "Your Savior," and "Four Walled World," and the album screams elite.

7. Alice in Chains, 'Jar of Flies' (1994)

​​Some will shout blasphemy to include an "Ep" on a top album list. The opinion is duly noted, but hindsight's 2020.  Alice In Chains entered the studio in 1994 (after a rigorous tour) with zero material written and came out having produced an absolute gem in seven days. The record features a collection of acoustic works of art that would make even Mozart bow to their throne. The collective mixture of iconic acoustic jams made it to #1 on the Billboard Top 200. Not bad for an album that was constructed in less than a week, from start to finish.

6. Soundgarden, 'Badmotorfinger' (1991)

'Badmotorfinger' is often overshadowed by its peers, but that is no indictment on the record's content. Having been released on the same day as Nirvana's 'Nevermind,' it, unfortunately, started behind the eight balls. However, this record gained momentum over time, carving itself out as a staple in the Grunge Metal hierarchy. Ravaging tracks like "Rusty Cage" and "Outshined" are epic tone setters. However, hidden gems like "Jesus Christ Pose" and "Drawing Flies" emphatically announce the album's place among Grunge's elite.

5. Alice In Chains, 'Facelift' (1990)

'Facelift' was a precursor of what was yet to come. When Alice In Chains released their debut record, grunge was not, however, a household name. While the genre had not been coined yet, this record set a series of chain events that would shape this musical transformation. Megahit "Man in The Box" became the template for future grunge metal playlists. Meanwhile, tracks like "We Die, Young," "Sea of Sorrow," "Bleed the Freak," and many others quickly enshrined the record as a standout masterpiece of the era.  

4. Soundgarden, 'Superunknown' (1994)

Soundgarden perfected their craft with this epic game-changer. Fueled by the encompassing passion of frontman Chris Cornell, the band channeled that energy into every recorded track. The new composition and precision songwriting allowed the group to fine-tune their signature sound and style. "Fell on Black Days" and "Black Hole Sun" became era-defining songs. Consequently, the album is littered with deep cuts up and down, including standouts like "Fresh Tendrils," "4th of July", "The Day I Tried to Live," and "Like Suicide."

3. Nirvana, 'Nevermind' (1991)

​If this were a popularity contest, 'Nevermind' would certainly take top honors on this list.  The album undoubtedly created a musical revolution, the likes that we have very rarely seen.  The band combined an influential blend of punk and rock that struck the core of America's youth gone wild.  While "Smells Like Teen Spirit" captured the spirit of even the most casual fans of rock.  Meanwhile, standout songs like "In Bloom," "Come As You Are," and "Lithium" catapulted the record to the depths of its rabid cult following.  This record is ground zero for the grunge era.

2. Pearl Jam, 'Ten' (1991)

After Nirvana dropped 'Nevermind,' Pearl Jam emphatically shouted, "HOLD MY BEER!" If 'Nevermind' is the motherload, then 'Ten' is its daddy. While 'Nevermind' follows a more distinct punk style playbook, 'Ten' veers more closely down a classic rock highway. 'Ten' is Pearl Jam's, Mona Lisa. So many great tracks it's hard to name just a few. One would venture to find one mediocre song among the entire album. "Even Flow," "Alive," and "Jeremy" are cornerstones of the era; lesser-known gems like "Porch," "Garden" and "Deep" are solid gold.  

1. Alice In Chains, 'Dirt' (1992)

​'Dirt' is not only the magnum opus for Alice In Chains, but it represents the Mount Rushmore for all of Grunge. While every album in the top ten is excellent in its way, the songwriting on this particular one stands out. Between the doom-laden harmonies of Cantrell and Staley's lyrics and the ever-evolving sound of fantastic musicianship, 'Dirt' sets itself apart at the top. Obvious hits like "Them Bones," "Rooster," and the title track "Dirt" emphasize the magnitude of the album's greatness. "Hate to Feel" may be the most-least recognized deep cut masterpiece in the history of metal! Pop it in and crank it to Ten! 

​Many people ask the question; if there was a BIG 5 of THRASH…who would be the fifth band amongst METALLICA, Megadeth, Anthrax, and Slayer?

Some enthusiasts would say that Exodus belongs on this list.  Others would emphatically argue that it's Overkill.  Still others would vote for Voivod or Celtic Frost.   And some place-some where, Kreator fans are angrily banging their fists in disagreement.

The truth is, no matter what band that you believe belongs on this Mount Rushmore, it's always going to be a matter of opinion.  However; you know what they say about having an opinion: opinions are like assholes...everyone has...nevermind.  

With that being said, one fact remains.  If there were a Big 5 of thrash, Testament would rise above the rest...  

​Testament is an American Thrash Band that was formed in 1983 in Berkley, CA. Considering the Band played the San Francisco Bay area, they received widespread exposure in the underground metal community, just as fellow bands METALLICA and Megadeth had done.

The band was originally formed by guitarist Eric Peterson…and has been through numerous line up changes ever since, during it's 37 years of existence.

Many people don’t know this, but Testament was originally named Legacy, which actually became the title of their first album…and was released in 1987.

​Originally joining Eric Peterson in the band was Alex Skolnick, a Joe Satriani disciple. Also joining the band was lead vocalist Chuck Billy, who replaced Steve Souza, who then went on to form Exodus.

When 'Legacy' was released in 1987….Testament quickly became a popular trademark in the thrash metal community. In order to promote their new album, they began a tour with Anthrax, who were actually promoting their own new album 'Among the Living'.  The record has since become a staple for the signature thrash metal playbook.

​The bands earlier records focused on dark themes while taking a deep dive into the occult. As the records mounted, Testament continued their rise to the top of metal charts across the world.

​Their 3rd album, 'Practice What You Preach' was released in 1989.  It was the band's highest charting record to date and shared more realistic themes like politics and world corruption.

Then came the "Grunge Era" and Testament was failing to connect with their fans.

​At this point the band released a slower, more mainstream metal album called 'The Ritual'.  This marked a turning point for the band as the record rose to 55th on the Top 200 Bilboard List.  It was the most successful record up until that point and found them at the top of their game!

​The single “Return to Serenity” received favorable reviews as it topped the charts at 22. This song received extended radio airplay…allowing the band to attract a larger audience.

Testament has assembled quite an extensive catalog over the years.  In fact, 2020 saw them release their 13th studio album, 'Titans of Creation':

ALBUMS:
1) The Legacy (1987)
2) The New Order (1988)
3) Practice What You Preach (1989)
4) Souls of Black (1990)
5) The Ritual (1992)
6) Low (1994)
7) Demonic (1997)
8) The Gathering (1999)
9) First Strike Deadly (2001)
10) The Formation of Damnation (2008)
11) Dark Roots of Earth (2012)
12) Brotherhood of the Snake (2016)
13) Titans of Creation (2020)

Check out Philly Rock Radio Blog - PHILLY ROCK RADIO to see the band's albums ranked worst to first.

​From 1999-2008 the band failed to produce an album. During this time Chuck Billy was diagnosed with Cancer and had to temporarily quit the band. The band then reunited and toured from 2005-2008.

Finally, in April of 2008, Testament released 'Formation of Damnation', which marked the return of Alex Skolnick who had left the band after 'The Ritual'.  Then in 2012, they released 'Dark Roots of Earth' which marked the return of the original lineup. This album saw the band return to their heavy roots and signature form.

Testament continues to be a major force in thrash today.  'Titans of Creation' is an extremely heavy and in your face record.  They remain one of the hardest working and most consistent bands of the thrash metal era.  With that being said, they definitely rank among the best of the generation.

​One always wonders who would make the list of the Big 5 if there was such a thing.  Well, I am here to tell you that Testament fits that bill closer than any other  bands on the list!  The new order has arrived and the titans of creation have spoken.  Testament, welcome to the BIG 5 of THRASH!

Release Date: October 23, 2020
Metal Blade Records

​Musicians:
John Bush (Vocals)
Joey Verra (Bass)
Phil Sandoval (Guitars)
Jeff Duncan (Guitars)
Gonzo Sandoval (Drums)

Armored Saint  is back and back with a vengeance they are.  


The band released their eighth studio album 'Punching the Sky' back in October and haven't looked in the rearview ever since. Saint has never wavered in style and sound as they refuse to be held back by labels or formulas. They're just a kick-ass metal band trying to have fun. 


​While the band always releases killer material, they have always remained a mystery as far as name-value goes. Armored Saint may very well be the most underrated band in all of metal.  


The veteran headbangers know a thing or two about making an excellent record, and this release harkens back to the classic era of the band. One thing that sets Armored Saint apart from most bands is their strong work ethic. This hard-working mentality enables the group to combine their elite musicianship with pristine songwriting.


As mentioned, 'Punching the Sky' has the band firing on all cylinders. 


There are zero filler tracks as this record represents plug-and-play at its finest. When one can listen to an album repeatedly, that is a tell-tale sign of an excellent piece of art. I've had this masterpiece on a loop from the moment it came out, and it never gets old! 


To summarize, 'Punching the Sky' is the band's most gratifying record since 'Symbol of Salvation' way back in 1991. The album combines all of the trademark elements of Saint with an added punch of modern flavor. It is a balls to the wall record that keeps the pedal to the metal.


The album starts with an ode to Irish folk music before rapidly changing paces.  "Standing on the Shoulders of Giants" is an epic thriller that takes the listener on a magical journey. While clocking in at just under seven minutes, the track shares many twists and turns.


​A slow build intro quickly ramps up to a signature John Bush bellow. Beefed-up dual guitar leads set the tone, and the rest is masterful music to your ears. Bush's powerhouse vocals are on full display as the song begins to beat like a battering ram of metal madness. Clean, crisp lyrics resonate throughout, and the song features a catchy chorus to boot.


The track then meanders through the bridge and hooks, like a fish out of water, before descending into a stellar lead guitar solo. The opening song is easily one of my favorite tracks on the record and maybe one of the band's best all-time; it's that good, folks.


If you thought the first track was transcendent among their catalog, then you better get a load of track #2.  "End of The Attention Span" kicks ass. It's that simple. If track #1 is robin, then track #2 is undoubtedly the album's batman. A meat and potatoes platter that leaves you with a fistful of forks.  


It features pissed-off vocals, driving guitars, aggressive riffs, loud drums, and bashing bass, the kind of song you turn the volume up to ten on and let er' rip! The musicianship on this track is pristine and tight. While the lyrics paint a picture of society's obsession with social media and the dangers it poses. Another "A" list track that I rank at the top of their all-time best.


The hits keep coming with tracks like "Bubble" and "My Jurisdiction," which provide a similar sound to early style Armored Saint. Full of raw attitude and emotion, they are hard rock anthems to the core. Another gritty, hard-nosed rocker, "Do Wrong to None," continues the gut-punch assault on its audience. All three tracks could find themselves among the local watering hole's setlist. 


At this point, we come to the middle of the record. 


And here lies the ace in the hole, the breaking point where many albums go off the rails and drop off musically. Not this one, though, folks. Instead of veering off the tracks, this song has its sights set on a crash course for stardom.


"Lone Wolf" is undoubtedly this album's masterpiece; if you're looking for 'Symbol of Salvation' vibes, then this is your pick! The track features all of the bells and whistles of a kick-ass metal tune. The song has it all: a stellar intro, up-tempo riffs, killer lyrics, pinpoint rhythm section, melodic vocals, harmonizing guitars, and epic awe-inspiring solo!


Bush screams with a vengeance. Phil Sandoval and Jeff Duncan leave you saying KK. Downing and Glenn Tipton who. Gonzo Sandoval tells Dave Lombardo to stand at the back of the line. And Joey Vera leaves Nikki Sixx in the dust. Stellar musicians at their absolute best here!


Wow, how do you follow up such a magnificent track moving forward? Quickly...you reset the bar!  "Missile to Gun" is an Anthrax-Esque rocket of thrashing metal. This missile is ready to fire, and it's all guns blazing. The tone of the track is set early as the rocket reaches take-off. An anthem that appears destined as a regular live set staple, John Bush flexes his vocal muscles showing why he's still the best in the biz.


As the album moves along, we now reach a crescendo of sorts with "Fly in the Ointment." A change of pace is in order as this one screams Alice in Chains. Bush does his best Layne impersonation, which sounds eerily similar to the fallen great. Another full-fledged hit as this album has now reached star power status.


The album is rounded out by "Bark, No Bite," "Unfair," and "Never You Fret." "Unfair" is a harrowing ballad that rings out true. In contrast, the final two tracks are bursting apart at the seams with energy and volume.


'Punching The Sky' is a standout record from beginning to end. Elite album composition sees the tracks flow together in seamless transition. It is no wonder that Armored Saint is one of the hardest working bands in metal. They represent all of the good things in music while displaying a top-notch professional demeanor. 


The band has hit a home run with 'Punching The Sky'. They deserve credit for defying the odds and putting out such a killer record so late in their careers. These guys are genuinely underrated at their craft and should be celebrated! 


'Punching the Sky' gets a 9/10 rating and ranks at the top of their best all-time albums. Right on cue, many music media outlets had the record at the top of their top album lists in 2020.


John Bush, Joey Verra, Phil Sandoval, Gonzo Sandoval, and Jeff Duncan...keep kicking ass and taking names! While fans are left punching the sky, Armored Saint is on their way to punching their ticket to platinum!! ​

RELEASE DATE: November 6, 2020

Reb Beach has announced that his long in the works instrumental solo album will now see the light of day. “A View From The Inside” is slated for a November 6th release via Frontiers Music Srl. An album that showcases the dynamic talents of the guitar virtuoso, hard rock fans will be transported back to the days of when giants like Steve Vai and Joe Satriani dominated the mainstream consciousness (and airwaves), while also simultaneously being shown a guitarist ever pushing himself forward into the future.

Reb Beach is one of the indisputable guitar giants of the current hard rock scene. His resume with ‘80s/’90s mega-stars Winger alone would earn him this distinction, but his legacy is cemented by his current membership and work with the legendary Whitesnake, his past efforts with Dokken, and his recent release with supergroup Black Swan, also featuring Jeff Pilson, Robin MacAuley, and Matt Starr.

Influenced by the legendary hard rockers of the ‘70s, Reb spent his teen years jamming along with the greats of that era like Aerosmith and Montrose, but it was Steve Morse, then with the Dixie Dregs, that had the biggest influence on him. The complexity and the speed of the Dregs was a unique challenge compared to the blues-based playing of most musicians of that era. The Dregs were ultimately the catalyst that drove his playing to the level he is now so well known to music fans the world over for. Beach eventually graduated from his home practice space to the Berkeley School of Music, but after a couple of semesters he moved on and soon became one of the most sought-after session players in the music industry, working with such all-time great talents as Eric Clapton, Bob Dylan, Roger Daltrey, Chaka Kahn, Howard Jones, and Twisted Sister.

While living in NYC, he hooked up with his future bandmate, bassist and frontman Kip Winger. Reb and Kip formed the band Winger and the rest is history. The two proved to be incredible writing partners, crafting multiple platinum records that featured no less than six Top Forty singles. with music that was commercial yet complex.

After Winger went on a hiatus in the ‘90s, Beach’s career continued thanks to collaborations with Alice Cooper, Dokken and Night Ranger and he debuted as a solo artist in 2002 with the album “Masquerade".

Following the Winger reunion in the ‘00s, Reb wound up getting a gig with a gentleman he'd been sending tapes to for many years, David Coverdale. The band? Whitesnake, of course. Since 2003, Reb has toured the world with the band and released multiple albums with them, such as “Good to Be Bad,” “Forevermore,” “The Purple Album,” and the recent “Flesh & Blood,” plus a number of live albums.

Reb Beach will now release his first instrumental album, but this is not a mere exercise of self-indulgence. It is the culmination of over 30 years of study and extremely hard work on his craft. Fans of Steve Morse and Joe Satriani will find a lot to love in the 11 songs on offer here, but while there is certainly a lot of ear candy for the musician types, fans of hard rock in general will find a wealth of melodies and transcendent moments where the songs simply make you forget there are no vocals.

Line-Up:
Reb Beach - guitars, bass on 4, 9, keyboards on 4, 6, 11, strings on 10
David Throckmorton - drums (except on 6)
Robert Langley - drums on 6
Michele Luppi - piano on 3, 10
Phillip Bynoe - bass on 1, 2, 3, 8, 10, 11
John Hall - bass on 5, 6, 7
Paul Brown - keyboards on 1, 2, 5, 7

Happy new year from all of us here at Philly Rock Radio. This is the time when many resolutions are made, and hopefully met with success. 

We wanted to take this opportunity to renew our perennial resolution and commitment to bring you the best our local rock scene has to offer. That includes both indie and signed acts. Below you'll see a partial list of the music we've featured on Philly Rock Radio. And this year we plan to step it up by adding more special segments and live broadcasts featuring artists and bands from our area.

We refer to Philly Rock Radio as "The City Of Brotherly Love's Calling Card to the World." We feel it is our mission to introduce you to the hard workin', harder rockin', talented musicians, and artists in our tri-state area. This station believes that this music should play right along with the new music we love. Music made from around the world, as well as the hard rock and metal we grew up on in the '70s and '80s.

And the 'calling card' works both ways. We introduce you to our neighborhood, and we invite you to introduce your neighborhood rock scene to us! Tell us about the bands in your area that should be receiving more attention.

If you'd like to submit your professionally produced original music to us for airplay consideration, click this SUBMIT MUSIC link and fill out our form. Send us properly tagged .mp3 files at 192k or higher. And if we contact you, please be prepared to supply us with station IDs, your EPKs and news to promote for you.

We receive many submissions from all around the world, so please be patient. We will contact you if we intend to play your music. We can only accept properly tagged mp3 files and production quality of the songs count too. It wouldn't be fair to play rough mixes, demos or files that haven't been mastered, when others are putting in the time, money and attention to detail. Thank you in advance for understanding.

We're looking forward to you being a part of PRR in 2021, ROCK ON!

Written By Jason Voorhees

2020 has been the year from hell. We saw a whirlwind of negative energy from the second that ball descended into Times Square. The music industry in particular, was decimated by the pandemic as many bands had to learn how to adapt to a new "normal".  While live music pretty much went up in smoke, there were quite a few bands that were able to release new material!

As this difficult year comes to a close, it's about that time for us at Philly Rock Radio to count down the top albums of 2020! This segment has become a yearly occurrence and we hope to provide a dynamic list of Hard Rock and Metal's best offerings. While we don't always follow the mainstream archetype in taste and opinion; this year's list is littered with many well-known artists!

So without further ado....here is Philly Rock Radio's Top 20 metal albums of 2020. Get your popcorn ready, it's time for the show!

The 6th studio release for the Sweedish hard rockers may very well be their best ever! If your a fan of classic 80's metal then this is a must listen! The album is plug and play at it's finest, just pop it in and let it rip!

If your a fan of local metal, then you won't want to miss this hardcore punk band from Pittsburgh! The band's fourth studio album is undoubtedly their most diverse while offering an extreme mixture of style and composition! 

The debut solo album from the Slipknot/Stone Sour front man is nothing less than spectacular! Corey has always been an underrated artist and his wide ranging talents are on full display with this gem. As solid of a debut that you will ever find!

This is the second solo release for Dream Theater's founding father and general. It also marks the first collaboration with former bandmate and drummer Mike Portnoy.  A progressive metal masterpiece is on the menu as John brings the heat!

You may be surprised to find a melodic death metal band so high on the list but it had to be done. 'Verminous' represents the band's most dynamic and stellar musicianship to date!  If you love thrashin' death metal then this is your prototype!

Sevendust remains one of the most underrated bands in all of metal. I don't think they have ever released a bad album and always seem to hit just the right note. A phenomenal album from start to finish is highlighted by their cover of Soundgarden's, "The Day I tried to Live."

The 8th studio album for  Nevada's metal king represents a bit of a shift in direction; as far as style and sound, and the results are quite honestly magnificent. Often criticized for sounding mundane and dull, this album finds the band firing on all cylinders!

The standout guitarist from Whitesnake and Winger is back with another solo record. A shred metal paradise that provides a magical mix of progressive metal and jazz.  Shades of Vai and Satriani will dance in your head as you push play!  

The bay area thrashers are back with a vengeance. Chuck Billy and company really flex their thrash metal muscles on this release. The album harkens back to the band's glory days in a revisionist reset. Thrash metal never gets old and Testament strikes gold once again!

Trivium remains one of the best modern metal bands to walk the planet. Their ninth studio album to date may in fact be their best ever. Once again proving why Trivium is one of the hardest working and most consistent metal bands of this era!  

Who said Christian metal cant hit hard? The pioneers of gospel metal are back to kicking ass and taking names. This may be Stryper's heaviest album to date.  Chock full of hits and features a ballad that could be a number one hit, had it been released by the likes of Bon Jovi!

Metallica shocked the world with this release as no one knew an album was on the horizon. 'S&M2' is the sophomore edition of the orchestra symphony and the finished product is fantastic. Nothing better than classic Metallica with a flavor of melodic and symphonic magic!

Ice T and his band of misfits are back and better than ever! Carnivore is a stellar in your face epilogue of rap-metal's finest. No band embodies the social injustice movement more than Body Count and this one truly hits home. Locked and loaded with killer tracks galore.  A must listen for any and all metal maniacs!

The ninth studio album for Deftones ​is making waves. The passing years have seen the band move towards more experimental styles and sounds. This particular album strikes fast and hard without compromising the elements that the group was founded on.

Lamb of God's tenth studio and self titled record was released to the tune of extremely positive reviews. This album somewhat circles back to the band's roots. It features elements from their most successful era of music: "As The Palaces Burn"-"Ashes of the Wake"-"Sacrament"-and "Wrath". (2003-2009).

If there is one word to describe this album it should be WOW! Marilyn tapped outlaw country producer Shooter Jennings and the result is an epic work of art.  It is not a stretch to say that this is Manson's greatest masterpiece since "Mechanical Animals."  Southern country meets David Bowie here folks; check it out if you dare!

Welcome back to these bad ass rock legends! Talk about surprises; this one was dropped with little to no warning and fans couldn't be happier. If your a fan of that classic sound like 'Back in Black" then your in for a treat. Tons of hits and solid up and down. Nothing more to say than pop it in and power up!  

The Prince of Darkness is back and darker than ever! The record features many standout session musicians including Slash, Duff McKagan, Post Malone, Elton John and Tom Morello. It's a stellar album that gets better with time. "Under the Graveyard" and "Ordinary Man" could both make a top 20 all-time Ozzy song list!  

It's rare that a cover album makes it this high on the list but frankly; this one could have easily taken top album honors! David Ellefson has always been an elite bassist; but this record highlights his enormous talents as an all around artist. 19 tracks of phenomenal music featuring tons of great musicians. Every genre is covered here!

Armored Saint is back and they hit a home run with this record.  Hard work and dedication paid massive dividends on this power metal thriller. The record is a diverse mixture of classic metal, thrash and power metal. The sign of a great album is one that you don't get sick of and I've been listening to this one daily since it dropped!  Armored Saint takes top album of the year on this masterpiece!

The 2020 NBA draft is imminent and it's needless to say that draft projections have been done to death by now.

Rest assured, that's not why we're here. Instead, we're going to look at some of the best picks in 76ers history.
 
5. Billy Cunningham
When the 1965 draft came about, Cunningham had exceptionally high stock having just written his name into the college history books at North Carolina.

The 76ers were lucky enough to take him at number five in the draft. He set his standards high in his inaugural year as he made the All-Rookie first team.

Things continued on an upward trajectory for Cunningham. As the Sixers won the Championship in 1967, he played more games than any other player in the league. He did move on from Philadelphia for a short while but not before receiving four All-Star team calls.

After two years in Carolina he returned to the 76ers where he played until injury forced him to retire. He did, however, guide the team to glory 1983 as head coach.
 
4. Hal Greer
Greer joined the Sixers - or then the Syracuse Nationals - set up back in 1958 as the 13th overall pick. He would stay with the franchise throughout his career and he proved a picture of consistency. After a couple of years bedding into the NBA, Greer began to establish himself as a key part of the team.

He produced a 10-year stint between 1960/61 and 1970 where his season low points per game average was an impressive 19.6 whilst his rebounds peaked at 7.4 and assists reached 5.1. In that window, he made the All-Star game every season and was even named the All-Star MVP in 1968. Of course, his crowning moment was the season prior when he bossed the playoffs with 27.7 points per game on route to winning the NBA Championship.
 
3. Charles Barkley
Barkley entered the 1985 draft with little doubt over his ability but big question marks about how his stature would stand up at the elite level. It turned out that he'd handle the NBA just fine.

His rookie year saw him win first team honours whilst within two years he was leading the league on rebounds (14.6 per game) and getting the nod for his first All-Stat honour. It was the first of 11 with six of them coming in Philadelphia.

Although Barkley moved on from the Sixers in 1992, where he won the MVP award with the Phoenix Suns, his career PB stats all came in his years in Philly. When his number 34 jersey was retired there were no questions that it was deserved.
 
2. Maurice Cheeks
Is Cheeks the second-best Sixers player to come directly from a draft? No. What he is though is a player that represents terrific value given he was taken at number 36.

He was heavily involved in things from the off and made 82 appearances in his rookie year. Cheeks remained a consistent figure in the offense and was part of the team that conquered the NBA in 1983. It was that year that he earned the first of four All-Star nods.

All in all, Cheeks spent 11 years in Philadelphia with his creative numbers not dropping below the 5.3 assists and 8.4 points average of his debut season. His best year for the Sixers was 1985/86 as he hit 15.4 points and a career high 9.2 assists per game to take the team to the playoffs.

It was tough to see him eventually move on, but he never found anywhere else that felt like home and returned as head coach in 2005 but things didn't work out. He was, however, rightly inducted to the hall of fame in 2018.
 
1. Allan Iverson
If Cheeks was a dark horse selection, then Iverson was anything with the NBA betting odds firmly backing him as number one pick in 1996. The Georgetown point guard arrived surrounded by all sorts of hype. That brings a different type of pressure. Iverson thrived on it.

He was named rookie of the year in 1997 before upping his game as the Millennium approached with his 26.8 points per game a league high in 1998/99. Remarkably, he was overlooked for the All-Star team that season.

You couldn't keep Iverson down though and he earned his first call in 2000 and remained there for 11 consecutive seasons. Iverson stayed with Philly for 11 years prior to stints in Denver, Detroit and Memphis before a Sixers homecoming in 2009.

Across his career, Iverson led the league in points on four occasions and in steals three times, which is evidence of what an exceptional all-around game he had. All of those best years came with the Sixers.
There you have it, the best draft picks in Sixers history. Predicting how the NBA 2021 season will turn out for the 76ers is as hard as predicting who are the contenders for TwinSpires.com Kentucky Derby. Both are still far ahead and there is an intense race in foresight.

​However, we can expect the Philadelphia team to not have the best chances in the draft this Wednesday as they are placed in 49th in the draft order. Let’s wait and see.

Philadelphia has produced insane amounts of sporting talent over the years. Here we look at five of the best from a range of sports and, no, Rocky Balboa won't feature!
 
Number 5. Reggie White, Football
 
Defensive end White might have left the Eagles fan base distraught when he jumped ship to Green Bay in 1993 but there is no denying that he's worthy of legendary status. For seven years he was a formidable figure in the Eagles defense. He won back to back NFL defensive player of the year awards with his 11.0 sacks in 1989 the lowest sack return during his time with the team.
 
His high, which was also his career best, was a staggering 21.0. If you need more evidence as to why he deserves the love we're pouring his way then the fact he made 13 pro-bowls in his 15 year career might convince you. The two years he missed out being his rookie season and his 'out of retirement' season in 2000. He fully deserved his Super Bowl win - even if it didn't come with the Eagles.
 
Number 4. Chuck Bednarik, Football
 
Bednarik was born an hour from Philadelphia. He then attended university there before spending his entire career with the Eagles during the pre-Super Bowl era. He did help the Eagles to two NFL Championships though with his tackle on Jim Taylor in the dying moments was a key factor in the 1960 triumph.
 
Chuck, who played as a center and linebacker, was a tough as they come and his commitment to the Eagles cannot he questioned. He missed just three games in a 14-year career. Rightly, he's now a Hall of Famer. He passed away in 2015.
 
Number 3. Joe Frazier, Boxing
 
If you're not from Philly and you're not a boxing fan then you might just know Frazier as the man who lost the Thrilla in Manila to Muhammad Ali. If that sounds about right, then you need a good lesson. Smokin' Joe arrived in Philadelphia as a broken 15-year-old. He passed away there 52 years later as a hero.
 
As a 20-year-old he won Gold at the Tokyo Olympics and then he turned his hand to pro boxing. He went on to win 32 of his 37 fights back in an era when fighters were concerned about entertaining and not protecting the '0' in their loss column.
 
He was the undisputed heavyweight champ for three years and he was first person to beat Ali, who is widely regarded as the best of all time. After hanging up his gloves he gave back to the Philly community by coaching youngsters.
 
Number 2. Wilt Chamberlain, Basketball
 
It's hard to imagine too many grumbling at Chamberlain's inclusion at number two in our list. The basketball star first took his strides into the spotlight with the Harlem Globetrotters before signing for the Philadelphia Warriors and then the 76ers before finally moving to the LA Lakers.
 
The center won two NBA Championships - one with the 76ers - and was named the league MVP on four occasions with all of them coming in Philly. Despite the fact he retired from the court some 47 years ago, he still boasts a whole host of NBA records including the largest points haul in a single game as he sank 100 in a 169-147 win for the Warriors over the Knicks.
 
Number 1. Bobby Clarke, Hockey
 
Born in Canada, made in Philadelphia. That's our Bobby. Clarke spent the entirety of his 15-year NHL career with the Flyers and, boy oh boy, did he do it in style. Clarke's years with the Flyers are the most successful of the team’s entire history with the toothless center playing a key role in all of their successes - first as a player and then in background roles including GM and VP.
 
As a player he captained the side to both of their Stanley Cup wins but it was his skills on the ice, rather than his leadership, that sees him mentioned in discussions as the best hockey player of all time. He's certainly a name you cannot ignore in that conversation.
 
On three occasions he posted over 100 points with a peak of 119 in 75/76. Throughout his career 1,144 game career he registered 1,210 points. A remarkable player, man and Philly legend. The greatest of all time.
 
There you have it, five of the most iconic sportsmen out of Philadelphia. And if you fancy your chances on the football odds for the Philadelphia Eagles, click here to know how they stand: https://extra.betamerica.com/nfl/odds/

Written By Jason Voorhees & Aaron Savage

Welcome back to another edition of top album lists here at Philly Rock Radio. 

​After tackling one of thrash metal's best in the previous episode; this week we will feature a band that is arguably glam metal's greatest of all-time.  That band is of course Motley Crue.

Motley Crue spent their entire career drinking from the fountain of decadence.  No band had more of an impact on the glam metal scene than these guys.  The band was sleazy and dangerous.  Motley Crue didn't just do drugs; they ingested ALL of the drugs.  The group didn't just pimp women; they OWNED all of the women.  

The glam metal scene was all about excess; and no band defined this more than The Crue.  While their exploits and relationships outside of the band made for booming tabloid fodder; there is no doubting that their music was also amazing and they carved out quite an epic catalog over the years.

With that being said, we will attempt to rank the best of their catalog from worst to first.  This will be no easy task but we feel we are up to the challenge.  As always, there will be some surprises and there is sure to be some controversial picks.  With that being said, it is time to take a dive head on into the world of The Crue.  Without further ado, here is the catalog from worst to best!

9. 'Generation Swine' (1997)

The Crue were going through an identity crisis.  After the 1994 self titled record didn't sell; they were experimenting with all different styles, trying to  sound relevant even though they had no clue what they wanted to do.  Most of the songs had been written with John Corabi who was fired during the sessions due to overwhelming pressure from the record company to bring Vince back.  None of the songs fit Vince's vocal style and the album is a directionless mish mosh of noise.  "Brandon", Tommy Lee's ballad for his son is one of the corniest and cheesiest songs ever written.  Motley Crue's answer to grunge was sadly a total flop.  Absolute crap.

8. 'Theater of Pain'  (1985)

Some people will cry blasphemy for how low this album falls on the list.  However; truth be told it's simply not that good.  Overrated is more like it.  The cheesy cover of "Smokin in the Boy's Room" is garbage and corny.  In all honesty, the album is littered with filler.  The band was too drunk and high during the record's production and the quality suffered.  The songwriting is dull and the production is thin.  The only saving grace is the stone cold classic "Home Sweet Home" which is arguably their best song.  Certainly not the worst Crue record but definitely not near what they are capable of.   

7. 'New Tattoo' (2000)

After the mess that was 'Generation Swine', this album was a return to the classic Crue sound.  The band pushed reset and the decision paid off.  While the production is a bit thin, the songwriting is much more creative and the results are mostly positive.  There are a good amount of highlights including "Hell on High Heels", "Treat Me Like the Dog I Am", "Dragstrip Superstar" and "1st Band on the Moon'.  The album also features two new ballads that scream classic Crue with "New Tattoo" and "Hollywood Ending."  However; the true gem is the cover of "White Punks on Dope."  Solid comeback record.

6. 'Saints of Los Angeles' (2008)

This is the album that die hards had been waiting on for what seems to have been a lifetime.  It's almost like the band jumped in a time machine traveling back to a past that had given them so much success.  This record truly flies under the radar among the band's catalog.  It captures all of the good, the bad and the ugly.  The title track harkens back to 'Dr. Feelgood', while 'The Animal in Me' and 'Down at the Whiskey' yell classic Crue.  Solid record with very little filler.  If there is one drawback; it's a little over compressed which causes it to sound a bit too loud and distorted.  This would have been the proper follow up to 'Dr. Feelgood.'

5.  'Girls Girls Girls' (1987)

Undoubtedly the least satisfying album from The Crue's golden era.  The quality begins to take a swan dive here.  The record does have three of the greatest songs in Motley's catalog- "Wild Side", "Girls Girls Girls", and "You're All I Need",  However; the album is compromised of mostly filler with the exception of "Dancing On Glass."  Likewise, the album suffers from a very thin production sound.  While many critics rank this record higher on the list, in reality it's just overrated.  It only ranks this high because of the three classic killers that make their home here.  Middle of the road and now we get to the cream of the crop.

4. 'Motley Crue' (1994)

If it was any other band name, this would definitely be #1!  It's by far the heaviest, most musically complex and most diverse of any Crue record.  Bob Rock's production on this album is phenomenal.  For example, the drum sound is quite possibly the best ever to be put to an album.  There are many highlights on the record.  "Till Death Do Us Part" may be the best track on the album while there are tons of other stalwarts.  The bottom half of the record is just as strong as the top; another credit to the elite songwriting.  Unfortunately, this cannot be number one on any Motley Crue list simply out of principle.  Excellent record, but not quite the tip of the iceberg for Motley.

3. 'Shout At The Devil' (1983)

Many critics will argue that this is Motley Crue's Mona Lisa.  While it may be iconic as far as name value goes for Crue, it's simply not their best record.  However, the album still kicks major ass.  This was the next step up from it's predecessor 'Too Fast For Love.'  It's a faster, heavier, darker version which includes some of the all-time classic songs.  The title track may be one of the all-time greats of the glam metal genre.  While tracks like "Looks that Kill", "Too Young to Fall In Love" and "Ten Seconds to Love" remain regular setlist favorites.  If your looking for hidden gems there is "Red Hot", "Knock 'Em Dead, Kid" and "Bastard."  An absolute game changer; close to the top but no cigar.

2. 'Too Fast For Love' (1981)

The birthplace for Motley Crue couldn't have been a more stellar debut!  A raw and edgy record that's dangerous and sleazy to the core.  This record represents everything that makes Motley Crue- Motley Crue.  It's almost a punk album and all of their influences are more apparent here than on any other album.  Motley pays homage and loyalty to bands like Cheap Trick, KISS, the Rasberries and more as they kick ass and take some names.  Highlights include "Live Wire", "Take Me to the Top", "Piece of Your Action" and "Too Fast For Love."  The ballad "On With the Show" also kicks major ass!  This is the record that captures the core of the band...not much more to say than that!  Now we're in the home stretch.

1. 'Dr. Feelgood' (1989)

This is the one that makes you feel good!  'Dr. Feelgood' is the mount rushmore for Motley Crue.  The record captures Crue at their peak as songwriters.  Likewise, the epic production enables them to sound sonically thicker; as well as having a better bottom end than any of their peers ever had.   If your searching for evidence, look no further than Metallica who recruited Bob Rock to produce their masterpice "Black" album soon after 'Dr. Feelgood" was released.  It's no wonder that this became their highest charting as well as selling  record.  Tons of hits and zero filler makes for a great recipe of success.  This wasn't just the same ol' situation for the Crue; this was it's masterpiece!  

Written By Jason Voorhees

Welcome to another edition of top album lists!  Today we will take a look at another one of thrash's finest. 

The bay area bashers Testament have been kicking ass for years while taking countless names at will.  While the band is not quite Big 4 level, they truly are the fifth member of thrash metal's elite.  In fact, many consider Testament one of the most underrated bands in the entire metal community.  They have remained a true model of consistency in a genre that has sometimes become widely inconsistent.

Like many of their peers, Testament has endured its share of ups and downs as well as numerous lineup changes.  Consequently, the lone constant member is the band's architect guitarist Eric Peterson.  Nonetheless, the group has been able to carve out quite a discography during it's 37 years of existence.  In fact, the band just released their 12th studio album this year.

Testament has always brought true intensity in their music no matter what style changes have come about with each successive album release.  While they have never produced a truly bad album, this list will be a reflection of their least good to best records of the catalog.  So without further ado...we will try to practice what we preach as we travel the dark roots of earth in search of the titans of creation!  

12. 'Demonic' (1997)

Recorded during a period of confusion in the thrash metal era, Testament tried to recreate the success of it's predecessor 'Low' on this release.  Unfortunately; the record stumbled as it ultimately missed it's mark.  As the lineup changes continued, so did the lack of creativity which can almost be expected from a band suffering cohesive constraints.  While it's not a terrible record by any stretch of the imagination, it's certainly the band's least memorable effort.  The lead track "Demonic Refusal" is a death metal ensemble.  While other tracks like "John Doe" and "Distorted Lies" toe the groove and nu-metal lines respectively.  Testament can only go up from here.

11. 'Low' (1994)

Testament's answer to grunge was definitely not their low point.  However; the album saw a drastic change in sound and style for the band, one that many die hard fans would despise.  The departures of long time guitar hero Alex Skolnick and drummer Louie Clemente also ruffled some feathers.  Once again, this is definitely a far cry from a bad record; it's just not the kind of album that one would brag to their friends about.  Nonetheless, this record does move the needle on sound with it's ultra aggressive pissed off energy.  A few standout tracks include the punchy "Hail Mary", the catchy "Low" and the semi ballad "Trail of Tears."

10. 'Brotherhood of the Snake' (2016)

Another lineup change went down here as Steve DiGiorgio joined the fray on bass guitar.  A hallmark album of sorts, the band tried to build off the huge success of it's predecessor.  The results were widely positive as this record checks off every box on the thrash metal spectrum.  All of the signature elements of Testament's greatness find their home here.  Tracks like "Brotherhood of the Snake", "Stronghold" and "Pale King" bring the heat.  While hidden gems "Black Jack" and Canna-Business" pace the record.  The lone pitfall for this album is it's top heavy formula, a little too much filler to be considered great.  However; it's great to see Testament embracing their roots once again as they push reset.  

9. 'Souls of Black' (1990)

This record suffers many of the same inconsistencies as 'Brotherhood of the Snake.'  The top half of the album kicks ass while the second half leaves you scratching your head.  This is the cost a band pays when they try to rush through the recording process.  Although the record is missing the main ingredient of consistency, it still shows flashes of brilliance.  Those moments of clarity certainly help the albums position on this list.  "Face In The Sky", "Souls of Black" and "Falling Fast" provide a healthy triumvirate of wrath.  While "The Legacy" brings you back to the band's debut dominance!  A step up but still not top level.

8. 'Dark Roots of Earth' (2012)

'Dark Roots of Earth' was an emphatic confirmation that the bands successful comeback was no fluke.  As the band harkened back to the classic 80's style sound, they undoubtedly channeled their innermost fountain of youth.  A brilliant record that captures a band firing on all cylinders.  From the gut punching opener "Rise Up", the band establishes that seminal thrash element as they don't look back.  "Dark Roots of Earth", "Native Blood", and "True American Hate" scream old school.  But it's the epic "Throne of Thorns" that truly defines the albums greatness.  Two great covers "Animal Magnetism" and "Powerslave" are also present.  Solid record up and down.

7. 'Titans of Creation' (2020)

Honestly this is like a reboot of "Dark Roots of Earth", only on steroids.  The band virtually took the same formula they used on that very successful album and just raised the bar.  Skolnick and Peterson are masterful as this album contains some of the best dual solos that combination has ever produced!  "Children of the Next Level" and "Night of the Witch" could ultimately find their way into the top ten tracks of all-time for Testament; waiting for y'all to scream blasphemy...lol.  But no really, this is an excellent album; the band's finest in years!  Definitely a titan of the band's discography!  Deep cuts galore on this one as well..."False Prophet", "Code of Hammurabi" and "Catacombs" just to name a few.

6. 'The Formation of Damnation' (2008)

The king of all comeback albums for the band.  The classic lineup had been reunited and the results were a flat out masterpiece of a record.  Not only was most of the original members back in the fold, but they also went back to the thrash style that crowned them pioneers of the thrash movement.  After faltering in an ever changing abyss trying their hand in the death metal game; they realized it was thrash that truly earned them their stripes.  "More Than Meets The Eye", the Transformers theme based single epitomizes their signature style and tone.  However; the album is loaded with deep cut gems that enhance the overall staying power and ultimately cements its place among the bands best!

5. 'The Gathering' (1999)

After a failed reunion attempt, the band instead took the super group avenue instead.  Joining vocalist Chuck Billy and guitarist Eric Peterson were James Murphy (Death) on lead guitar, Steve DiGiorgio (Sadus) on bass and Dave Lombardo (Slayer) on drums.  With a lineup of some of the best musicians in toe, the band was able to focus once again on diligent songwriting.  The album is paced by a clean, crisp, and uncompromising production and tone.  Tracks like 'D.N.R', 'Eyes of Wrath', 'True Believer' and 'Legions of the Dark' embody the signature thrash elements while providing a modern day enhancement of flavor.  This one really hits hard and remains one of my personal favorites. 

4. 'Practice What You Preach' (1989)

Some critics consider this the seminal album of Testament's career and you really can't fault that assumption.  The band had matured leaps and bounds from their debut offering and was now firing on every cylinder.  However; there is something to be said about those bands that try to go back to the same watering hole one too many times.  And that's where this album looses points for me.  That repetitive flaw is ever present throughout this record which is almost a mirror image of 'The New Order' in many ways.  The record still kicks major ass.  Standout tracks include "Practice What You Preach", "Blessed in Contempt", and "The Greenhouse Effect."  "The Ballad" provides a new wrinkle of creativity in the arsenal.  We have now reached elite.

3. 'The Legacy' (1987)

A stone cold classic here folks.  Testament broke onto the scene with this masterful debut which provided the archetypal sound and style for the band in years to come.  The only reason that this album is not higher on the list is less than stellar production.  However; that raw and unfiltered sound enables the band to bring down the house throughout.  The record is littered with timeless classics like "Over The Wall", "Burnt Offerings", "Curse of the Legions of Death," and "Alone in the Dark."  While the album features plenty of deep cut royalty as well!  Any one of the top three is interchangeable here so this could easily be number one!  Phenomenal debut and one of the masterpieces of the catalog.

2. 'The Ritual' (1992)

Many people hate on this record as they loudly yell sell out.  However; if one truly listens to the record you soon realize how foolish that narrative really is.  This is a solid record from beginning to end.  It may be the high point for the band as far as songwriting and musicianship goes.  Just because a band takes a mainstream approach does not mean that the results are less than favorable.  In fact, that prophesy is usually discredited steadfastly.  The mid tempo choruses and toned down riffs actually enhance the albums greatness.  So many awesome tracks on this album..."Electric Crown" and "Let Go of My World" embody Testament's signature thrash elements while the amazing "Return to Serenity" marks an advanced songwriting maturity.  One step closer to the cream of the crop!  Tons of hidden gems here as well!!

1. 'The New Order' (1988)

Sophomore slumps are only for minor league bands.  The band was able to build on the success of their debut as this release would carry them to new heights.  This is the mount rushmore for Testament simply put...The creme de le creme.  The top four tracks provide as fearsome of a foursome that you will find in the entire thrash metal universe.  "Eerie Inhabitants", "The New Order", "Trial By Fire" and "Into the Pit" are widely considered the bands greatest tracks of all-time and they all appear on this record!  Then add in "Disciples of the Watch" and its a stone cold lock!  This is the true Testament of the band's greatness!!  "A Day of Reckoning" reminds me of a cross between Metallica and Anthrax.  This is plug and play at it's finest folks and the top of the mountain for Testament.

Well, except for this: 40 years later, both are still beloved and ubiquitous — “Back in Black” songs a staple on rock radio and “Caddyshack” lines as quotable now as they were then. “Back in Black” has sold an estimated 50 million copies worldwide, and “Caddyshack” has shown up on cable at least that many times.

Is that fodder for an entire column? Even after their shared anniversary has passed?

Sure, why not.

I mean, if you want to be silly about it, there are some connections between the two. Both owe their success largely to men known by animal nicknames: “Back in Black” was produced by Robert John “Mutt” Lange, and “Caddyshack” was produced and co-written by Doug Kenney, who two years earlier had famously played Stork in “Animal House.”

Or how ‘bout this? AC/DC guitarist Angus Young always wears ties on stage; in “Caddyshack,” Lacey Underall (Cindy Morgan) seductively asks Ty Webb (Chevy Chase), “Wanna tie me up with some of your ties, Ty?” (If “Tie Me Up, Ty” wasn’t an AC/DC song title, it should have been.)       

I did find one person with a connection to both works, but it’s a stretch even by my admittedly loose standards. Musician Paul Shaffer didn’t play on “Back in Black” and wasn’t in “Caddyshack,” but he did cover “You Shook Me All Night Long” on his 1993 album “The World’s Most Dangerous Party,” and he did host a special screening of “Caddyshack” alongside Chase at the Bedford Playhouse in New York this past January.

And just in case those aren’t big enough leaps for you, there’s this: AC/DC singer Brian Johnson, who replaced the late Bon Scott for the recording of “Back in Black,” is (or has been) a member of Gator Creek Golf Club in Sarasota, Florida. “Caddyshack” was filmed across the state, at the Rolling Hills Golf Club (now the Grande Oaks Golf Club) in Davie, Florida (even though the story was set in Nebraska).

You just know Rodney Dangerfield’s Al Czervik would have loved Johnson and his AC/DC band mates … and Ted Knight’s Judge Smails would have loathed them. Had the song been released in time, it’s not hard to imagine Dangerfield blasting “You Shook Me All Night Long” from his high-tech golf bag in the middle of a round (as opposed to Journey’s then brand new “Any Way You Want It,” as in the movie).

But it wasn’t … and he didn’t … leaving me to scramble to come up with ridiculous links between the two that aren’t really links at all.

All is not lost, however. 

Because you can make the case that “Back in Black” and “Caddyshack” are kindred spirits in their use of double entendres, ribald wordplay, playful naughtiness and carefree attitudes. Al Czervik, Ty Webb and Carl Spackler easily could have been characters in AC/DC songs, given their penchant for wine, women, general debauchery and, in Carl’s case, powerful explosives.

Whether it’s AC/DC imploring listeners to “Come on and have a good time, and get blinded out of your mind” in “Have a Drink On Me,” or Bill Murray’s Carl describing his hybrid grass to Chase’s Ty as, “You can play 36 holes on it in the afternoon, take it home and just get stoned to the bejeezus-belt that night,” these are not works concerned about the morning after.

And Dangerfield’s film-closing “We’re all gonna get laid!” line could apply to about half the songs on “Back in Black.”

“Back in Black” and “Caddyshack” targeted young male audiences but ultimately appealed to a far wider demographic, mostly because both the album and movie are just plain fun, and neither takes itself too seriously (or seriously at all). Sure, there are occasional moments of gravity — the requisite underworld imagery in “Hells Bells,” the fleeting “I’m late”/”I’m not pregnant!” subplot among the teen caddies — but first and foremost, this is party music, and a party movie.

In both cases, the creators had something to prove. “Caddyshack” co-writers Kenney and Harold Ramis had previously teamed on the comedy smash “Animal House,” but on that film, they ultimately ceded control of the project to director John Landis and producer Ivan Reitman. This time, they were basically running the show, with Kenney producing and Ramis making his directorial debut. (When the film wasn’t immediately embraced by critics, Kenney took it personally, which may have contributed to his death via a fall off a Hawaiian cliff a month later.)

AC/DC, meanwhile, had to prove it could thrive without dynamic front man Scott, who died of alcohol poisoning or a heroin overdose (depending on what you read) five months before “Back in Black’s” release. The album’s title track was a celebratory tribute to him.

Neither was an immediate box office or chart phenomenon. “Caddyshack” was the 14th highest-grossing movie of 1980 (and only the ninth highest-grossing comedy), and “Back in Black” failed to make Billboard’s year-end top 10 albums chart, with singles “You Shook Me All Night Long” and the title track barely cracking the top 40.

Forty years later, movie and album have long since achieved pop culture immortality.

I’ve got one final connection between “Caddyshack” and AC/DC, and it’s personal. I experienced one with my mother, and one with my daughter, and both are priceless memories (although in the case of the former, a tad embarrassing).

As a fan of Murray and Chase, there was no way 14-year-old Andy was going to miss seeing “Caddyshack” in the theater. But I wasn’t getting into the R-rated movie without an adult. So I somehow convinced my mother to take me. I’m sure she figured, it’s a comedy about golf; how raunchy can it be?

It was the second R-rated movie I saw that summer with a parent. My father, who had taken me to see “The Blues Brothers” a month earlier, definitely drew the less uncomfortable assignment. Take away some language, and “The Blues Brothers” easily could have been a PG-rated musical action comedy. “Caddyshack,” on the other hand, definitely earned its R rating. During the sex scene between Danny and Lacey (Michael O’Keefe and Cindy Morgan), I’m pretty sure my mother’s face turned red enough to light up the entire theater.

There was no such parental embarrassment 36 years later (just some throbbing eardrums) when my daughter, a year older then than I was in 1980, and I rocked out to an AC/DC concert at the Wells Fargo Center in Philadelphia. Sure, it wasn’t the full band (Axl Rose had replaced an ailing Johnson on the tour, and since-deceased rhythm guitarist Malcolm Young had retired for health reasons), but the songs were the same, including six of the 10 tracks from “Back in Black.” It’s a parent-child moment I’ll cherish forever … unlike my mom’s experience with me and “Caddyshack,” which I’m pretty sure she’s wiped from her memory.

Point is, people have been bonding over a shared love of “Caddyshack” and “Back in Black” for 40 years, and that might be all the connection I need to justify this column.                

Written By Jason Voorhees

Slippery When Wet (1986)
Defense Attorney-Jason Voorhees
vs.
New Jersey (1988)
Defense Attorney- Aaron Savage
Judges: Kevin Law and Johnny E


The stage is set as the people pack the courtroom. 

On the docket are two seminal records in the Bon Jovi catalog.  On the one side we have 'Slippery When Wet', the band's third studio album.  On the other side sits 'New Jersey', their fourth record.  Both counsel comes fully prepared to drop the gavel into the heart of their opponent.  

And The Gavel Will Rock is a brand new podcast; featuring a courtroom debate of many elements in the heavy metal/hard rock universe.  In this courtroom only the most badass survive.  Masterpiece records, iconic bands, seminal lineups, and many other elements face the jury in this battle of the baddest.  The judge, the jury and the gavel will rock!

The first ever episode of this brand new podcast just went down!  And let me tell you it was an epic battle!  Your hosts from Philly Rock Radio; Kevin Law and Johnny E sat in on the bench as guest judges.  

Taking counsel in defense of 'New Jersey' was Aaron Savage; while yours truly took the helm in defense of 'Slippery When Wet.' 

​This was no easy trial as both albums came loaded with star power: 

Each record was extremely successful in the mainstream industry; both having eclipsed 7x platinum, 'Slippery When Wet' having gone 12x platinum!  Both albums produced two #1 hit singles.  'New Jersey' became the first glam metal record to produce 5 top ten singles and still is the only one to accomplish that feat to this day.

Some of Bon Jovi's best known songs find their home on 'Slippery When Wet'; including "Livin' on a Prayer", "Wanted Dead or Alive", and "You Give Love A Bad Name."  In contrast, some of Bon Jovi's best hidden deep cut gems take place on 'New Jersey.'  Tracks like "Wild is the Wind", "Stick to your Guns", and "99 In the Shade" display marked maturity in the band's arsenal.

As the trial took place, it became glowingly obvious that it would be difficult for the judges to render a verdict.  Both of the records are great.  Each album has many strengths and very little weaknesses.  So which album takes the cake as the ultimate top dog of Bon Jovi's catalog?

You will just have to listen to the episode to find out!  What I can tell you is that it was a fun spirited debate; one that we all truly enjoyed!!  So grab a cold one; get your popcorn ready, kick back and join us in this epic courtroom battle!  Everything is on the table and no one is holding back!    

Written By Jason Voorhees

There never has been; nor will there ever be another band like Faith No More. 

To put it quite simply...this is a band that was way ahead of it's time.  They were KORN before there was KORN.  They were Limp Bizkit and Kid Rock before there was Limp Bizkit or Kid Rock.  And they were Nine Inch Nails, Marilyn Manson, and Linkin Park before those bands arrived.  

Faith No More is widely considered one of the most important metal bands of the late eighties.  This is due in large part to their diverse musical style that later paved the way for multiple metal genres to form.  The band dabbled in synth, punk, industrial, funk, and experimental rock among many others.  These forays later produced genres such as nu-metal, industrial goth and alternative.

No matter what style metal you prefer, Faith No More has undoubtedly produced a track that peaks your fancy.  While the earlier incarnation was plagued by dysfunction and multiple lineup changes; the traditional lineup had one of the more successful stretches in metal history despite being short lived.

After a lengthy breakup, the band finally returned in 2015 with a brand new studio album.  As we celebrate the greatness of Faith No More, let's take a deep dive into their discography catalog from worst to first.  You say you want it all but you cant have it.  However; you better buckle up your seatbelts as it's gonna be an Epic ride!

This was a record that left so many things to be desired.  That's not to say that the debut album was a complete bust.  Only that it was lacking in quality production, consistent songwriting and creativity.  The album features Chuck Mosley on vocals for starters.  His unconventional vocal style provided glimpses of what was yet to come and certainly peaked the interest of the underground musical community.  However; the band wasn't quite ready to conquer mainstream royalty and the album sales suffered.  The album did invoke several key Faith No More ingredients such as the thrash style guitar riffs, sonic synthesized melodies, blistering rhythms and bombastic drums.  Standout tracks include the title track, "The Jungle", "As the Worm Turns" and the instrumental "Pills For Breakfast."  Certainly not a terrible record but definitely the low point for Faith No More...this was just the beginning.

A sophomore jinx was not what the Dr. ordered.  This was a step up from the albums predecessor.  Musically and lyrically it was advanced.  You could tell that the band was maturing before our eyes and the music showed.  The band's creativity shined brightly on this album as the songwriting improved.  The result was a more clean sound with plenty of consistent direction.  The multidimensional blueprint had been choreographed and now the world was ready for Faith No More.  However; the band was internally searching for the missing piece of the puzzle, as the current front man was in the cross hairs and the rest is history.  Tracks like "Faster Disco", "Introduce Yourself", "R N' R" and "The Crab Song" provided an archetype for the band's next great leap.  Marked improvement as Faith No More is now on the fast track.

"Sol Invictus" marks a return to roots moment for Faith No More.  The only difference is Mike Patton on the microphone, and the results were astounding.  This is a  multiple award winning record.  Likewise it's a  record that received critically high marks and reviews all across the board.  Faith No More does a marvelous job capturing the raw edgy style of their beginnings.  However; they were able to maintain a mixture of modern day elements all the while focusing on their long term proven formula.  Standout tracks include "Sol Invictus", "Sunny Side Up", and "Rise of the Fall."  However, the true gem is "Superhero" which ranks among the bands true stalwart tracks.  A solid record that provides a reminder just how great this band is.  Back in form as metal enthusiasts celebrate all over the world!  Stellar album for a stellar band.  

If hard hitting rock is what you crave then this is probably your favorite FNM record.  A new man on the axe in toe (Jim Martin) is now out; the album takes on a heavier mixture of punk and jazz infused shock rock.  Mike Patton's vocal excellence is prominent on this album as well.  When everyone is expecting the band to zig, Faith No More instead decides to zag; and that's what makes this band so fun to follow.  They are never afraid to push the envelop of creativity as they constantly change directions.  This marks yet another evolution as the group channels their inner butterfly in flight.  The album is littered with stone cold killers like "Digging the Grave" and "The Gentle Art of Making Enemies."  While others like "Take This Bottle" and "The Last To Know" remain more hidden.  We are now getting closer to elite level here.  

Most people rank this record at the top of FNM's catalog and they certainly can't be faulted.  However; these lists are not quantified by popularity or how well the album performed.  Because if we were using that formula, the fact remains that this is the crème de le crème.  This was the record before it's time, a crossover beacon of creative juices.  The rap laden monster hit "Epic" is what paces the record.  While the other star power anthems "From Out of Nowhere" and "Falling to Pieces" drive the bus.  However; the hidden gems define the album...songs like "Surprise You're Dead", "Underwater Love", "Woodpecker From Mars" and "Edge of The World" are timeless classics; as well as the enigmatic cover of "War Pigs."  But one would be remiss if they didn't call out the title track "The Real Thing" which outranks them all on the greatness scale.  This was the true epic of the record.  Mount Rushmore 1-A here folks.  

This masterpiece leaves the rest of the albums in a cloud of dust; and after that dust settles you can emphatically see why.  While it's predecessor laid the groundwork, this record perfects that formula.  Lyrically and stylistically 'Angel Dust' is far advanced.  The production of this record also stands out.  Once again, an album with zero filler.  While most people recognize the stellar standout tracks like "Midlife Crisis", "A Small Victory" and even the cover of "Easy"; it's once again those deep cuts that make this record the gold standard.  "Land of Sunshine" simply kicks ass.  "Caffeine" and "Smaller and Smaller" bring down the house.  However; my personal favorite "Kindergarten" has that classic FNM flavor with an added element of eerie creepiness.  This record is always slept on and that's why most put 'The Real Thing' ahead of it.  However; true music enthusiasts and critics realize this records place in the musical landscape.  In fact, this is not only the top of the food chain for Faith No More; but this album also belongs among the top albums of that entire decade.  ​

Written By Jason Voorhees

Welcome to another edition of Top Album Lists here at Philly Rock Radio. 

Since we already have covered 3/4 of the Big 4 of Thrash, it's only fitting that we complete the puzzle with Slayer.  There have always been differing opinions on where Slayer ranks among the Thrash Metal greats.  However; one thing that remains unquestioned is that this band is the heaviest and loudest of the bunch.  

During their 40 years of existence, Slayer has carved out a pretty impressive catalog that stands the test of time. In that time, Slayer provided a benchmark for all future subsequent extreme metal bands.  They are the archetypal thrash metal purists and their intensity, fearsome approach, and deadly precision remains unmatched.

With that being said, there are wide ranging opinions on which of their albums and how many approach greatness.  We are here to settle the debate once and for all which ones remain at the top as well as which ones miss the mark.  So without further ado, here is the best of Slayer's catalog from worst to first...

12. 'Diabolus in Musica' (1998)

Instead of staying true to their unrivaled formula, the band caved to external peer pressure while taking a dive into the nu-metal foray.  While the album is certainly not terrible, it unfortunately doesn't  quite meet the criteria that Slayer fans expect.  Down tuned guitars and experimental vocals were what the Dr. ordered but the people were not buying.  High points include "Bitter Peace", "Stain of Mind", and "Death's Head." Fortunately, this is the low point of Slayer's catalog.

After the untimely passing of lead guitarist Jeff Hanneman, the prospect of getting a solid record again were grim.  However; one must admit, the band did their very best to replicate the classic style fans have grown to love.  The album actually turned out pretty decent which was a pleasant surprise, and also a testament to the talent of Gary Holt who did his best Hanneman imitation.  Unfortunately, the band could not duplicate the songwriting...good but not great.

10. 'Divine Intervention' (1994)

Drummer Dave Lombardo was out of the band.  Enter Paul Bostaph.  Honestly, Slayer did not miss a beat on the percussion side of things.  However; they seemed to be lacking direction on this record.  There are a few stellar tracks which show that this album has star potential.  Songs like "Killing Fields", and "Sex, Murder, Art." followed the tried and true formula.  Meanwhile, the title track lent creedence to the albums overall success.  Unfortunately, there is too much filler present which hinders the albums flow.  Decent but not a classic.

Although most people would argue that a cover album has no business being included on a list such as this, the fact remains that this is not just an ordinary cover album.  In fact, the band went totally out of their comfort zone in the process and for that they get high marks.  It's a raw edgy punk rocking thriller that knocks the listener on their ass.  Not to mention the fact that there are two tracks included from Jeff Hanneman's early solo projects as well as one original.  Extremely underrated record and definitely worthy of it's place on the map.

8. 'Christ Illusion' (2006)

This marked the return of Dave Lombardo as the band was firing on all cylinders.  It was also a return to the band's roots as they tried to recreate the magic of yesteryears.  Although the album  doesn't quite match classic era Slayer, it does match that intensity.  The result is a fantastic mixture of in your face banter as well as solid musicianship.  The record is littered with top end talent like "Flesh Storm", "Eyes of the Insane" and "Catatonic".  However; it's hidden gems like "Jihad" and "Supremist" that clearly define the albums ear test.  Solid effort not quite top tier yet though.

7. 'God Hates Us All' (2001)

Having been released on September 11, 2001, the album remains a haunting and chilling reminder of just how terrible that day was.  Just read the album cover.  However; the album was clearly an attempt from Slayer to recapture their magic of old.  Although the album doesn't quite match classic era Slayer as far as greatness, it does indeed reach that same intensity.  The album is littered with standout tracks including "Disciple", "God Send Death" and "Bloodline".  Slayer had clearly embraced their roots as they pressed reset.  Solid and inching closer to next level.

6. 'World Painted Blood' (2009)

Some of Slayer's best songwriting finds it's home on this record.  The fearsome foursome was at the top of their game and the results paid instant dividends.  The record opens with the title track which beckons "A" list material on any playlist as the hits keep coming.  Tracks like "Unit 731" and "Snuff" hit harder than a wrecking ball.  Then there's the haunting and ethereal "Beauty Through Order" and "Human Strain".  However; the true gem for me is "Playing With Dolls" which would even scare the shit out of satan himself.  We have now reached classic level and are ready to enter elite.

The birthplace of Slayer took place on this thrilling debut.  The band channeled traditional rock and roll roots and mixed it with a punky flavor which resulted in this stone cold classic.  Much like Metallica's 'Kill Em All' it's an album that was clearly ahead of it's time.  Raw and edgy with bombastic flavor that hits you at the core.  And it foreshadowed the greatness of Jeff Hanneman's songwriting which clearly was approaching elite at this point.  The record is full of timeless classics like "Black Magic", "Die By The Sword", and "Evil Has No Boundaries".  Even the title track sizzles.

4. 'Hell Awaits' (1985)

Slayer shocked the world with the album cover and title.  Nonetheless, it marked a  huge leap forward both musically and stylistically for the band.  Slayer was not about to wash their hands in a sophomore slump; instead staking their claim of the thrash metal musical landscape.  This is a tremendous record that is often overlooked in the band's discography.  Groundbreaking tracks like "Hell Awaits" and "At Dawn They Sleep" pace the album while songs like "Necrophiliac" foreshadowed that signature Slayer smash and bash energy.  We have now reached elite.

It would be almost impossible to follow up a benchmark iconic record like 'Reign In Blood'.  However; Slayer nearly pulled off just that feat here.  In fact a coupe de ta was clearly in reach as they dialed it back in a 360 degree manner as far as intensity.  While it's predecessor fed off of the fast and furious stab you in the heart type riffs, 'South of Heaven' featured extremely slow dialed back mid tempo killers.  Littered with star power..."Spill The Blood", "Silent Scream", "Behind the Crooked Cross", "Mandatory Suicide" and the infamous title track hit harder than a Mark McGwire homerun.  Meanwhile, their cover of the Judas Priest classic "Dissident Aggressor' absolutely nails the coffin.

This has always been my personal favorite Slayer record.  It's like a cross between 'Reign In Blood' and 'South of Heaven.'  The band took the best from both of these albums and created a dual threat combination.  The results were a magnificent masterpiece of grandeur.  The album flow is damn near perfect.  The musical production and sound is pristine.  Rick Rubin did his best Leonardo De Vinci impersonation here.  Hits are endless as tracks like "Dead Skin Mask", "Spirit in Black", "Skeletons of Society" and more dominate the façade spontaneously.  However, it's the bookend stalwarts that define the albums greatness.  Top notch here and definitely elite material.

1. 'Reign In Blood' (1986)

The quintessential album of Slayer's catalog and quite possibly the greatest in thrash metal history.  A 30 minute tour of hell's gates take place on this iconic roller coaster of fantastic musicianship.  Stellar songwriting and composition the likes we may never see again happen.  It's an all out assault of every musical adjective you can objectify.  A bombastic and riveting masterpiece of art.  Fast and furious, lightning full speed ahead dominance that strikes you at the core.  Zero filler is present as the hits just keep on coming.  Plug in sit back and it will all be over soon!!  Hands down the best for Slayer and right at the top of the thrash metal Mount Rushmore!

Written By Jason Voorhees

It's not a stretch to say that Anthrax is often the forgotten band when it comes to the Big4. 


While they are sometimes overlooked, they undoubtedly hold a special place in thrash metal hearts worldwide. Wallowing out of the slums of New York, big-time producer Johnny Zazula helped Anthrax rise to the top during the thrash metal insurgence of the mid-eighties. 


While fellow counterparts Metallica, Megadeth, and Slayer closely followed their same signature formula sound and style during most of their careers, Anthrax ran the gamut in both style and diversity. Most metal fans and critics define the eras by which the lead singer is behind the microphone. 


Whether your love finds favor with Joey Belladonna or if John Bush peaks your fancy, one part of the band has always stayed true to form. And that's the triplets: Charlie Benante (drums), Scott Ian (rhythm guitar), and Frank Bello (bass). That group has employed Anthrax's core songwriting duties for the majority of its existence.


Over the years, Anthrax has established the most diverse discography catalog of the entire Big4. While there have been a few low points, most of their records have performed very well, enjoying much success. So instead of wasting any more time with boring introductions...let's jump head-on into the fire as we rank the best of Anthrax from worst to first. I forgot to mention...this is strictly studio albums (not including other fine works such as 'Attack of the Killer B's' or 'Anthems').

​Most definitely the low point in their discography. Indeed not a terrible record, but not very memorable either. This was the sophomore album with John Bush in the driver's seat, and the results were inconsistent at best. The songwriting was uninspiring, lacking a clear vision. The standout tracks include "Fueled," "Riding Shotgun," and "I'm In A Zone," which had a very nu-metal style tone. Dan Spitz was out of the band, and so was the energy. Too much filler and little, very little thriller.

​This was a comeback of sorts during the John Bush era. While many fans had grown tired of the bands' lack of direction, the album was a semi-return to basics. The old inspiration that had been missing the previous few years was back. With Rob Caggiano on the ax, there was more energy, and the groove was back in the band's step. Tracks like "Safe Home," "Black Dhalia," and "Taking the Music Back" offered a more classic style of thrash. It was not the time to "Think About An End" just yet. Anthrax was back in the game.

​It was a stellar debut for the New York thrashers. A raw and edgy mixture of in-your-face metal provided the fledgling archetype for the band's future endeavors. Johnny Z hit another home run signing these guys as the results speak for themselves. A classic thrash onslaught featuring "Deathrider," "Panic," mosh pit favorite "Metal Thrashing Mad." There's also a badass cover of Alice Cooper's megahit "Eighteen." A truly substantially solid debut; and, more importantly, an extremely fun listen.

​This was the epitome of going back to the well one too many times. Instead of building off the momentum from its Mount Rushmore- Esque predecessor, the album sadly became a repetitive beacon of familiarity. Anthrax could have taken their act to new heights, but unfortunately, the creativity stalled. That's not to say that it lacks some beautiful moments. Songs like "Be All, End All," "Make Me Laugh," and "Finale" are standout stalwarts. However, the cover of "Antisocial" became a huge hit appearing regularly on MTV's Headbanger's Ball. Solid but not great.

​This may be Anthrax's best record both stylistically and lyrically. It's more advanced and closer to what should have come after 'Among the Living.' The songwriting is both intricate and intense. I always say that this is where Anthrax albums go from decent to absolute knockouts. The record is littered with star power beginning to end, including the opener "Time" as well as "Keep it in the Family," "Belly of the Beast," "In My World," "Got the Time," and "Discharge." A masterpiece of violent energy. Anthrax was not messing around anymore.

​They say we learn from our mistakes, and Anthrax truly learned after the 'State of Euphoria' aftermath. Coming off of their huge hit 'Worship Music,' the band was faced with a similar situation to that experiment. This time instead of zigging, Anthrax decided to zag. While the album still shared similarities to its predecessor, 'For All Kings' provided fresh and new ideas and various style changes. The album is filled with greatness lead by "You Gotta Believe," "Monster At the End," "For All Kings," "Breathing Lightning," and "Defend Avenge." "Blood Eagle Wings" is an epic masterpiece.

​This is hands down their most underrated album ever written. I'm going to catch major flack for placing it so high. But while many fans and critics hold the record in low regards, do not mistake popularity with true greatness. And this is a top album list, not a popularity contest. It features very intense songwriting and too dark lyrics during a very dark time in the band's emotional state. Standouts are plentiful: "Crush," "Catharsis," "Inside Out," and "P&V" is as fearsome of a foursome as you will find in thrash metal anthology. The extraordinary record, fight me if you disagree.​

​No sophomore slump here, folks. Another stone-cold classic for the empire-state thrash metal rockers. A genre-defining release that's often a prototype metal record for guitarists to learn from. Plenty of high-level material leaves the listener feeling pretty hype and stoked. It's either well-known classics or hidden gem glory in the toe...zero filler resides on this album. Tracks like "Madhouse," "Medusa," and "A.I.R." pace the record while "Gung-Ho," "Aftershock," and "Stand or Fall" define it!  Now this was the album that sent them flying to the top.

​The birthplace of the John Bush-era could have been a colossal disappointment. Instead, the band buckled down and produced arguably their most artistic record up until that point. The album performed exceptionally well on the charts and was received by fans and critics alike. A provocative induced coma on the senses, this is an eardrum popping barnburner of reckless abandon. The Megahit "Only" is the highpoint, but it's only the tip of the iceberg in this album's greatness. Other standouts include "Black Lodge," "Room For One More," and "Hy Pro Glo." John Bush brought a newfound passion, and his presence was band-altering.

​One of the most anticipated reunion comeback releases in metal history was a slam dunk home run. This record is so good, and it could very well be their greatest when truly admiring its contents. Anthrax brought their A-game from opening to close, and it's a classic style Anthrax that you could ever get. This album brings back memories of the classic era thrashers. The fans loved it, and the critics were enamored as well. Probably the best overall produced album as far as sound goes. It runs the entire gamut of Anthrax's career both stylistically and lyrically. It boasts hit after hit with no bad tracks insight. Plug and play at its most delicate push play.

​As tough as the competition is, 'Among the Living' undoubtedly takes the cake as the Anthrax discography's quintessential album. Far and away, their most mature songwriting effort overall and one that only fed the rabid moshing persona of its loyal die-hard thrashers. "Caught in A Mosh," "I am the Law," "Efilnikufesin," "Indians," "Imitation of Life," the list keeps going and going. A masterpiece of thrash metal art has stood the test of time and ranks right up there at the top of all metal albums all-time. A definitive cornerstone for the band and one that even the most novel fans must bow to. Say hello to greatness here, folks!