Written By Jason Voorhees

Welcome to another edition of Top Album Lists here at Philly Rock Radio. 

Since we already have covered 3/4 of the Big 4 of Thrash, it's only fitting that we complete the puzzle with Slayer.  There have always been differing opinions on where Slayer ranks among the Thrash Metal greats.  However; one thing that remains unquestioned is that this band is the heaviest and loudest of the bunch.  

During their 40 years of existence, Slayer has carved out a pretty impressive catalog that stands the test of time. In that time, Slayer provided a benchmark for all future subsequent extreme metal bands.  They are the archetypal thrash metal purists and their intensity, fearsome approach, and deadly precision remains unmatched.

With that being said, there are wide ranging opinions on which of their albums and how many approach greatness.  We are here to settle the debate once and for all which ones remain at the top as well as which ones miss the mark.  So without further ado, here is the best of Slayer's catalog from worst to first...

12. 'Diabolus in Musica' (1998)

Instead of staying true to their unrivaled formula, the band caved to external peer pressure while taking a dive into the nu-metal foray.  While the album is certainly not terrible, it unfortunately doesn't  quite meet the criteria that Slayer fans expect.  Down tuned guitars and experimental vocals were what the Dr. ordered but the people were not buying.  High points include "Bitter Peace", "Stain of Mind", and "Death's Head." Fortunately, this is the low point of Slayer's catalog.

After the untimely passing of lead guitarist Jeff Hanneman, the prospect of getting a solid record again were grim.  However; one must admit, the band did their very best to replicate the classic style fans have grown to love.  The album actually turned out pretty decent which was a pleasant surprise, and also a testament to the talent of Gary Holt who did his best Hanneman imitation.  Unfortunately, the band could not duplicate the songwriting...good but not great.

10. 'Divine Intervention' (1994)

Drummer Dave Lombardo was out of the band.  Enter Paul Bostaph.  Honestly, Slayer did not miss a beat on the percussion side of things.  However; they seemed to be lacking direction on this record.  There are a few stellar tracks which show that this album has star potential.  Songs like "Killing Fields", and "Sex, Murder, Art." followed the tried and true formula.  Meanwhile, the title track lent creedence to the albums overall success.  Unfortunately, there is too much filler present which hinders the albums flow.  Decent but not a classic.

Although most people would argue that a cover album has no business being included on a list such as this, the fact remains that this is not just an ordinary cover album.  In fact, the band went totally out of their comfort zone in the process and for that they get high marks.  It's a raw edgy punk rocking thriller that knocks the listener on their ass.  Not to mention the fact that there are two tracks included from Jeff Hanneman's early solo projects as well as one original.  Extremely underrated record and definitely worthy of it's place on the map.

8. 'Christ Illusion' (2006)

This marked the return of Dave Lombardo as the band was firing on all cylinders.  It was also a return to the band's roots as they tried to recreate the magic of yesteryears.  Although the album  doesn't quite match classic era Slayer, it does match that intensity.  The result is a fantastic mixture of in your face banter as well as solid musicianship.  The record is littered with top end talent like "Flesh Storm", "Eyes of the Insane" and "Catatonic".  However; it's hidden gems like "Jihad" and "Supremist" that clearly define the albums ear test.  Solid effort not quite top tier yet though.

7. 'God Hates Us All' (2001)

Having been released on September 11, 2001, the album remains a haunting and chilling reminder of just how terrible that day was.  Just read the album cover.  However; the album was clearly an attempt from Slayer to recapture their magic of old.  Although the album doesn't quite match classic era Slayer as far as greatness, it does indeed reach that same intensity.  The album is littered with standout tracks including "Disciple", "God Send Death" and "Bloodline".  Slayer had clearly embraced their roots as they pressed reset.  Solid and inching closer to next level.

6. 'World Painted Blood' (2009)

Some of Slayer's best songwriting finds it's home on this record.  The fearsome foursome was at the top of their game and the results paid instant dividends.  The record opens with the title track which beckons "A" list material on any playlist as the hits keep coming.  Tracks like "Unit 731" and "Snuff" hit harder than a wrecking ball.  Then there's the haunting and ethereal "Beauty Through Order" and "Human Strain".  However; the true gem for me is "Playing With Dolls" which would even scare the shit out of satan himself.  We have now reached classic level and are ready to enter elite.

The birthplace of Slayer took place on this thrilling debut.  The band channeled traditional rock and roll roots and mixed it with a punky flavor which resulted in this stone cold classic.  Much like Metallica's 'Kill Em All' it's an album that was clearly ahead of it's time.  Raw and edgy with bombastic flavor that hits you at the core.  And it foreshadowed the greatness of Jeff Hanneman's songwriting which clearly was approaching elite at this point.  The record is full of timeless classics like "Black Magic", "Die By The Sword", and "Evil Has No Boundaries".  Even the title track sizzles.

4. 'Hell Awaits' (1985)

Slayer shocked the world with the album cover and title.  Nonetheless, it marked a  huge leap forward both musically and stylistically for the band.  Slayer was not about to wash their hands in a sophomore slump; instead staking their claim of the thrash metal musical landscape.  This is a tremendous record that is often overlooked in the band's discography.  Groundbreaking tracks like "Hell Awaits" and "At Dawn They Sleep" pace the album while songs like "Necrophiliac" foreshadowed that signature Slayer smash and bash energy.  We have now reached elite.

It would be almost impossible to follow up a benchmark iconic record like 'Reign In Blood'.  However; Slayer nearly pulled off just that feat here.  In fact a coupe de ta was clearly in reach as they dialed it back in a 360 degree manner as far as intensity.  While it's predecessor fed off of the fast and furious stab you in the heart type riffs, 'South of Heaven' featured extremely slow dialed back mid tempo killers.  Littered with star power..."Spill The Blood", "Silent Scream", "Behind the Crooked Cross", "Mandatory Suicide" and the infamous title track hit harder than a Mark McGwire homerun.  Meanwhile, their cover of the Judas Priest classic "Dissident Aggressor' absolutely nails the coffin.

This has always been my personal favorite Slayer record.  It's like a cross between 'Reign In Blood' and 'South of Heaven.'  The band took the best from both of these albums and created a dual threat combination.  The results were a magnificent masterpiece of grandeur.  The album flow is damn near perfect.  The musical production and sound is pristine.  Rick Rubin did his best Leonardo De Vinci impersonation here.  Hits are endless as tracks like "Dead Skin Mask", "Spirit in Black", "Skeletons of Society" and more dominate the façade spontaneously.  However, it's the bookend stalwarts that define the albums greatness.  Top notch here and definitely elite material.

1. 'Reign In Blood' (1986)

The quintessential album of Slayer's catalog and quite possibly the greatest in thrash metal history.  A 30 minute tour of hell's gates take place on this iconic roller coaster of fantastic musicianship.  Stellar songwriting and composition the likes we may never see again happen.  It's an all out assault of every musical adjective you can objectify.  A bombastic and riveting masterpiece of art.  Fast and furious, lightning full speed ahead dominance that strikes you at the core.  Zero filler is present as the hits just keep on coming.  Plug in sit back and it will all be over soon!!  Hands down the best for Slayer and right at the top of the thrash metal Mount Rushmore!

Written By Jason Voorhees

It's not a stretch to say that Anthrax is often the forgotten band when it comes to the Big4. 


While they are sometimes overlooked, they undoubtedly hold a special place in thrash metal hearts worldwide. Wallowing out of the slums of New York, big-time producer Johnny Zazula helped Anthrax rise to the top during the thrash metal insurgence of the mid-eighties. 


While fellow counterparts Metallica, Megadeth, and Slayer closely followed their same signature formula sound and style during most of their careers, Anthrax ran the gamut in both style and diversity. Most metal fans and critics define the eras by which the lead singer is behind the microphone. 


Whether your love finds favor with Joey Belladonna or if John Bush peaks your fancy, one part of the band has always stayed true to form. And that's the triplets: Charlie Benante (drums), Scott Ian (rhythm guitar), and Frank Bello (bass). That group has employed Anthrax's core songwriting duties for the majority of its existence.


Over the years, Anthrax has established the most diverse discography catalog of the entire Big4. While there have been a few low points, most of their records have performed very well, enjoying much success. So instead of wasting any more time with boring introductions...let's jump head-on into the fire as we rank the best of Anthrax from worst to first. I forgot to mention...this is strictly studio albums (not including other fine works such as 'Attack of the Killer B's' or 'Anthems').

​Most definitely the low point in their discography. Indeed not a terrible record, but not very memorable either. This was the sophomore album with John Bush in the driver's seat, and the results were inconsistent at best. The songwriting was uninspiring, lacking a clear vision. The standout tracks include "Fueled," "Riding Shotgun," and "I'm In A Zone," which had a very nu-metal style tone. Dan Spitz was out of the band, and so was the energy. Too much filler and little, very little thriller.

​This was a comeback of sorts during the John Bush era. While many fans had grown tired of the bands' lack of direction, the album was a semi-return to basics. The old inspiration that had been missing the previous few years was back. With Rob Caggiano on the ax, there was more energy, and the groove was back in the band's step. Tracks like "Safe Home," "Black Dhalia," and "Taking the Music Back" offered a more classic style of thrash. It was not the time to "Think About An End" just yet. Anthrax was back in the game.

​It was a stellar debut for the New York thrashers. A raw and edgy mixture of in-your-face metal provided the fledgling archetype for the band's future endeavors. Johnny Z hit another home run signing these guys as the results speak for themselves. A classic thrash onslaught featuring "Deathrider," "Panic," mosh pit favorite "Metal Thrashing Mad." There's also a badass cover of Alice Cooper's megahit "Eighteen." A truly substantially solid debut; and, more importantly, an extremely fun listen.

​This was the epitome of going back to the well one too many times. Instead of building off the momentum from its Mount Rushmore- Esque predecessor, the album sadly became a repetitive beacon of familiarity. Anthrax could have taken their act to new heights, but unfortunately, the creativity stalled. That's not to say that it lacks some beautiful moments. Songs like "Be All, End All," "Make Me Laugh," and "Finale" are standout stalwarts. However, the cover of "Antisocial" became a huge hit appearing regularly on MTV's Headbanger's Ball. Solid but not great.

​This may be Anthrax's best record both stylistically and lyrically. It's more advanced and closer to what should have come after 'Among the Living.' The songwriting is both intricate and intense. I always say that this is where Anthrax albums go from decent to absolute knockouts. The record is littered with star power beginning to end, including the opener "Time" as well as "Keep it in the Family," "Belly of the Beast," "In My World," "Got the Time," and "Discharge." A masterpiece of violent energy. Anthrax was not messing around anymore.

​They say we learn from our mistakes, and Anthrax truly learned after the 'State of Euphoria' aftermath. Coming off of their huge hit 'Worship Music,' the band was faced with a similar situation to that experiment. This time instead of zigging, Anthrax decided to zag. While the album still shared similarities to its predecessor, 'For All Kings' provided fresh and new ideas and various style changes. The album is filled with greatness lead by "You Gotta Believe," "Monster At the End," "For All Kings," "Breathing Lightning," and "Defend Avenge." "Blood Eagle Wings" is an epic masterpiece.

​This is hands down their most underrated album ever written. I'm going to catch major flack for placing it so high. But while many fans and critics hold the record in low regards, do not mistake popularity with true greatness. And this is a top album list, not a popularity contest. It features very intense songwriting and too dark lyrics during a very dark time in the band's emotional state. Standouts are plentiful: "Crush," "Catharsis," "Inside Out," and "P&V" is as fearsome of a foursome as you will find in thrash metal anthology. The extraordinary record, fight me if you disagree.​

​No sophomore slump here, folks. Another stone-cold classic for the empire-state thrash metal rockers. A genre-defining release that's often a prototype metal record for guitarists to learn from. Plenty of high-level material leaves the listener feeling pretty hype and stoked. It's either well-known classics or hidden gem glory in the toe...zero filler resides on this album. Tracks like "Madhouse," "Medusa," and "A.I.R." pace the record while "Gung-Ho," "Aftershock," and "Stand or Fall" define it!  Now this was the album that sent them flying to the top.

​The birthplace of the John Bush-era could have been a colossal disappointment. Instead, the band buckled down and produced arguably their most artistic record up until that point. The album performed exceptionally well on the charts and was received by fans and critics alike. A provocative induced coma on the senses, this is an eardrum popping barnburner of reckless abandon. The Megahit "Only" is the highpoint, but it's only the tip of the iceberg in this album's greatness. Other standouts include "Black Lodge," "Room For One More," and "Hy Pro Glo." John Bush brought a newfound passion, and his presence was band-altering.

​One of the most anticipated reunion comeback releases in metal history was a slam dunk home run. This record is so good, and it could very well be their greatest when truly admiring its contents. Anthrax brought their A-game from opening to close, and it's a classic style Anthrax that you could ever get. This album brings back memories of the classic era thrashers. The fans loved it, and the critics were enamored as well. Probably the best overall produced album as far as sound goes. It runs the entire gamut of Anthrax's career both stylistically and lyrically. It boasts hit after hit with no bad tracks insight. Plug and play at its most delicate push play.

​As tough as the competition is, 'Among the Living' undoubtedly takes the cake as the Anthrax discography's quintessential album. Far and away, their most mature songwriting effort overall and one that only fed the rabid moshing persona of its loyal die-hard thrashers. "Caught in A Mosh," "I am the Law," "Efilnikufesin," "Indians," "Imitation of Life," the list keeps going and going. A masterpiece of thrash metal art has stood the test of time and ranks right up there at the top of all metal albums all-time. A definitive cornerstone for the band and one that even the most novel fans must bow to. Say hello to greatness here, folks!

Written By Jason Voorhees

Stryper is hoping to pull off one heck of a feat in 2020. 

They are trying to release not one but two studio albums.  Yes that's right you heard it correctly.  According to the band's leader Michael Sweet, the band is working on an all acoustic album as we speak, which would be the first of it's kind for them.  Stryper is also putting the finishing touches on it's 13th studio album which will be released sometime this summer.

When the best of heavy metal is talked about, Stryper rarely finds itself in that discussion.  However; as the saying goes...the truth will set you free.  True fans and metal critics realize just how much of a travesty it is to not put the Christian metal pioneers in the top rungs when discussing metal band greatness.

What's not to love about this band as their talents are endless.  After coming on strong during the early eighties hair metal scene, Stryper became a mainstay during the rise of glam metal in the mid to late eighties.  After struggling and suffering a lengthy hiatus, the band came back to form in the late 2000's. 

The last decade has saw Stryper release some of it's best work.  The band has carved out quite an impressive discography catalog over the years.  With a highly anticipated double album release this summer, we figured now would be a great time to rank the best of the best. 

So without further ado...here is the best of Stryper ranked worst to first...come along on this journey!

After originally being slated as a Michael Sweet solo album, the rest of the band heard the material and wanted in.  In some ways, this was kind of a rebirth as it featured the bands first original material in over 15 years.  Stryper tried to find a more contemporary sound as the record took on a much heavier tone.  In fact, some have compared it to the nu-metal genre.  Although it's not a terrible album, it most definitely lacks the classic Stryper elements that we have grown to love.  High points include "Passion" and "Open Your Eyes."  A familiar favorite also appears on the record as "I.G.W.T." is a modern day remake of the smash hit "In God We Trust."  Welcome back boys.

The birthplace of Stryper takes place on this iconic stalwart.  Some would say its sacreligious to have this one so low on the list.  Just because its so low does not make it a bad record.  In fact, this is an awesome album as it has stood the test of time.  The epic opener "Loud and Clear" emphatically highlights Michael Sweet's stellar vocal range as well as the one-two punch of guitar greatness of both Oz Fox and Sweet.  "Loving You", "Co'Mon Rock" and "From Wrong To Right" all feature soaring vocals, foundation rocking guitars, sing along choruses and blistering solos.  A stellar debut for the killer bees.  There are always growing pains for up and coming bands but this was certainly a tone setter.

A throwback in so many words.  Many people consider this to be the most underrated album in their catalog.  Despite an underwhelming sound production and sometimes inconsistent song flow, the album features a darker side for the band both musically and stylistically.  Although drummer Robert Sweet is not featured on the album due to a mishap in the recording process, he did appear on the subsequent tour.  The standout tracks are "Run In You", "Alive", as well as the solid title track.  However; the cover of Boston's "Peace of Mind" was the track that drove the album's success.  Meanwhile, deeper cuts like "4Leaf Clover" and "Everything" are the ones that truly define the record's significance!

The follow up to the smash hit 'To Hell With The Devil' was a defining moment for the band.  Stryper had achieved commercial success and now they looked to refine their formula and sound.  Where the previous three albums seemed to build off each other musically and lyrically, this was a more open effort to go mainstream.  The record has an extremely poppy vibe as it adds keyboards and more of an opera approach on vocals.  The songwriting, guitar riffs, power vocals, catchy choruses and production is unrivaled at that point in Stryper's career.  The title track "In God We Trust" was a massive hit.  Other standout tracks include "Always There For You", "The Writings on the Wall", and "Come to Everlife."

This was the unmasking of Stryper figuratively.  The band shed their yellow and black spandex as well as the original bold band logo with Isaiah 53:5.  These iconic elements were replaced by leather outfits and lyrics that were more focused on rock n' roll and relationships.  While many hardcore fans screamed blasphemy, truth be told it was a bold move and one that ultimately paid off.  The record is paced by top notch songwriting and thought provoking lyrics.  The album has very little filler and is very close to plug n play.  Solid tracks abound on this one including "Against the Law", "Two Time Woman", "Rock the People", "Ordinary Man" and "All For One". Definitely one of my all time favorites.

Your probably wondering how an album that is mostly filled with re-recordings finds a place so high on the list.  Well, the answer is simple.  Michael Sweet is not only the lead vocalist of the band, but he has become a world class producer.  His excellence is firmly implanted all over this masterpiece.  It's basically every one of the band's classic tracks on steroids.  The guitar work is masterful.  The Fox/Sweet duo is extremely impressive.  Drummer Robert Sweet's talents also explode all over the map.  And bassist Tim Gaines gives an epic performance as well.  When I'm searching for a go to record, this is certainly high on my list. Stryper is definitely back with a vengeance here!

This album most definitely could be much higher on the list if not for the fact that Stryper has reinvented themselves on the mountain artistically.  Despite the fact that there is only one original track ("God") on the record, their approach in covering these mainstay classics simply sizzles.  The band's amazing musical talents are full on display here.  In fact, many of their versions are actually more impressive than the originals.  All of the bands that they try to emulate here had huge influences on them growing up.  Sweet, The Scorpions, Black Sabbath, UFO, Kansas, Deep Purple, KISS, Ozzy Osbourne, Van Halen, Iron Maiden, Judas Priest and Led Zeppelin all find homes here.  Solid from A-Z!!!

The band truly seems to have aged like an infinitely ever improving fine wine.  While Jesus has turned water into wine...Stryper has turned each such successive album into an even better masterpiece.  When this album was released in 2013, no one expected Stryper to sound so impressive.  Indeed how wrong we were.  This is an absolute stellar album that features some of the best material the band has ever released up until this point.  Michael Sweet not only looks younger but his voice rings out in pristine greatness.  There are too many great tracks to mention them all.  This is the album that should have been released after "In God We Trust."  And yet here we are 30 years later!   

This was Stryper's biggest selling album of their career and it's easy to see why.  Blazing guitar riffs, ear piercing vocals, powerful and catchy choruses, blistering solos and fantastic musicianship.  This was a much heavier album than previous records while keeping just the right balance of Christian message tones and popular appeal.  "To Hell With The Devil" to this day remains one of the bands greatest works.  However; this album is littered with hidden gem material like "Rockin' The World", "Calling On You", "Free", and "More Than A Man."  "The Way" may be the bands most underrated track of all-time.  This is classic Stryper to the core and set the bar for all future records to come.

Just when you thought Stryper could not get any better, they flipped the script.  After releasing the highly touted 'No More Hell To Pay', the band was back to kicking ass and taking names.  In fact, with one epic opening track "Yahweh", they topped the previous album in one fellow swoop.  It's definitely the heaviest track ever recorded by Stryper while maintaining the powerful Christian message of Christ's death on the cross.  Another amazing masterpiece here, with zero bad songs.  Another Sabbath cover, "After and Forever" appears here as Styper absolutely nails it to the wood.  It's hard to believe that a band can continue to get better this far a long in their career but these legends have done just that.

The sophomore jinx was totally debunked here.  The band had matured leaps and bounds both musically and stylistically.  There is a war going on and Stryper was here to claim it's band of soldiers.  A masterful blend of power metal and hard rock that fully engages the listener.  There is supreme songwriting and you can tell that the band was honing in their craft.  The band maintains their raw and edgy style while producing a much leaner record.  The title track may be their most iconic anthem, but the album is filled with solid classics.  "Makes Me Wanna Sing", "The Rock that Makes Me Roll", "Reach Out", and "Battle Hymn of the Republic" all scream.  Also, the tremendous piano ballad "First Love" finds it's place here.  This is the cream of the crop for Stryper...that is until modern day.

Not only is this Stryper's top album of all-time, I had it rated the 16th top album in all of metal over the past decade.  It is undoubtedly their heaviest album of all-time.  'God Damn Evil' also marked the debut of Perry Richardson, formerly of Firehouse.  As mentioned...Stryper continues to excel with age as they balance the hour glass.  Michael Sweet continues to be one of the best overall front men in metal as his voice absolutely transcends greatness.  The guitar work on this record is brilliant.  Once again, not a bad song on the album.  I highly recommend this album even if you are not a fan of Stryper.  It's the definitive record of their catalog that spans the entire gamut of their catalog in style.

Written By Jason Voorhees

You don't have to go any further than your own backyard to recognize this week's band pick for top albums.  Well of course we are talking about those scrappy thrashers from northern New Jersey...OVERKILL.  The band's name was created out of the ashes of Motorhead's 1979 classic album.  

Overkill has produced quite a catalog over the years including 19 studio albums. 

While the group has endured numerous lineup changes; lead vocalist Bobby "Blitz" Elsworth and bassist DD. Verni have gone the distance.  In the early years the band paid its dues playing in the famed clubs of NY and NJ including L'Amours.  However; it wasn't until legendary producer Johnny Zazula took the group under his wings that they truly made their mark; a mark that they ultimately shattered.

Overkill became one of the early pioneers of thrash; but while many thrash superstars faded, they were able to adapt to changing sounds while still incorporating their own signature style of thrash.  Their diversity has enabled them to stay relevant in the metal mainstream for a very long time.

While the band has had its share of low points, most of their albums have been above average and enjoyed at least some success.  Their hard work and dedication has made them one of the most enduring thrash bands of all-time.  So without further ado, sit back break open a cold one and come along as we chronicle the very best of the best in Overkill's celebrated catalog.

Did someone say biker love!  The band painted a picture of their motorcycle infatuation with the title wide fucking open....and open up the throttle they did.  The bass was doused with miracle grow while the rest of the instruments were cranked up to ten.  This is an in your face orgy of powerful energy.  Overkill put the pedal to the metal and let their bikes burn rubber.  The record was a major step forward from it's predecessor "I Hear Black" which many considered an epic fail.  Most tracks have plenty of sizzle and there is very little filler.  Standout tracks include "Fast Junkie", "Up to Zero", "Supersonic Hate" and the enigmatic closer..."Gasoline Dream."  Overkill was back to form on this one point blank.

The new millennium version of Overkill continued to kick ass and take names with this release.  The hot streak was evident as soon as the records' second track kicked into overdrive.  From that moment a hurricane of thrash metal urgency ensues and the results are spectacular.  The album is littered with the signature "Blitz" energy and attitude while that DD. Verdi lava is rotten to the core!  "Armorist" became an instant cult classic but its those deep cuts like "Down to the Bone", "PIG" and "King of the Rat Bastards" that classify this album as a stone cold killer.  Its almost like Overkill was able to blend their 90's groove influenced style with a modern thrash style sound.  Almost effortless.

This may be the band's most underrated record.  While it's often forgotten or pushed aside when ranking the best of, it's fair to say that those people are merely misinformed.  The truth is that this album does seem to suffer from a poor sound production which probably fuels the negativity.  Nonetheless, 'Under the Influence' shows a creative maturity for the band both musically and stylistically.  "Hello From the Gutter" is like Iron Maiden meets thrash.  "Shred" and "Never Say Never" is thrash metal to the core through and through.  "Brainfade" simply scatters the brain.  While "End of the Line" is only the beginning of the line for Overkill's creative juices.  One of my all-time favorites.  

After taking a step back on this albums' predecessor (The Grinding Wheel), Overkill once again hit the reset button resulting in another slam dunk.  As strongly as the band opened the decade with 'Ironbound', they closed the decade out with a hammer in the coffin.  With new drummer Jason Bittner in toe, the wrecking crew was full on blast once again.  From beginning to end this record is wide fucking open, a full throttle speed and thrash metal masterpiece.  Tracks like "Last Man Standing", "Believe in the Fight", "Batshit Crazy" and "Hole in My Soul" knock you on your ass.  "Distortion" breathes fire, While "Welcome to the Garden State" leaves you feeling Sopranos.  This is an awesome record and proves that Overkill is still alive and well!

How do you follow up a game changing album?  Well that's easy...release another one.  Coming off the heels of 'Ironbound', Overkill was able to once again channel their best effort.  Another example of how this band has simply improved with age.  'The Electric Age' is a no nonsense assault on the ear drums.  "Blitz" and company brought their A game and the hits just keep on coming.  One of the best opening one-two punches in modern day metal with "Come and Get It" and "Electric Rattlesnake".  The deep cuts leave you in awe struck...tracks like "Save Yourself", "Drop the Hammer" and "21st Century Man" would make any best of list in this modern day era.  Another killer album by Overkill.

The Jersey white boys were hot for the taking on this debut thriller.  A raw and edgy thrash foray that has stood the test of time.  'Feel the Fire' is a full on thrash assault which features awe flexing riffs, raw inspired hooks and bridges, belting vocals and epic solos.  Tracks like "There's No Tomorrow", "Hammerhead" and "Kill At Command" are thrash metal icons.  While "Rotten to the Core" truly captures the signature "Blitz" overture of lead vocalist Bobby Ellsworth.  Another superb release by Megaforce records made this album a force to be reckoned with.  The albums closer "Sonic Reducer" may be the bands most underrated track of all-time!  A stellar rookie release.  

Iron sharpens iron on this epic masterpiece.  Spitting back in the face of recent failures, it was full speed ahead on this instant classic.  Overkill decided to take a ride on the time machine back to their roots and the results were earth shattering.  From the eye popping opener "The Green and Black" which leaves the listener reeling from a splitting headache.  Then the title track which takes you on a tour of the bands hometown near Newark, NJ.  From beginning to end this album shoots fire like a volcanic blast.  Its a thrash metal symphony that preaches relentless energy and passion.  The wrecking crew was once again back to the basics and the basics were just what the Dr. ordered!

Overkill took a page out of Pantera's playbook on this one and completely nailed it!  While many thrash bands completely abandoned the thrash style, Overkill took that new found success of the groove style approach and mixed it into their formula.  The result was one of their best albums ever.  The opening track "Coma" is an epic opener that's easily one of the bands greatest songs ever produced.  Other standout tracks include "Infectious", "Blood Money", "Bare Bones", "Horrorscope", and "Nice Day for a Funeral".  The final track "Solitiude" is as close to ballad as Overkill has ever come and its extremely similar to "Cemetery Gates" by Pantera.  Another game changing album!

So much for the sophomore jinx.  With one fellow swoop Overkill proclaimed they were 'Taking Over.'  Although their efforts to overtake the embattled charts ultimately failed, their passion certainly relegated their status among thrash's greats.  At this point, the "Wrecking Crew" was kicking ass and erasing names.  This album remains one of the definitive thrash records that gets pointed to when reviewing this important genre.  Very little filler on this album, its mostly all good.  Other standout tracks include "Deny the Cross", "Powersurge" and "Electro-Violence".  New Jersey's best could be seen riding their mascot "Chaly" to royalty at this point.  An absolute beast of a record.

So they say the third times a charm....well for Overkill it was actually four.  The crème de le crème and quintessential album of Overkill's catalog definitely resides here.  There is no decay on this record as it simply sizzles with star power.  While the band showed maturity on the previous record, they fine tuned that songwriting and this epic masterpiece ensued.  "Time to Kill", "Elimination", "Birth of Tension", "Who Tends the Fire" and "Evil Never Dies" are all mainstay tracks in the bands arsenal.  "I Hate" is a classic thrash thriller that features another level of peak songwriting both musically and stylistically.  While the ten minute epic "Playing With Spiders/Skullkrusher" leaves you feeling Sabbath.  This is the peak of the mountain for Overkill and the best of the best.

Written By Jason Voorhees

After tackling one of the Sunset Strip heroes in last week's edition, this week we are shifting gears a little bit.  In today's edition we will take a deep dive into the career of shock rock's forefather Alice Cooper.  

Although the horror rock ringmaster is praised for his live show spectacles and putting on a show, it's often forgotten that the man known as Alice has produced 27 studio albums!  The man that was born as Vincent Furnier, simply took on the alter ego of his band Alice Cooper full time after the group disbanded in 1975, and the rest was history.

Alice Cooper has transcended the music world morphing himself into a cultural icon.  He has made tv and movie appearances, starred in commercials, and has even opened his own themed franchise restaurants.  His brand paved the way for other great live show shockers like KISS, Marilyn Manson and Rob Zombie among others.  

With that being said, it's the music that truly needs to be celebrated. 

One thing to note is that he rarely has went away for long periods of time and it's that consistency that has led to an immense discography catalog.  Today we will try and give you the definitive list of his all-time greats.  Of course as always, some of these may be controversial so feel free to disagree.  So without further ado...here is the best of the best of Alice Cooper...  

Most will probably be shocked to see this one crack the top ten but not your expert music critics.  It's a rare feat to see a band's most recent release rank so high in such a well-storied catalog.  However; Alice hit a home run on this one.  A diverse blend of ALL of the elements that have become a driving force in Alice Cooper's success.  The tried and true formula of invasive guitar riffs and hooks, garage style drums, and rah-rah party anthems makes for a truly stellar record.  Tracks like "Paranormal", "Dead Flies" and "Fallen In Love" tear down the house.  While songs like "Holy Water" and "The Sound of A" infuse that prototypical Alice horror rock infusion.    

How could an album cover be so prophetic?  As Cooper would later take on the shock rock persona of horror laden characters, this one was a true stone cold killer.  A raw edgy record that featured a much more aggressive approach than it's predecessors.  From beginning to end this record truly will rock your socks off.  "Under My Wheels" is a balls to the wall opener that sets the pace for a murderer's row of angry rock and roll.  Hard to find any filler on this one folks as it simply hits hard.  Other standout tracks include "Halo of Flies", "Desperado", "Dead Babies" and the title track.  This may be Alice Cooper's most underrated album.

Often referred to as a game changer in the discography catalog.  After a long run of lackluster duds, Alice shocked the world with this breath of fresh air.  A glam metal style sound was on the menu.  Cooper not only struck gold on the entrees but he aced the appetizers as well.  Kane Robert's contributions on guitar paid instant dividends while Kip Winger's appearance on bass provided a spark in the dark.  A well written record that reinstated Cooper's resume of supreme songwriting.  Standout tracks include "Teenage Frankenstein", "Thrill My Gorilla" and "He's Back(The Man Behind The Mask)", the latter also appearing regularly on the Friday The 13th franchise.  An 80's metal lovers dream.

The title track has become synonymous as the calling card for Alice Cooper.  However; the album includes many great tracks, even if they appear to be a bunch of no names in a one track mind.  It's a mischievous record that's littered with creative elements and songwriting galore.  This was the birthplace and seminal roots of what would later become the giant's calling card theatrical live show.  The album exudes that classic Alice energy while displaying a wide range of styles and tones.  It's kind of like The Doors meets The Rolling Stones with a shade of Pink Floyd.  One of the classics and definitely worthy of top all-time status.

A full onslaught of metal in the style of DIO.  Some of the most impressive guitar work ever assembled on an Alice Cooper record.  After introducing a new style and sound on the previous record, the band perfected the sound on this a list album.  Tracks like "Freedom", "Lock Me Up" and "Give the Radio Back" light up the floor.  But it's the thriller "Prince of Darkness" that truly cements the albums ceiling.  If you love that pop style 80's glam metal mania, then this is your choice.  One of my personal favorites and the hidden gem of all Alice Cooper albums.  A truly great record that certainly outperforms its name.  Alice not only raised his fist...he raised his game on this one!

Some say this is the seminal album of Cooper's career.  Although it did mark the beginning of his solo career, it also married his persona with the walls of vaudeville.  Simply put, it sets the record straight for all of those who remained on the fence as far as Alice Cooper's creative intelligence goes.  There is phenomenal songwriting both musically and lyrically.  The title track sets the tone but its littered with hidden gems from beginning to end.  It's a concept album ahead of it's time.  The story of a madman showcasing his talents.  The birthplace of shock rock and the beginning of a whole new genre.  A subtle balance of rock and jazz.    

'Trash' marked the commercial high point for Alice Cooper.  After perfecting the glam metal sound in the previous two records, Alice sacked Desmond Child to help produce this one.  The result was a standout megahit single "Poison" which cracked the top ten charting at #7 on the Billboard Top 100.  While the super hit was the high point for the album, it was not lacking others in a long list of standout tracks.  "Spark in the Dark", "House of Fire", "Why Trust You", "Bed of Nails" and "Trash" were all above average rockers that could light up a stage.  "Hell is Living Without You" gave Cooper his first killer ballad in forever.  A true tour de force in the Alice Cooper catalog.

This was 'Trash' on steroids.  In an effort to continue down the same path of stellar songwriting, Alice summoned a group of guests to perform on the album.  And in similar fashion, the album was a huge success.  The guests included Slash, Ozzy Osbourne, Vinnie Moore, Joe Satriani, Steve Vai, Nikki Sixx and Mick Mars.  While the album is truly paced by the massive standout track "Feed My Frankenstein", it's once again the deep cuts that define it's greatness.  Songs like "Love's A Loaded Gun", "Snakebite", "Dangerous Tonight" and "Hurricane Years" are flat out killers.  "I Might As Well Be on Mars" is yet another stellar ballad.  And "Hey Stoopid" is about as good as it gets for a title track!

A very tight melodic rock and roll record.  The opening track "Caught in a Dream" is an absolute masterpiece.  Follow that up with the ever popular "I'm Eighteen" and you have a magnificent one-two punch.  However; it's "The Ballad of Dwight Fry" that defines the creative genius of the bands leader.  The songwriting on this album is way ahead of it's time folks.  This is a raucous edgy rock and roll thriller that once again tells a story.  We are beginning to see Alice Cooper's true vision and goals as the album plays through.  Many people skip this one when ranking the bands greatest but true rock enthusiasts and die hard fans embrace it's greatness!  Doom gloom and creepy.

The crème de le crème of Alice Cooper's discography.  A wide range and mixture of sounds and styles all blended into one.  It certainly follows the straightforward formula of megahit singles that mingle with deep cut anti filler hypocrisy.  "No More Mr. Nice Guy" is the epitome of Cooper's mean looking persona.  It's a stellar record that provides everything that we have grown to appreciate in an Alice Cooper piece of art.  Many believe that this was one of the defining moments in the rise of heavy metal.  A true masterpiece of epic proportions.  This is plug and play at it's finest...and definitely marks Alice Cooper's finest hour.  The finale "I Love The Dead" will leave you awestruck.

Written By Jason Voorhees

Today we will feature one of the early kings of the Sunset Strip Metal scene.  As one of the founding fathers of glam metal, W.A.S.P. was one of the pioneers of this important musical genre.

Over the years, W.A.S.P. has carved out a very impressive discography catalog.  While their first three records screamed hair metal glory, the band went on to run the gamut of styles and sounds.  They were never afraid to push the envelope and their raw edgy attitude and grit made them key players in the heavy metal evolution.

Led by the infamous lead vocalist Blackie Lawless, W.A.S.P. took hair spray infusion to new levels.  Whether it was controversial song titles or throwing raw meat into the crowd, the band was always looking to shock the world.  In fact, their antics and live show prowess only fueled their popularity in the metal community circles.

As always, ranking this bands top albums will insight quite a challenge.  Unlike many of the previous bands, there is widespread debate and opinions as to which ones belong on the Mount Rushmore.  Nonetheless, we are always up for the challenge.  So sit back, grab a snack and take a deep dive with us into the chronicles of W.A.S.P.  Here is their top ten albums of all-time...

Kill Fuck Die.  You cannot push the envelope much further than that one folks.  W.A.S.P.'s most polarizing album and least commercially accessible of all-time.  The album features a more industrial tone while taking on a polished and almost computerized production.  Die hard fans and loyalists were definitely turned off by the change in direction.  However; those same fans were thrilled to see the return of golden boy Chris Holmes on the axe.  Blackie's songwriting was extremely dark and twisted which closely followed his erratic emotional state of mind.  Not a terrible album but certainly not their finest hour.

This was the album that would ultimately put W.A.S.P. back on the map.  After striking out on the dual concept 'The Neon God' clunkers, the group went back to the drawing board and wrote a solid classic metal thumper.  In fact, the album features some stalwart burning fire classics like "Long Way to Go", "The Burning Man" and "Heaven's Hung in Black."  It also features another standout semi-ballad "Take Me Up."  Plenty of classics to go around, W.A.S.P learned from previous mistakes as they once again embraced their roots.  Deja vu was in order!

Old school W.A.S.P. was on full display on this thriller.  The album even featured covers of Deep Purple's "Burn" and Chuck Berry's "Promised Land" that were stone cold killers.  The standout tracks are "Crazy" and "Babylon's Burning" but it's the subtle gems that make this record a grand slam home run.  Blackie spent a ton of time writing phenomenal lyrics as he had recently renewed his Christian faith in Jesus.  This revelation seemed to ignite a new fire in the band and the results were amazing.  This record not only recaptures their glory years, it overshadows them in stellar fashion.

This is probably the most overlooked album in the catalog of W.A.S.P.  Originally planned to be a Lawless solo album, he decided instead for the brand name moniker.  Another very pissed off record with tons of energy and endless grit.  I sometimes think that Blackie's battle with his demons was the driving force of the band.  Another classic album that truly hit you at the core.  Timeless classics like "Goodbye America" and "I Can't" were what paced the record.  However the sleepers truly told the story of just how underrated it really was.  Another solid record.

Some try to write this off as just another Christian heavy metal wanna bee fraud.  However, true music enthusiasts recognize the full greatness of this full on masterpiece.  Another return to the sound and style of the glory days has this record leaving you coming back for more.  The first few tracks have that classic W.A.S.P. symphonic mastery.  But nothing rings out harder than "Slaves of the New Order" which beckons the call of their greatest hits mythology...an absolute barnburner folks!!  The ballad "Hero of the World" features an epic solo while the epic closer "Golgatha" is an ode to the band's beginnings and Blackie's newfound faith in Christ.

Not quite the cream of the crop, but definitely worthy of gratitude and praise.  Full of stellar tracks up and down the album.  The only thing the album suffers from is that there really are no top of the line hits.  However; if its consistency you are looking for then this is your pick.  Very little filler abides here as it keeps the audience rocking with endless fervor.  This is a plug and play in its purest form.  Definitely a more angry tone than its predecessors as it shows that attitude that we have grown accustomed to with W.A.S.P.  Another underrated classic.

W.A.S.P reinvented themselves in one fellow swoop with this piece of art.  The band took on a heavier tone both musically and lyrically.  Probably the best songwriting to ever appear on a W.A.S.P album.  Quiet Riots Frankie Banali takes a seat at the drum kit which pays instant dividends.  Tracks like the title track "Headless Children" and "Mean Man" remain all-time greats.  Meanwhile their cover of the Who's "The Real Me" rattles the cage of even the most novice of fans.  Some say this is the bands best all-time album and who can really argue against that.  Definitely well written and worthy of bragging rights.  Solid record from start to finish!

Talk about thwarting the sophomore slump jinx.  While many sophomore albums fall flat on their face, this album did three backflips sideways while landing on it's feet.  The album features the mega hit "Wild Child" and "Blind In Texas."  However, the hidden deep cuts like "Ballcrusher", "Widowmaker", "Cries In the Night" and the title track define this absolute masterpiece.  Definitely one of their classics and among some of the best albums of the era.  Of course, it did not hurt that MTV hijacked two of the tracks for mainstay video airplay. 

Many would say that this one belongs at the top and who could fault them.  Of course, the band originally omitted the controversial track "Animal (Fuck Like A Beast) from the album release due to pressure from the label.  However there were plenty of star power tracks including "Hellion", "I Wanna Be Somebody", "Sleeping (In the Fire)" and "School Daze".  The album was raw and edgy and proved that W.A.S.P. could hang with the big boys.  Chock full of anthemic metal and smoldering with eccentric guitar riffs galore.  This was the birthplace of the band but it foreshadowed their rise in prophetic fashion.  The raw meat throwing festival of metal struck gold on this gamechanger.

This is the pinnacle for W.A.S.P. both musically and lyrically.  The mount Everest of their discography catalog.  A concept album at the core that takes the listener on a brutally honest journey.  It's a tour de force into the mind of the man behind the myth and the legend.  "Chainsaw Charlie (Murders in the New Mourgue) may be W.A.S.P.'s heaviest track of all-time.  Its an all out menacing assault that destroys all sound barriers in its way.  Other tracks like "The Idol", "I am One" and "Hold on to My Heart" paint a picture of a thousand mirrors.  Definitely my personal favorite and the cream of the crop for W.A.S.P.  The defining moment of the bands legacy.  

Written By Jason Voorhees

Welcome back to another edition of Top Album List's here at Philly Rock Radio.  Last week saw us tackle one of the greatest hard rock bands to ever grace the stage in Aerosmith.  This week we shift our focus to a band that perfected the term brand even before the term was ever created...today we will chronicle KISS.

KISS recently celebrated their 47th anniversary.  Over their years of existence, the band has become a larger than life deity, the likes that have rarely been seen.  In fact, KISS has their own army of followers, consisting of some of the most loyal and passionate fans in the history of heavy metal music.

While many have argued that the band are merely false prophets in disguise, the fact remains that the band members are actually very talented musicians.  Underneath the piles of makeup and marketing madness lies some truly phenomenal records.  

KISS has produced quite a catalog including four solo studio albums that were put out by each of the original members...Gene Simmons, Ace Frehley, Paul Stanley, and Peter Criss.  For purposes of this project though, these albums will not be included, nor will we include the live albums.  Instead we will focus strictly on their studio albums.  

As always, compiling the top albums will be a unique challenge as there are always a wide range of opinions.  However; you wanted the best...so here you got the best!!!!!!!  Without further ado...here is KISS' top ten albums of all-time...

Their third studio album saw the band take a different direction.  While it's predecessor's focused more on that raw edgy attitude, there was more of a pop feel on this one.  It seemed like KISS was seeking a commercial breakthrough and this was the first step in that right direction.  Tracks like "Room Service", "Ladies in Waiting", "Getaway" and "C'mon and Love Me" are catchy and too the point.  "Rock Bottom" starts off slow and ends with a bang.  And of course, who could forget the immortal "Rock and Roll All Night."  All in all, a very solid album for the queens of makeup and one that would solidify their rise to the top. 

As the makeup came off so did the ladies panties.  KISS has always found a way to make an impact when the chips are down and they certainly did so with this publicity stunt.  With Vinnie Vincent taking over on lead guitars, the album had a much different sound, both musically and stylistically.  KISS tried to embrace their roots as they harkened back to their glory days.  The album features a more sleazy glam style tempo with impressive results.  Probably the most underrated album that KISS has ever produced.  While the title track "Lick it Up" was a massive hit, its the unheralded sleepers that make this one of their all-time bests.  Solid record from A-Z.

KISS meets heavy metal on this barn burner.  Little to no filler on this one folks.  Just a straight up in your face assault of the senses.  In fact, this is more of the sound that you would expect from a makeup toting group of hard asses.  The record features some of the bands most creative songwriting ever assembled and the intensity is matched by each individual instrument.  Yet another highly underrated masterpiece.  Despite Ace Frehley appearing on the cover, he did not perform on the album, instead being replaced by Vinnie Vincent on the axe.  Nonetheless, the record brings the heat from beginning to end starting with the title track.  Also features a tremendous ballad, "I Still Love You."    

This is classic KISS at its most KLASSIC.  While the album tanked upon release, it has truly grown in the hearts of the army faithful.  If you had to describe the sound it's like a cross between Aerosmith and Black Sabbath.  A raw and edgy attitude with plenty of doomy riffs.  Tons of live concert staples on this effort including "Got to Choose", "Goin Blind", "Mainline", "All the Way" and "Comin' Home."  In fact, some other metal bands have covered a few classics from this album including Anthrax ("Parasite") and Megadeth ("Strange Ways").  Certainly not the bands most famous or popular record but definitely one of their most impressive. 

This would be the original band's final moment in the sun before ultimately collapsing underneath a myriad of consequences.  While the band was frolicking around in it's newfound celebrity status of elitism, they set aside time to focus on making a great record.  Similar in the style and approach of its predecessor, 'Love Gun' featured solid peak rock and roll, set to capture the audience in toe.  Multiple hit tracks including "Christine Sixteen", "Shock Me" and "Love Gun" pace the album while subtle lesser known stalwarts like "Almost Human" define it.  "Plaster Caster" pays homage to the groupies that share the same title.  Another timeless giant.

Although the record was recorded during a time where tensions were at an all-time high, the band was able to buckle down and hit a grand slam on this effort.  The album spawned the megahit "I was Made For Loving You" which features a disco-pop style tempo.  In fact, the album is littered with disco laden tracks throughout which precluded Paul Stanley's infatuation with romanticism and pop culture.  While many of the faithful were put off by the change in direction, KISS certainly stole the spotlight as they once again defied the odds.  Not only is this one of the bands finest hours, it was a truly a defining moment for their discography catalog.  Still a timeless classic today.

This marked the birthplace for KISS.  This debut album was raw and edgy and featured that good old fashioned sleaze rock.  The album is an orgy of classic KISS stalwarts that ring out just as big as their clown like persona.  Tracks like "Strutter", "Deuce", "Cold Gin" and "Nothin' To Lose" leave you coming back for more.  Where the album is lacking in sound production it makes up with its signature muddy riffs and anthems.  Its a record that tells a story and clearly set the tone for a band that was on a mission to take over the world.  While loyal fans and listeners all agree that this is one of their best, its music critics that truly recognize the validity of its fire!

One of my personal favorites, this record captures everything that KISS stands for.  "Calling Dr. Love" is not only the albums best track, it may be the best track ever recorded by the band.  A stone cold classic hit that still rattles heads today.  While the ballad "Hard Luck Woman" rivals their all-time best with ladies and gentlemen alike.  The album closes out with the lesser known "Makin' Love" which is hands down their most underrated track of all-time.  An album that clearly hits the listener from every angle.  Don't look to be betrayed by a Kiss, as this one slaps you on the lip while flashing you in the face.

The album starts off with one of the most iconic openers in hard rock history..."Detroit Rock City."  While the band had made a name for themselves in the live circles, they had yet to solidify themselves in the studio album department.  This record changed that while finally putting KISS on the map.  The album features top notch material throughout including "Flaming Youth", "Shout it out Loud" and "Do You Love Me."  However, the gold standard is found on the epic ballad "Beth" which has become a live show staple.  The band had reached superhero status at this point and this was the crown jewel of its arsenal.  A hard rock masterpiece that certainly rocks more than it does roll!

I'm probably going to receive a ton of pushback for this selection.  Many experts do not even have this album among KISS' top ten.  However; I am here to tell you that those people are just flat out wrong.  This is the Mount Rushmore for KISS.  'Revenge' is the crème de le crème of their catalog.  Total thriller...zero filler.  From beginning to end the album features top notch musicianship.  Some of the band's best songwriting finds its place on this record.  "Unholy" is exactly what the title says.  "Take it Off" is an ode to the ladies and what ya may just see them do at a show.  "God Gave Rock and Roll To You" was an MTV giant.  "Domino" will leave you crying in your cheerios.  You get the point, this record kicks major ass.  It's the quintessential moment for KISS; their true swan song! 

Here's this week's list of what the team over here at Philly Rock Radio is sticking in their ears repeatedly. AND A FIRST -- A unanimous pick for this parody of the Mr. Big tune "Be With You" that is, in the words of Ray Koob, "perfectly cheeky!" -- watch the video to see what he means.

Written By Jason Voorhees

So the last few weeks have saw us cover a few thrash metal giants.  In this week's edition we will take a look back at one of the best hard rock bands of this generation.  Truth be told, Aerosmith remains one of the most interesting bands of the era.

From their early days as the sleazy up and comers...to the band that led it's most successful 80's renaissance in comeback fashion.  And then of course the in between version that saw a change in lineup transition.  No matter what time period peaks your fancy, there is no doubt that their catalog offers a dynamic mixture of hard rock flavor.

Over the years the band has had it's share of ups and downs; while surviving various lineup changes; nonetheless overcoming these challenges with multiple improbable comebacks.  Aerosmith's ability to rise above the darkness has ultimately made them one of America's greatest hard rock bands in history.

The band is a true testament of hard work and dedication.  Aerosmith's influence is wide ranging as countless bands have idolized their style while attaining their own brand.  Bands like Guns N Roses, Van Halen and Bon Jovi among others have idolized Aerosmith's sound and style as musical genres evolved.

So come with us as we take this ride on the time machine in Aerosmith's evolution.  As always, we welcome this challenge as we chronicle the best of the best in their catalog.  So without further ado...here is Aerosmith's Top Ten Albums from worst to first...

10. 'Night In The Ruts' (1979)

This is an album that probably could have been much better had the band not been so strung out on over-indulgence.  Lead guitarist Joe Perry would leave the band halfway through it's recording.  The band tried to return to it's roots but they unfortunately fell short.  The album was leaner in both style and composition.  While there were moments of greatness, the lack of execution was evident as record sales suffered.  Tracks like 'No Surprize' and 'Three Mile Smile' were the toast of the town.  Ultimately too much filler.  Far from a terrible album but certainly not their best by any stretch of the imagination.  Time to reset.  

9. 'Done With Mirrors' (1985)

In what was billed as the band's great "comeback"...the album sadly fell short of those lofty expectations.  While the record served as an anecdote for their chemical and personal dysfunctions, Aerosmith forgot one crucial ingredient...heart and soul.  The album was definitely superior to it's most recent predecessors but still lacked the creativity that we have grown accustomed to over the years.  The return of Joe Perry was certainly a positive while infusing that forgotten energy we had been missing.  Ultimately a better album but not the top level effort that most expected.  Its kind of like their meh album...nothing truly stood out...star power deprived.

'Get A Grip' was the commercial apex for Aerosmith.  While the band had been written off by many; Steven Tyler and company dug down deep and the results were fabulous.  In a world that was being taken over by grunge, it was these 70's stalwarts that stole the show.  The album featured multiple smash hit ballads including "Crazy", "Amazing" and "Cryin" as well as the MTV megahit "Livin On The Edge."  The band summoned Alicia Silverstone, an unknown actress at the time to play the lead role in the MTV videos and the album sales blew up.  Although the album is driven by these popular hit singles it is also littered with hidden gems throughout.  Definitely their most successful record!

The birthplace for Aerosmith took place within this inauspicious self titled debut.  When the record first dropped it was merely window dressing.  No one really took notice of the Zeppelin-Stones hybrid band besides the local natives of Boston.  However; when the band released the prototype ballad single "Dream On" three years later, the album blew up.  The song was written by lead vocalist Steven Tyler years before he even joined the band and became the staple song for the band for ever after.  While the super ballad showed the softer side of the band, the track "Mama Kin" personified that raw edgy unfiltered sleaze that defines them.  A giant before it was ever recognized as one.   

This was the debut for producer Jack Douglas and the hire paid instant dividends for the band.  The band had matured both musically and lyrically.  The album featured a more innate composition and was a vital leap forward.  Probably their most consistent record from top to bottom.  Standout tracks include "Same Old Song and Dance", "Lord of the Thighs" and "Train Kept A Rollin."  Much like it's predecessor, this album was what you would call a "grower" as it became more popular years later.  It may not belong atop with the classics but it certainly invoked that classic sound and style.  Definitely a must own. 

The successor to 'Done With Mirrors' finally gave the band the comeback splash they were looking for.  They tapped songwriter Desmond Child and Holly Knight for some fresh ideas and the rest was history.  An instant classic in the making, the album hit number #11 on the Billboard Top 200 while becoming a favorite for fans and critics alike.  Stellar tracks like "Rag Doll", "Dude Looks Like A Lady" and "Angel" became radio mainstays.  MTV also adopted the band into their daily rotation playlist and bam...Aerosmith was back on the map.  A comeback for the ages.  Very little filler as the record flat out rocked.  Definitely one of the greatest comeback records in music history. 

Who would have known that the album would mark the end of the line for the band as we know it.  Before the lineup would splinter, they came together one last time in a former church convent to record this raucous rock and roll classic.  This was a far cry from sainthood as the band channeled their down and dirty style to produce this raw unfiltered record.  While most other bands zig Aerosmith decided to zag on this one as they experimented with mandolins, keyboards, banjos and other instruments with a mixture of jazz and punk.  While most of the tracks kick ass, they really hit a grand slam on "Kings and Queens".  This draws the line for the original classic lineup.

One of the most influential albums for hard rock and heavy metal bands for years to come.  As popular as it became though, it surprisingly only yielded two top 40 hits.  However; chart placement does not do the album justice its the ear test; which ultimately passes with flying colors.  I call this the carbon copy of it's predecessor as you could probably call this Aerosmith's 1A record.  Led by tracks like "Back In the Saddle" and "Last Child" the album salutes that classic Aerosmith sound and energy.  It was a tad more raw while maintaining their patented attitude.  This was the creative peak for the band one they would not recapture for a very long time.  

We are going to catch a lot of heat for the albums placement here.  There is no doubt that this was the album that truly catapulted Aerosmith to stardom.  A masterpiece was created here as the band took their no nonsense live show to the studio for an epic arrival on the mainstream stage.  As close to perfection as you can get on a breakthrough album.  Multiple mega hits like "Walk This Way" and "Sweet Emotion"; mixed with sleepers like the title track and "Adams Apple" invoke the hallmark epicenter for the band's coup de ta.  Some of guitarist Joe Perry's best material is highlighted on this true giant.  So close to the top but there's one that just beat it out...certainly a game of inches.

This is the definitive album for Aerosmith.  While 'Toys In The Attic' put them on the map, this one recaptured that magic while providing elite sound production and musical composition.  There is little to no filler on this one folks...a return to greatness for the band and the fans couldn't be happier.  High level songwriting is present from beginning to end.  Although the album closely followed the glam metal formula for most of the record; they were still able to infuse the traditional vintage style that so unabashedly defined them as pioneers.  In an almost conceptual kind of way, the record tells a story through songs like "Young Lust" and "What it Takes"...but the real fire was tracks like "Janie's Got A Gun' and 'Love In An Elevator' both which became MTV royalty.  To be the best you have to beat the best...and this one does just that!

We certainly hope you enjoyed this week's edition.  It's sure to spark some good debate on the show this Thursday.  Speaking of which...please join Kevin and Johnny this week from 7PM-9PM as they count down your favorites of past and present!!!  Also, we will be dropping a new episode podcast which will feature a courtroom album showdown between Kevin and Johnny...should be must listen radio folks!!!!  Stay tuned as we will soon be releasing the show's title.  It's gonna be a blast!!!  And as we leave you...please enjoy this classic from Aerosmith!

Written By Jason Voorhees

Last week's episode saw us take a deep dive into Megadeth's catalog as we ultimately defined their best works of art.  

This week we will take a journey into the chronicles of Metallica.  The pioneers of thrash have already solidified their place as one of the greatest in heavy metal history.  Over the years, Metallica has continued kicking ass and taking names.  However; their career dominance in the music realm has not come without controversy.  While there is no denying their legacy as far as entertainers, there discography remains one of the most widely scrutinized in metal.

In fact, whenever Metallica has moved to push the envelop in different musical directions, die hard fans have often cried fowl.  During these times the band has been accused of "selling out" or "caving in to mainstream culture."  No matter what disagreements may arise though, their discography catalog is superbly  diverse and worthy of praise...well that is most of it. 

It's certainly safe to say that most will agree that 'LuLu' and 'St. Anger' are low points in Metallica's journey.  Furthermore, its regarded that 'S&M' may have been their most creative effort to date.  So for purposes of this piece, those albums have been left out of the equation.  

Nonetheless, we have focused our attention to Metallica's most relevant features and it should be a fun assignment.  Of course as always, top album lists are a matter of opinion.  In generating the rankings, we try to take all aspects into account including composition, album flow, album impact and album quality.  

There has never been any middle ground with Metallica...you either love them or hate them...it's always black or white.  However; when it comes to their catalog, there is always disagreements on which ones remain quintessential.  With that being said...it's time to fade to grey...so without further ado...here is Metallica from fringe to Mount Rushmore...

The band virtually took the leftovers from it's previous album and produced a counterpart.  Originally planned as a 27 track album, it was instead released in two parts.  The results were another mixed bag of confusion.  Although there were finite traces of thrash in play, the record for the most part bears the hard rock mainstream epitaph of it's predecessor.  Not a bad album by any stretch of the imagination.  However; incessantly mediocre by standards of Metallica measurements.  A few standout tracks to note like "Fuel", "The Memory Remains" and "The Unforgiven II."   Too much filler and not enough thriller in the end.  Certainly not the band's low point but far from greatness.  

This was a come to Jesus moment for most die-hard Metallica fans.  In fact, many would say that its trendy to have this album so low on the list.  Those people argue that 'Load' is still a classic metal album and due some praise.  These arguments are fair and for the most part the album shows flashes of brilliance and moments of clarity.  However; musically and stylistically the record is lacking one of the essential elements that had made Metallica so great throughout the years.  And that element is thrash.  Dumbing down a records' sound and style does not make an album bad.  Nonetheless, this was not what the fans wanted and ultimately the record suffered.  Good but unfortunately not great.      

After the flop of 'St. Anger' expectations were unusually low when this album was released.  Hardcore fans were craving that old school style and sound and Metallica passed the test with flying colors.  Suddenly those grim expectations were replaced with a highly successful tour and above average album sales.  The record found it's way to the number one spot on the Billboard Top 200.  Metallica was back with a vengeance and fans and critics could not be happier.  The album is loaded with stalwarts from beginning to end as the band returns to its roots.  The only blemish is the compression style recording which taints the musical instrumental balance while deemphasizing its purity.

7. 'Garage, Inc.' (1998)

Some people would say that this record does not belong on a list of greats.  However; this was Metallica stripped down to that good old raw and edgy flavor.  That's what makes the album extremely underrated and underappreciated.  Although most of the tracks are covers or re-recordings, it shows a side of Metallica that many of its most loyal fans had been missing.  It once again shows that Metallica is capable of having fun and that was the x-factor.  Many die hard fans have said the album sounds like AJFA era but better recording.  Metallica once again embraced their roots on tracks like "Helpless", "Mercyful Fate", "Am I Evil", "Breadfan" and many more.  It was Metallica on steroids which resulted in a well oiled machine.  Definitely their most underrated.  Raw and unfiltered, even the covers are ELITE!

6. 'Hardwired...To Self Destruct' (2016)

Metallica returned with a vengeance on this effort.  After an eight year hiatus the band decided to once again embrace their thrash roots and bash the sound barrier.  Although the record once again suffers from frequent over production and sound dubbing, it was certainly a step forward from 'Death Magnetic' as far as songwriting goes.  While the previous record was more straightforward and dull, this one replicated those classic riffs and hooks of old while staying true to the thrash formula.  Definitely Metallica's best album in decades and one that solidified their return to the top of the food chain.  Multiple mega hits and fan favorites.  Welcome back to the Top!!

5. 'Kill 'Em All' (1983)

The birthplace of Metallica.  Their debut album helped forge the beginning of the thrash metal explosion.  Armed with ferocious guitar riffs and licks and paced by the dynamic double bass drum beats, the band laid the groundwork for all future thrash metal artists.  Metallica left San Francisco to team up with Johnny Zazula and MegaForce records in New York.  The result was a raw and fast masterpiece filled with that signature thrash energy and sound.  Standout tracks include 'Seek and Destroy", "Hit the Lights," "No Remorse" and "Jump in the Fire" among others.  Very little filler...just balls to the wall in your face metal.  Definitely a defining album and among the band's very best!

4. '...And Justice For All' (1988)

This has long been a personal favorite.  A truly angry album that matches the emotions of the band.  Long time bassist Cliff Burton had recently died in a tragic bus accident and the band was still fresh off the grieving process.  Enter Jason Newsted.  Of course the album does get criticized for it's inaudible sound, mainly the lack of aggressive bass prowess.  Nonetheless, the album featured a more in depth song progression.  The songwriting was more dynamic than previous albums, much longer songs and complex arrangements.  Of course, the album also featured the band's first video for the track "One"; which is one of their greatest songs all-time.  Although they missed out on a Grammy Award, Metallica hit a slam dunk on this one folks.  

3. 'The Black Album' (1991)

It's extremely hard to say that their self titled album is not their very best of all-time.  It's one of the highest grossing albums in metal history, their highest charting album, has multiple mega hits as well as sleeper stalwarts from beginning to end.  The album features a more streamlined approach while sustaining enough thrash to wet the lips of hard core fans.  No matter where you stand on this argument, there is no doubting the importance of 'The Black Album' in Metallica's gaining entrance into mainstream royalty.  The album is truly Metallica at its peak as far as songwriting and the band definitely sounds more polished and consistent.  Although it's not Metallica's best overall album, it truly remains their most successful hands down. 

Metallica tore the cover off of the sophomore slump on this masterpiece.  In fact, for any other band this would certainly take the cake for top album.  However; this is Metallica.  No matter where your loyalty lies, there is no debating the greatness of this one.  It has everything that you could ask for in a thrash metal sensation.  The band took a huge step in progression as far as songwriting and musicianship with particular focus on lyrical mastery.  Tracks like "Fight Fire With Fire", "For Whom the Bell Tolls", "Ride The Lightning", "Creeping Death", "Trapped Under Ice" and "Fade to Black" are all elite.  The album is a heavy metal masterpiece...one that they would surprisingly top!

Simply put...the holy grail for Metallica.  Not only is 'Master of Puppets' Metallica's best album, it truly reigns as one of the greatest heavy metal albums in history.  A supreme thrash metal masterpiece...as close to perfection that an album can get.  Their third album features a more mature approach in both songwriting and composition.  However; the band was able to maintain the classic fundamentals of thrash while remaining raw and aggressive with hooks and riffs.  'Master of Puppets' is peak Metallica before their mainstream rise.  Everything about the album is gold including the cover art that defines it.  Heavy metal royalty at its finest and Metallica's grand slam home run of albums.

​Well, we hope that you enjoyed this week's edition.  Metallica always gets the juices flowing and they are one of the most interesting bands to debate.  So where do you have these albums ranked?  What's your pick for number one? 

We certainly would love to get more audience participation with this segment moving forward.  Let us know what bands you would like us to cover!!  Looking for feedback as this could make it more interesting for our loyal fans...Anyways, hopefully you all are staying safe and sound in quarantine.  Well...if your bored you can always check out Kevin and Johnny on Thursday evenings 7PM-9PM, as they cover all of your favorites from past and present!  Who knows...maybe you will even hear some Metallica this week...can't wait to find out.  As we leave you...please enjoy this timeless classic from the 'Master of Puppets' masterpiece...

Written By Jason Voorhees

April 11th marked the 37th anniversary of Dave Mustaine's highly publicized ousting from Metallica. 

The band was in New York City on that ill fated morning as they gave him an unceremonious kick to the curb.  The rest is history as this would become one of heavy metal's most defining moments.  Metallica would go on to become one of the most successful metal bands in the world.  However; that day set Mustaine on a path of revenge; one that would ultimately drive his own band's monumental achievements.

That band is of course Megadeth, who along with Metallica, Anthrax and Slayer are apart of the Big 4 of thrash metal. Although Megadeth has always seemed to travel in the footsteps of Metallica, many people would argue that they are actually the better band.  Of course, we can leave that argument for another post. 

Truth being told, Megadeth has always been faster and heavier than Metallica.  In retrospect though, they retained their heaviness over the years while adopting a more mature lyrical approach throughout their evolution.  Megadeth has provided an amazing model of consistency in thrash metal; in a world where most of those bands have had miniscule shelf lives.  I guess you could say that they hold the ultimate consolation prize in that respect.   

Nonetheless, Megadeth has carved out quite a musical catalog over the years.  Fueled by a mission statement to become the loudest, hardest, fastest metal band on the planet, the band has had many ups and downs, while enduring multiple lineup changes over the years.  In fact the era's can easily be defined by which lead guitarist is in cue.  However; the one constant has always been Dave Mustaine and his endless passion to create great metal music.

There is no secret that Megadeth has always been one of my favorite bands and undertaking this project is a huge honor for me.  There are so many great albums to review and this will be quite a challenge to undertake.  Nonetheless, we will use the same guidelines when ranking the records.  All dimensions are taken in to account including main riffs, music composition, music flow, and the overall impact.

So please come along and join us as we take a walk down memory lane in Megadeth's discography...   

This was supposed to be the album that would catapult Megadeth back into superstardom.  Instead it would ultimately become a bona fide super clunker.  A truly disappointing album that even the most die hard Deth fans would have difficulty stomaching.  Firstly, the record lacks that creativity that we've all grown accustomed to with Dave.  The song writing seems lazy and basic.  Tons of filler and not much thriller.  Hands down the worst effort that Megadeth has ever wrote.  The opening track "Kingmaker" provides the only semblance of a hit track.  Other songs like "Off The Edge" and "Dance in the Rain" are just ok.  In fact, the high point may just be their cover of "Cold Sweat."  This was another misguided attempt to attract mainstream love, hopefully one that Megadeth never tries again.  Move along.    

Just like the title laments, this album was a shot in the dark and the results were unflattering.  However; contrary to popular belief, the record is actually not as bad as one might think.  In fact, it's actually a pretty decent album, just not for Megadeth.  Having one of thrash metals icons take a stab at pop music was a huge mistake, but hey...let's give them credit for taking that risk.  Although it did not pay off at the box office as well as alienating most die hard fans, the album is far from poor.  It's just not Megadeth.  There was some stellar songwriting and a few standout tracks that keep this one off of the bad list.  Songs like "Prince of Darkness" and "Time: The End" had some classic thrashy riffs and "Breadline" was an above average anthem.  Not one of their better albums but certainly not the worst.

This is the next tier of Megadeth albums as 'Thirteen' comes in at 13.  Chris Broderick's sophomore effort on lead guitars certainly paid off.  It also marked the return of David Ellefson (Jr.) on bass guitar.  The only complaint about the album is it's overuse of recycled material from years past.  All in all a solid metal record that brings that classic Megadeth thrash attitude front and center.  "Public Enemy No.1" was a stone cold smash hit while tracks like "Sudden Death" and "Fast Lane" scream thrash metal democracy.  Broderick and Mustaine flex their chops throughout the album as Megadeth once again proves that they have cornered the thrash metal market.  The album closes out with a stellar ballad that eerily paints Mustaine's life in words for the whole world to see.  Hidden Treasures Part 2.

Undoubtedly Megadeth's most underrated album, this one gets widely overlooked.  After totally missing the mark on 'Risk', the band decided to go back to its heavier roots and the results were generally positive.  Long time axe man Marty Friedman had decided to call it quits so Dave sacked former Savatage guitarist Al Pitrelli for the job.  There is plenty of substance with dynamic songwriting and directional lyrics.  "Dread and The Fugitive Mind" and "Disconnect" were standout tracks.  However; it was sleeper hidden gems like "1000x Goodbye", "Burning Bridges" and "Recipe For Hate...Warhorse" that really shouted the albums staying power.  This may not have been the top of the mountain; however it was Megadeth embracing their thrash history as they pressed reset.

One thing about Megadeth is that when the chips are down they have always seemed to hit the right notes.  And that's exactly what this thrash metal masterpiece did upon release.  The band returned to form with an all out assault on the senses.  With the Drover brothers in toe, Dave was on a mission and the goal was kicking ass and taking names.  The songwriting was stellar and on point and the lyrical content was Dave at his peak.  The first two tracks provided the best opening one-two punch on a Megadeth album the likes we have not saw since 'Countdown.'  "Sleepwalker" and "Washington is Next" are two high energy stalwarts that rival some of the bands very known classics.  There are many other underrated tracks throughout the record.  Welcome back to the top boys!

This was supposed to be a solo album for Dave after disbanding the group only two years prior due to a serious arm injury.  Instead he would just round out a lineup and continue under the brand.  The record marked the return of Chris Poland the bands first lead guitarist and the reunion hit the spot.  Despite the lack of cohesive band members, the album features a strong mixture of styles that expands the entire discography gamut.  The result was an awesome heavy metal record that everyone would appreciate.  Solid tracks up and down the lineup with very few duds.  Standout tunes include "Die Dead Enough", "The Scorpion", "Tears In A Vial" and "Kick the Chair."  Another almost forgotten effort that rarely receives the praise it deserves.  One of my all-time favorites no doubt.  

'Endgame' is virtually a mixture of the two previous records doused with speed.  The first album of the Chris Broderick era was an instant favorite with fans and critics alike.  It was a return to the bands thrash metal roots as they tried to mirror the 'Rust in Peace' style of speed with a continued mixture of melodic elements.  An old school vibe with a new age attitude and flavor.  The album is littered with pinpoint guitar solos galore as well as those thumping hard hitting bass lines which bring you back to the eighties.  Tracks like "This Day We Fight", "44 Minutes" and "Head Crusher" harken back to classic style Megadeth.  While "The Hardest Part of Letting Go" showed off Dave's elite songwriting techniques.  If your a die hard Deth fan then this one surely will feed your fancy! 

Coming off two of their most successful albums to date, the proposition of topping those efforts would prove to be fleeting.  However; 'Cryptic Writings' was still a very strong album in the scheme of things.  After embracing more mainstream rock elements during it's predecessors the band tried to push the envelope even further.  The results were a mixed bag as many fans and critics were truly disappointed. Nonetheless, the album still incorporates precision songwriting with pinpoint lyrics; the mainstay formula that has garnered the band much success.  Tracks like "Trust", "Use the Man", and "Almost Honest" became radio classics.  However; the crème of the crop has to be "She Wolf" which has some of the best guitar solos ever assembled. There's quite a few sleepers as well.  The last of the classics.

Change has always been good for Megadeth and the same holds true for this album.  Mustaine recruited lead guitarist Kiko Loureiro (Angra) and drummer Chris Adler (Lamb of God) as part of a new and improved lineup.  The results were stunning.  An extremely impressive metal record that combines the old school thrash playbook with an advanced modern style of metal.  Adler's dynamic drumming style brings back shades of Nick Menza while Kiko's neo classical style of axesmith shouts Marty Freidman.  A solid metal album that checks off every box on the musical spectrum.  As always Mustaine is at the top of his game both musically and lyrically.  Some people may complain that there are too many solos but that's what die hard droogies truly live for!  Just pimp "Poisonous Shadows" if you disagree.  

Dave Mustaine has always been a brilliant songwriter as evidenced right away on this debut release.  Low budget mockery aside, this was an excellent metal record.  It was the first of it's kind at the time, something that had never been heard.  The shock value alone was worth its weight in gold as Mustaine announced Megadeth's arrival on the map.  Despite poor production, the album provided the archetypal template for all future thrash metal bands to come.  The unquestionable kingpin had already written a lot of Metallica's early material and now he had his own brand in the cross hairs.  It was a pissed off ferocious assault that was only fueled by the revenge he was seeking.  A true thrash classic that would definitely be much higher if only for its low budget flavor.

The Jeff Young era would ultimately be short lived.  That's not to say that he did not make any impact on the band.  In fact, this album always gets lost in the shuffle when discussing Megadeth classics but certainly deserves its weight in praise.  While most of the band members were chemically strung out during most of the recording process; it makes the final product that much more impressive.  Tracks like "Into the Lungs of Hell" and "Set the World Afire" (originally titled megadeth) provide that old school thrash.  While "Mary Jane" and "502" embellish a more dynamic attitude.  And who can forget "In My Darkest Hour" which is a heavy metal eulogy to Metallica's Cliff Burton.  However; the icing on the cake is surely "Hook in Mouth" which belongs in Megadeth's top 5 of all-time.  This one's full of heavy hitters.

We have certainly reached the top tier now.  The only thing holding this album back from being higher on the list is that there are three albums that are better.  Don't kid yourselves though, 'Youthanasia' is absolutely killer.  The last album to be recorded as an entire band unit, this one truly captured all of the technical precision in the quartet's mastery.  A heavy metal masterpiece that is littered with harmonic and melodic elements throughout.  Some of the most melodic metal that Mustaine has ever produced.  Many top of the line hits as well as a hidden gem delight.  The album flow is almost true perfection.  There is no secret why this was their second highest grossing record.  The results are self explanatory.  This is plug and play at its finest.

Some people will scream blasphemy with the position of this one but hear me out.  While there is no doubting that this was a career defining moment for the band as far as albums go, you have to look at the total picture.  It definitely demolished the sophomore slump theory.  It also captured the dynamic abilities of Mr. Gar Samuelson and Chris Poland, the likes that we may never see again.  Of course the title track would give the band the mainstream breakthrough that it was desperately seeking.  While the rest of the album proved that Megadeth was at the top of the thrash metal podium.  The bulk of the tracks are marvelous.  Definitely top of the line worthy but not when you stack it up to against the final two.  Nonetheless, one of the classic thrash metal albums of this generation.

'Peace Sells' and 'Countdown' are virtually interchangeable unless you are counting album sales.  Now I realize album sales does not define a record but when comparing the two, 'Countdown' reigns supreme.  This was Megadeth's answer to Metallica's 'Black' album and the results were out of this world.  The band's highest charting record all-time was polished and pure.  Definitely the best produced album as far as sound and some of the best flowing tracks ever assembled.  Of course it contains multiple mega hits along with criminally underrated efforts galore.  Totally killer and zero filler is an excellent recipe for a mega hit record and 'Countdown' definitely takes the cake.  Maybe I am biased but this is definitely my go to whenever I need my  Deth fix.  A heavy metal masterpiece.  

This is Megadeth's Mount Rushmore...the crème de le crème.  In fact, this is the state of the art thrash metal album...one that definitely belongs in the halls of the all-time greats.  The first two tracks alone provide one of the seminal one-two punches in heavy metal album history.  "Holy Wars" and "Hangar 18" remain synonymous in any conversation that may discuss metal track greatness.  While "Tornado of Souls" garners noise for being in best all-time solo conversation when it comes to heavy metal guitar mastery.  In fact, the entire album features Dave Mustaine and Marty Friedman at their absolute peaks.  From beginning to end this is a timeless classic that never gets old.  I still get chills the moment I push play and the energy that is generated is endless.  Megadeth's version of  Van Goh's "The Starry Night!"

Well we sure hope that you enjoyed this version of top album lists!  It was definitely extra fun getting to cover one of my all-time favorite bands.  With that being said, we always ask for audience participation!!  What were your picks?  And do you have any bands that you would like us to cover in future segments.  We challenge you all to get involved! 


​Well, we certainly hope that you are staying safe during these trying times.  And as always...Don't forget to check out Kevin Law and Johnny E on Thursday evenings from 7PM-9PM as they run the gamut of all your favorite heavy metal classics...old and new!  I am sure Kevin has a great show lined up for this week and am looking forward for any and all surprises!!!  As we leave you...please enjoy this Megadeth classic...

Written By Jason Voorhees

In this week's edition of Top Albums we will cover the Crown Prince of Metal...Ozzy Osbourne.  The Prince of Darkness is one of the most iconic figures in heavy metal history.  While Ozzy earned his early stripes fronting "Black Sabbath", it was his solo career that truly defined his fame and popularity in the mainstream world.

Over the years; Ozzy Osbourne has enjoyed quite a career while producing a definitive collection of timeless classics. While there have been numerous lineup changes in his band, its always included elite musicianship.  There was no better example of this than his unrivaled ability to recruit world class guitar talent.  Whether it was the super prodigy Randy Rhoads, or his successor Jake E Lee, to the longest tenured Zakk Wylde; all of these guitarists made it much easier for Ozzy to shine in the spotlight.

Last week we covered Ronnie James Dio, who ironically replaced Ozzy in Black Sabbath.  This time we get to take a deep dive into his predecessor's solo career.  As we embark on this latest challenge, there is no doubt that this trip down memory lane should be epic.  So without further ado...let's take a look at the mind of the Crown Prince as we chronicle the diary of a madman... 

Despite a new refreshing sound, this album unfortunately misses the mark.  The departure of Zakk Wylde and less than stellar songwriting doomed this album before it ever began.  That's not to say that its a terrible album, but clearly sub standard for the Prince of Darkness.  Ozzy had recruited Gus G, previously from Firewind to replace Zakk so there was already huge shoes to fill.  Add to that the over dubbed vocal overtones to enhance his lyrics and the album just couldn't live up to the hype.  There were however a few winners on the record despite its poor reviews.  Standout tracks include 'Let Me Hear You Scream', 'Diggin Me Down' and 'I Want it More.'  As stated, not a poor record using an average band metric but certainly not one of Ozzy's finest hours. 

Most people call this a black mark in Osbourne's catalog.  I would say that "Black Rain" is more like the black sheep.  Unfortunately it did mark the end of the road for sensational axe man Zakk Wylde.  While the album clearly lacks creativity, it still has flashes of brilliance that only Ozzy can produce.  The lead single 'I Don't Wanna Stop' absolutely brings the house down in typical fashion.  The title track 'Black Rain' follows the classic formula as well.  However; it's hidden gems like '11 Silver' and 'Countdown's Begun' that make this his most underrated album to date.  Killer guitar and skillful songwriting.  While many go left, Ozzy always goes right.  This is an album that really gets better over time.  Check it out...you may be pleasantly surprised.

After producing "Ozzmosis", Ozzy embarked on a short Black Sabbath reunion.  When he brought the solo band back together again, he also called upon a panel of collaborators to write the songs.  The results was a mixed bag of nuggets and the album quality suffered.  Yes, Zakk Wylde was still present on guitar but his unique songwriting style and technique was sadly missing.  It's almost like Ozzy forgot the all important formula to making a great record.  Nonetheless, the album did enjoy success on the charts as it hit #4 on the US Billboard Top 200.  The album was not star exempt as he also recruited Mike Bordin (Faith No More) on drums and Robert Trujillo (Metallica) on bass.  Standout tracks include 'Gets Me Through' and 'Running out of Time' as well as the super ballad 'Dreamer.' 

It's safe to say that the Prince of Darkness has passed his better years.  With that being said, this surprise out of nowhere release was his best album in many years.  Post Malone's Andrew Watt helped produce the record and the result was nothing less than spectacular.  Mr. Osbourne's vocals were the best we have saw since his glory days.  The creative juices were flowing once again and the overflow spills into fantastic musicianship.  'Under the Graveyard' is a metal analogy to Ozzy's almost near death experience after leaving Sabbath to his eventual rise again in his solo career.  Its a magnificent piece of art and he definitely shocked the world with this one.  Kudos to Ozzy for his undying passion for music and this album is that sorta rebirth we've all been waiting for.

Ozzy was running wild on this one as he commandeered Zakk Wylde to replace Jake E Lee on the axe.  It was a match made in heaven as the band instantly clicked on "No Rest For The Wicked."  Wylde brought a more aggressive approach and the songs were more on the edgy side.  Likewise, Zakk had a knack for intense songwriting and you could see that expertise crawling out of every tune on the record.  The final product was a double platinum masterpiece once again placing Ozzy at the top of the food chain.  Many solid hits on this one including "Miracle Man", "Crazy Babies" and "Tattooed Dancer" while housing uncut gems like "Bloodbath in Paradise."  This was definitely a better album than it often gets credit for and will always have a special place in every die hard fan's heart.

Many people would scoff at this album being so high on the list.  However; true metal scholars realize the relevance of this smash hit wonder.  It was a tremendous follow up to a predecessor that absolutely screamed gold standard.  Although the album continued down the commercial mainstream track, it definitely had spurts of underground flavor.  It was a strong mixture of heavy riff balls to the wall energy along with symmetrical melodic ballads with some raw and edgy noise in between.  Definitely the most diverse album of Ozzy's career and beloved by even his most harshest critics.  The albums lead track "Perry Mason" is an ode to the long lost "Mr. Crowley" while "See You on the Other Side" brought back memories of "Mama I'm Coming Home."  Tremendous album by one of the best hands down.

Losing Randy Rhoads would almost certainly spell doom for any other artist but not Ozzy.  After Rhoads untimely death, Osbourne tapped Jake E Lee for the lead guitar gig and the rest was history.  While Jake showed a bit of a difference in style, his skill would prove to be no flash in the pan.  The lead title track may be the best opening track ever on any Ozzy record.  Fast, heavy and straight to the point.  Even if this was the only track on the album that would gain stardom, the rest of the record proved that Lee belonged to stay.  It was a monumental record for the Prince as he showed that it was the music not the personnel that ultimately defined the band.  "Center of Eternity" and "Waiting for Darkness" remain the bands most underrated tracks of all-time.  Welcome aboard Jake!

This was an album that has gained more and more credit over time.  It's release did not sit well with many of the faithful and did not fair particularly well on the charts.  However; mainstream popularity is the last thing that should be measured when rating an album.  And that's exactly the case with this one folks.  Although the album did not have smash hits on the billboard chart, the record is littered with A list star power when applying the ear test.  Tracks like "Secret Loser", "Never Know Why", "Thank God For the Bomb", "Lightning Strikes", "Killer of Giants" and "Shot in the Dark" are all stellar songs both lyrically and stylistically.  While "The Ultimate Sin" and "Shot in the Dark" are bookend masterpieces.  Zero filler and the tunes are killer.  Mark of an excellent album.

This was an extremely tough pick for me as it almost made #2.  It could have gone either way but nonetheless here we are.  Not much to complain about on this effort.  4x Platinum.  A title track that rivals any song in metal.  Numerous hidden gems and little to no filter.  While the album did still feature that raw energy we had grown accustomed to as Ozzy fans, it also featured the commercialized radio friendly focus that ultimately drove the popularity.  The band called upon Lemmy Kilmeister to help produce the record and in doing so channeled their inner Motorhead.  The creative aspects on this album are endless and circumventing.  The results are priceless.  An instant classic that would be any other band's Mount Rushmore...which even furthers the depths of the albums greatness.

This would unfortunately be the swan song for Randy Rhoads who would tragically die one year later.  How sweet that final lap was though.  Another magnificent record for the Prince of Darkness that would definitely mark a more creative side for the band.  Another blistering title track that would even send chills down Alister Crowley.  And a lead track to die for in 'Over the Mountain.'  It's those subtle sleepers that set this album apart though as another epic effort for the forefather.  Randy flexes his muscles on those lesser known classics that truly endow him as a guitar god.  However; the solo on the title track is an epic fortress the likes we may never see of again.  Wow is all you can say as you gasp in awe.  Another true metal album giant.

This may be the easiest pick I have ever had to make for top albums.  In fact, this album is in my Top 5 heavy metal albums of all-time so rightfully its Ozzy's best ever.  The crème de le crème of Osbourne's mountain.  A solid metal record from beginning to end.  A timeless work of art that even gets better with time.  "Crazy Train" may be the best anthem of all-time.  "Mr. Crowley" is certainly the most well put together metal song we have ever heard.  The list can keep going.  Some of the best lyrics ever penned to paper as well; not to mention the super fine artwork.  Everything that you could ask for in a debut album, probably the greatest debut album in music history and that's no stretch.  Straight up Fire!

Hope you enjoyed this week's edition because we certainly had fun doing so!  Ozzy is one of the near and dear figures of the entire metal community and we all adore him like a father!!  Excellent catalog and one that will live on forever as we move into the next generation!  As we look towards next week, we hope that you are all staying safe and sound in quarantine!  And please don't forget...Check out Kevin Law and Johnny E on Thursday evenings 7PM-9PM as they count down all of your favorites from past and present as well as future!!  And we leave you with one of Ozzy's classic masterpieces!!!! Rock On Mates!!!!!

Written By Jason Voorhees

​In this week's edition, we will tackle one of the most quintessential artists of heavy metal history...Mr. Ronnie James Dio. 

While RJD carved out his legacy during his early years in Elf, Rainbow, and Sabbath, it was during his solo career where he truly earned his stripes. During his stellar career, DIO created one of the most extensive catalogs that the metal genre has ever seen. While many people celebrate his work in those high-profile gigs, some forget how truly magnificent his solo efforts were. 

Over that same solo career, his band saw many lineup changes while suffering many ups and downs. One thing always remained constant, though, and that was Ronnie's vision. No matter what style of music, no matter what themes of choice, no matter who was playing the instruments, one could always recognize that the music was DIO. And that, my friends, is what makes this guy one of the legends of heavy metal. Simply stated, hes a rock god. 

Opinions are widespread on where his albums stack up when ranked to each other. Once again, a challenging project to undertake; nonetheless, one that we are ready to take head-on. So don't be the last in line as we lock up the wolves on this journey down these very strange highways!

Unfortunately, this album, which was released during the height of the grunge movement, was probably set up to fail before it ever began. While you could hear a much different tone with elements of industrial and grunge present, the band still tried to stay true to its roots. Although this record comes in as the last on the list, it certainly is not a terrible effort. I would venture to say it's probably the band's most underrated. The piano ballad 'This Is Your Life' became a smash hit after his passing and encompassed Ronnie's brilliance in songwriting. Tracks like 'Hunter of The Heart,' 'Black,' and 'Stay out of My Mind' still inject that Sabbath doom and gloom flavor that we all have grown to love. It is an undervalued album that grows on you the more that you listen...an aggressive assault on the senses. ​

​With an entirely new lineup in the saddle, it was time for a clean slate at the dawn of a new decade. 18-year-old prodigy Rowan Robertson was ready to take the world by storm on this release. While anticipation was high, the results were a mixed bag of praise and criticism. Many fans were disappointed as the album took on a different style than they had grown accustomed to. Lacking the star power of a genuinely stand-out track, the record is sometimes labeled dull and uninspired. Unfortunately, the expectations were not met on the album, so it ranked close to the bottom. However, die-hard DIO fans will tell you that it's just misunderstood. Tracks like 'Hey Angel,' 'Evil on Queen Street,' and the title track continue to invoke the signature sound we all know. Good but not great.

After another Sabbath reunion came suddenly crashing down, Ronnie James Dio and Vinny Appice were once again left holding the bag. However, the controversial split would not mean the end, but instead a rebirth for the two stalwarts. The band added Tracy G on guitars and Jeff Pilson (formerly of Dokken) on bass. The result was Dehumanizer 2.0. Although the album did not match the success of its Sabbath predecessor, it certainly sounded like a reboot. One of their most underrated pieces, 'Strange Highways' brings that signature doomy sound and style. Slow eloquent tempos with a mixture of grooves, bends, and hooks. Plenty of hidden gems and not much filler on this one. While the title track firmly stands out, it's the sleepers that genuinely define this album among the best.

​The third album for DIO was a bit of a step down from their previous efforts. As the saying goes, "The best-laid plans of mice and men often go awry." Sometimes going to the well one too many times can be detrimental, and that's precisely what happened on this album. That's not to say that the album was a failure because that would be a flat-out lie. It was just too much of the same as the favorite recipe had become stagnant. With that being said, the album was still catchy, and some tracks hit the nail. The title track remains one of the band's most fantastic overall tunes to this day. In retrospect, the sound production probably hurt the record's overall success. In a cruel twist of fate, this would mark the end of the road for Vivian Campbell in the band. Substandard for DIO, but still pretty solid.

Sadly this would be the last album for Dio, but what a swan song it was. This was a solid album that featured frequent collaborators from the band's past. RJD's vocals aged like fine wine as he could still belt out lyrics with ferocious tone and synergy. And the rest of the band was able to match that intensity resulting in an epic finale of success. Consistent and focused, there is not one terrible track on the album with little to no filler. Beginning with the opener 'One More For the Road,' the record hits hard. Other standout songs include 'End of the World,' 'Shivers,' 'The Man Who Would Be King' and 'Death by Love,' as well as the title track. While the classics overshadow the album, there is a place at the top for die-hard fans. It's always nice to go out on top, and this record fits that narrative.

​How could Dio's legacy be complete without a concept album? RJD's love for the dramatic is encompassed entirely in this conceptual thriller. Record sales do not tell the story for this one as they tanked. However, the album is littered with all of his most beloved musical trademarks and traits. The album has since gained a cult following among die-hard fans and heavy metal analysts alike. A stellar mixture of heavy dark energy and soft ballad melodies make this one of their most underrated works of art. Of course, the plan of a conceptual trilogy would never come to fruition, so we may never fully understand the story's ending. Nonetheless, this fantasy-laden record sends chills down your spine. Pop it In and take a spin, be prepared to be blown away. 

​This was a throwback to the classical era of Dio. This version of Dio featured Doug Aldrich on the ax, and he did not disappoint. Crisp and tight musicianship that featured inspiring riffs and hard-hitting basslines. The band went away from commercialized mainstream style as they tried to emulate their roots. The finished product was a traditional metal album that fans would love. It's almost like Ronnie jumped into a time machine back in 1983 in one fell swoop. The lyrics were once again more focused; the songs had more energy, the sound was more polished. This album was released way after its time, but yet one could have followed the big 2. One of my personal favorites and definitely top of the list-worthy. One of Dio's finest hours.

​Removing star guitarist Vivian Campbell from the lineup could have spelled doom for any other band. Not Dio. Adding Craig Goldy ignited a fire in the band, and the result was an epic blast of heavy metal destruction. The newfound energy enabled the band to produce an A-list record. The album once again featured top-notch songwriting and elite musicianship. The band was back to the formula that helped them rise to the top of the metal food chain. The band's new guitarist embodied some similarities in style to Ritchie Blackmore, which paid homage to Rainbow on a few tracks. The opener 'Night People' is a speed metal eulogy that features an epic solo. Other stand-out songs include 'Dream Evil,' 'Sunset Superman,' 'All the Fools Sailed Away,' and 'I Could Have Been a Dreamer. Excellent album from a fantastic band.

​So much for the sophomore jinx. There was no slumping on this album. Dio was in it to win it, and there was no turning back. As their breakout debut became one of the greatest debuts of all time, you could probably say that this one ranks among the best of sophomore metal lore. The album featured all of the classic Dio characteristics, including themes of fantasy and mysticism. Far from a reboot, though, it had its attitude, which sets it apart from its predecessor. The title track is the most notable, but the true sleeper is the epic finale 'Egypt (The Chains Are On),' which once again features Vivian Campbell's dominance on the ax. Another prototype masterpiece for Dio would further cement their place at the Mount Rushmore of Metal.

​This might as well have been titled the Holy Grail. The seminal album of Ronnie James Dio's career marked the apex for the band album-wise. Not only is this Dio's top album, many consider this as one of the leading heavy metal albums of all-time history. Definitely one of the best debut albums of all time as well. Simply a masterpiece in every way. The record featured every aspect of a great heavy metal album. Awesome musicianship. Top-of-the-line songwriting. Multiple mega hits. Plenty of relevant substance. Zero Filler. All the marks of an excellent album. Dio struck gold on this one, and the record lives on forever. Raw and edgy but to the point. Lyrically and stylistically elite. The top of the food chain for Dio and one of many metal fans all-time favorites, no doubt. Bow to the King of Rock n' Roll!

​Once again, we hope that you enjoyed this edition of the top album lists. Dio is one of the all-time greats, and it was a treat going back in time to chronicle their catalog. Of course, as always, this is a matter of opinion, and hopefully, you will share yours. We will continue to bring you the best of top album lists, and we challenge you to request your favorite bands to cover them in the future. As always, we hope that you will join Kevin Law and Johnny E every Thursday from 7 PM-9 PM as they pound out the best of metal, old and new!!
And in closing, we wish you continued safety during these unchartered times. As we close, please enjoy this special from Holy Diver!!! Rock on, Mates!!

Written By Jason Voorhees

Considered one of the most successful heavy metal bands in history, Iron Maiden has carved their legacy in stone despite very little mainstream efficiency. 

Instead the band has mastered the underground platforms In an effort to forge an army of loyal fans and support.  The band's success is due in large part to their energetic coma induced live performances that have become legendary in the metal industry.  

Throughout the years Maiden has produced a catalog of some of the greatest metal albums we have ever saw.  With that being said, there is widespread debate on which albums belong among their best.  In this week's addition we will attempt to put aside the doubt and face the critics head on while compiling our very own ranking of Maiden's top records.  

So, take a journey back to Somewhere in Time; its A Matter of Life and Death as we take this Dance of Death into the Final Frontier ​with Iron Maiden...

One of the top albums during their reunion era, this classic brought the audience to a warfront stage.  While infusing themes of war, death and religion the record was a lyrical and musical masterpiece.  It's a spirited mix of classic Maiden epic synergy and elite songwriting.  There are plenty of stone cold hits as well as some sleeper stalwarts.  Tracks like 'These Colours Don't Run,' 'Brighter than a Thousand Suns' and 'The Reincarnation of Benjamin Breeg' belong on the same level of their most beloved classics.  It's truly those hidden gems though that set this album apart among their very best.  This is truly one of Maiden's most underrated albums and it was no coincidence that they chose to play it in it's entirety during the debut tour.  Solid effort and definitely among the best of Maiden's catalog.  

The return of Bruce Dickinson and Adrian Smith marked the resurrection of Iron Maiden.  And this album represented a return to greatness for the band.  The highly anticipated release came on the dawn of a new millennium as all of the stars aligned.  When all hope seemed to be lost, Maiden proved that they could once again rise to the top as they produced this timeless classic.  Musically and lyrically it followed the bands prudent formula of galloping rhythms, blistering solos and mystified story telling.  The result was another epic standout of heavy metal purity.  Standout tracks include 'The Wicker Man', 'Ghost of the Navigator' and 'Blood Brothers.'  There was not much filler here.  Fans were ready and the underground giants definitely delivered on this one.  Exhilarating album at the least.

Often mistaken for a concept album, Maiden's latest studio album has received widespread criticism.  And this is the exact reason why the record belongs so high on the list.  Iron Maiden has never been afraid to experiment and test the boundaries as far as creativity goes.  'Speed of Light' was an enigmatic anthem that returned to old school  Maiden of yesterday and the sound was brilliant.  The album boasts many other classic style tracks that pay homage to the band's roots.  I sometimes see similarities between negative attitudes of  this album and Judas Priest's conceptual  thriller 'Nostradamus.'  These criticisms usually center around the length of many of the tracks.  However; it's the longevity at the album's core that has always separated Maiden from its competition.  Best album in years hands down.

A progressive classic from beginning to end.  The album blends synthesizer laden music with Maiden's trademark gallop riddled rhythms.  A colorful epic flavor of heavy metal madness.  Another underrated record in their catalog, its sometimes the forgotten step child because its buried between two seminal giants.  However; the album does not lack star power as it assaults the senses musically and lyrically.  When it comes to Maiden, there is always going to be an underappreciated value to all of their work and 'Somewhere in Time' is no different.  "Wasted Years" is among the bands greatest tracks of all-time while "Alexander the Great" ranks among their most prized sleepers.  A must own for die hard Maiden enthusiasts and if you have never listened I challenge you to take a spin; you will be pleasantly surprised.

The birthplace for Iron Maiden made its bed in this raw edgy debut self titled thriller.  The pioneers of the new wave of British Heavy Metal made a dazzling impression with their original style and sound.  If it were not for the sound production this one could have landed closer to the top.  With that being said, what the album loses in sound it certainly makes up with  brilliant musicianship.  The album also featured the band's first lead vocalist Paul Di'Anno who could absolutely wail on the microphone.  The combination of Dave Murray's stellar guitar, Steve Harris' elite bass playing, Clive Burr on Drums and Di'Anno's jaw dropping vocals was exactly what the heavy metal world had been waiting for.  Some of Maiden's most cherished songs make there home here; the band's very first instant classic. 

Although it would mark the end of Di'Anno on vocals, it did usher in the era of Adrian Smith.  The duo of Smith and Murray gave Maiden their very own KK. Downing/Glenn Tipton montage and the results paid instant dividends.  There was more harmony and inspiration which invoked more energy.  It seemed that the group had graduated from jayvee as they joined the ranks of varsity lore.  And even though the record was Di'Anno's swan song, he was leaving the band at his absolute peak and this album signified that feat.  From the inglorious intro "The Ides of March" through the galloping glory of "Wrathchild" to the raucous "Murders in the Rue Morgue", the album was filled with metal magnitude of top line proportions.  This was where Maiden made their jump and there was no turning back.

This conceptual masterpiece saw Iron Maiden embrace their progressive style as they perfected the brand.  As concept albums normally do, the album takes the audience on a visual journey that's more real than your most remembered dreams.  Honestly, when I first heard this album I had nightmares for two weeks; that's how powerful the trance centered core screams as you listen to the album in its entirety.  Its no wonder that this was one of Maiden's most successful commercial endeavors as the album charted high all over the world.  An album that's littered with top notch hits and zero filler.  Sounds like an excellent recipe for success to me.  Tracks like "Moonchild", "The Evil that Men Do" and "Clairvoyant" provide chills while the title track is a nine minute marathon of non stop attitude. Top notch metal album from start to finish.  A grand slam home run.  

Some fans and critics say this is Maiden's best pure album.  There is definitely something that can be said about the songwriting and literacy of their lyrics.  Nicko McBrain made his debut behind the drums and provided a new element; that which elevated the band to new heights as they were rising to superstardom around the world.  One significant characteristic that stands out is the technical tightness of the band as a whole.  While its predecessor put them on the mainstream map, "Piece of Mind" truly showcased their elite status as artists.  It also marked a transition from classic metal to a more progressive and novel approach.  The band was maturing in front of our eyes and were truly successful in making that jump.  This was the straw that stirred the drink for many years to come.

If we were doing a popularity contest this one would definitely take the cake for Iron Maiden.  In fact, this album is mentioned whenever top heavy metal albums are discussed.  A wall to wall cataclysm that sent Maiden over the mainstream threshold and onto commercial success.  The debut album for Bruce Dickinson represented the bands breakthrough.  Although Di'Anno was an elite vocalist in his own right, Dickinson simply had more range and his stage presence was contagious.  You can hear that endless energy throughout the album.  Too many hits to list, this was definitely Maiden's calling card of epic stardom.  This timeless classic is owned by heavy metal maniacs all over the world.   Definitely one for the ages and one that I can still listen and jam to from beginning to end at capacity volume.

How do you follow up a record of magnitude like 'The Number of the Beast'.  That answer is easy...just perfect the formula.  That's exactly what Iron Maiden did when they released this bombshell.  Many would consider this as a controversial pick for top album but not the true experts.  These metal enthusiasts consider this the definitive album of Maiden's entire catalog.  A fierce collection of big dick energy, the record consists of several top of the line giants.  There are a smattering of hidden gems and sleepers.  And then there's the encore "Rime of the Ancient Mariner."  Wow.  There is really not many words that can describe this epic giant.  Not only is this Iron Maiden's Mount Rushmore, it also features some of the most elaborate artwork penned to an album cover.  Phenomenal album by a killer band!  

Thanks so much for taking that journey with us as we chronicled the best of the best of Iron Maiden.  We certainly hope that you have enjoyed this new segment and challenge you to send in your picks; so that we can rank your favorite band's catalogs.  In the meantime, we hope that you will check out Kevin Law and Johnny E Thursday evenings from 7PM-9PM as they play your favorites from past and present.  I also would like to wish you and your families best wishes and pray for your continued safety during these unchartered times. 

​As we leave you...please enjoy this timeless classic from the Powerslave album.  Until next time...rock on mates!!!

Written By Jason Voorhees

Black Sabbath is recognized as the forefathers of heavy metal music. While Sabbath may have invented the genre, Judas Priest is responsible for being its most significant pioneer and has most defined the style over the years. Judas Priest even once labeled themselves the Metal Gods, and rightfully so. 

2020 marks the 50th anniversary of the band's existence, and they are still going strong despite some lineup changes along the way. 

With that being said, their catalog remains one of the most extensive in metal, encompassing 18 studio albums. When reviewing most other band's top albums, the same ones usually appear at the top, give or take a few. However, there is widespread debate when it comes to Priest's catalog. Ranking this band's albums will undoubtedly be a challenge, but Philly Rock Radio is up to the task. 

​The 14th Studio Album by Priest was the second and also the last to feature Tim "Ripper" Owens on vocals.  The follow up to 'Jugulator' was in fact not very good.  Taking Rob Halford away from Judas Priest is like taking a bottle from a baby, its just not the same.  This is in no way a shot at Tim Owens; who in deed did a very admirable job taking over the lead gig in Halford's stead.  The album just lacked that Priest energy and upper echelon sound.  Stylistically generic and over produced.  Unfortunately this one missed the mark which leaves it at the very bottom of the barrel for Priest.  Not a terrible album, just not the standard we have grown accustomed to with Judas Priest.

Jugulator' was the first album not to feature Rob Halford on vocals. As expected, this did not sit well with the fans, and record sales suffered. The band adopted a more ferocious style in the realms of Pantera and Slayer. Judas Priest was trying to adapt to the times, and the new persona showed. Overall, much better than 'Demolition' and an album that gets better with time. It grows on you after you put away your preconceived stereotypes of what Judas Priest should sound like. While the album lacked melody, it was replaced with a more in your face approach, and the results were mixed. Nonetheless, it did have a few standout tracks, including "Blood Staind" and the epic finale "Cathedral Spires." All in all, this is a record that has gotten better over the years.

​This record was ground zero for Priest. The debut album was edgy and raw. Although the album was not groundbreaking, it did provide a blueprint that would eventually help the band strike gold. A polished work of art, this was the record that would plant the seeds of future success. Tracks like "Never Satisfied" and "One for the Road" were hard rock in their infancy, and the sound was much more progressive. The album also provided a sneak peek into the dual guitar mastery that would later be the band's trademark. The songwriting was masterful as Priest was putting their stamp on the music world—a solid album overall but certainly not the same level as their heavyweights. 

​After they attempted going glam with 'Turbo,' Priest decided to return to their classic sound on this one. While the album still contained traces of electronics, it was more synthetic. With its long term producer Tom Allom jumping ship, the band seemed out of sync. Nonetheless, the record took on a much more solemn tone as they tried once again to embrace their roots. While the songwriting suffered, the album did produce a few bona fide hits with "Ram it Down" and the epic "Blood Red Skies." Unfortunately, there was more filler than sizzle as Priest was still trying to capture yesteryear's flavor. Let's call it all or nothing, as the band was always seeking elite status after this bumpy detour.

​This album would undoubtedly sit much higher if it didn't sit smack in the middle of two instant classics. The band's third album still shared that raw, edgy sound of classic Priest and represents the calm before the storm. A transitional record at heart, the band, had not quite hit puberty. However, tracks like "Starbreaker" and "Dissident Aggressor" hinted at that changeover to heavy metal glory. The highlight of the album was a cover of Joan Baez's "Diamonds and Rust," which showed the band's dynamic nature. Another record littered with filler but one that predicted the band's readiness to overtake metal's upper echelon.

​Probably the most debated piece of work ever done by Priest. A conceptual album in its purest form, opinions were widespread and split across the board. While many experts rank the record much lower due to its marathon longevity, they seem to miss the elite songwriting and musicianship captured throughout. Concept albums tell a story, and Priest brings you on a joyride into one of the most controversial historical figures. If you listen to the album straight through, you can almost see the prophetic visions insight. Standout tracks include "Nostradamus," "Prophecy," and "Pestilence and Plague." A masterpiece of art and highly underrated among the Judas catalog.

Judas Priest meets glam metal in this synthesizer induced coma. 'Turbo' was met with much criticism by die-hard fans and music critics alike. However, even though this was a far cry from what Priest is known for, the album was good. The title track was as right as any of their big-name classics and is still played during concert tours to this day. While the style was much different, the songwriting was magnificent. Underrated tracks galore on this one, including "Parental Guidance" and "Private Property." Critics will say that the synthesizers dumb down the music when they indeed emphasize the stellar guitar mastery. An instant classic, even if it wasn't classic Priest.

​Judas Priest's soul was redeemed by this record, one that wasn't even supposed to happen. KK. Downing had retired, thus ending the career of the band. Enter Richie Faulkner. The young prodigy guitarist had played for the band during the Epitaph tour and had done such a great job. This is a record that spans the entire career of Priest as far as style goes. "Sword of Damocles" takes you back to seventies Priest while the title track and "Halls of Valhalla" scream Painkiller era. The band does not miss a beat with Faulkner on the ax, and the record sizzles. "Down in Flames" has an old school 80's feel much like the Defenders era. Yes, Priest was going full-on back to their roots. Long live metal.

​This was deja vu as Rob Halford was back in the band. They say lightning rarely strikes twice, but that is precisely what Judas Priest did with this album. It was clear what the fans had been waiting for, and the results were marvelous. A solid metal album from beginning to end, Priest, was back with a vengeance on this masterpiece. From the opening track, "Judas is Rising," Halford's voice was ferocious and epic. "Deal with the Devil" and "Revolution" continued the lyrical onslaught moving right into the semi-ballad "Worth Fighting For." And the classic dual guitar energy was present throughout the entire album. This release proves that you can take the band away from Halford, but certainly cant take Halford away from the band. Welcome back, Metal God.  

​Quite possibly the most underrated album of their catalog. This one had huge shoes to fill as the follow up to 'British Steel,' and the band did not disappoint. Although you don't see the same love or zeal for this particular record, there is no denying that it's a damn good album. The opening track, "Heading out to the Highway," makes you want to hop in a convertible to speed down the sunset strip. If you're looking for hidden gems, you don't have to look further than "Desert Plains." And if it's party anthems that feed your fancy, check out "Solar Angels" and "Hot Rockin." The sound was much more commercial, but the attitude was still blazing. I love me some classic Priest baby. 

​Rated by many as the best heavy metal album of the past decade, 'Firepower' took the world by surprise. Maybe the biggest surprise is that Rob sounds like he has not aged a day. Fantastic album from top to bottom, it displays the full Judas Priest mantra on a platter. Blistering guitar solos embody the epicenter while Scott Travis' drumming keeps the sound on point. The title track sounds like a reboot from the Painkiller album, while "Lightning Strike" literally strikes fear into its audience. This is as close as you will come to Priest in their prime. Not to mention, coming in at number 5 on the billboard top 200, it was the band's highest-charting album of all-time. 

​Released as "Hellbent for Leather" in the United States, this album was the first to embody that classic incarnate sound. It was the gamechanger we had all been waiting for, and Judas sealed the deal with a kiss. One of Priest's calling cards is their songwriting, and this one defined the essence of the elite. The record is littered with stalwart anthems including 'Delivering the Goods," "Hellbent for Leather," "Killing Machine," and "The Green Manalishi." They also recorded another top-line ballad with "Before the Dawn." The maturity of the band indeed rang out throughout this record as their diversity shined brightly. The album is pretty much the straw that stirs the drink in Priest's rise to the top. 

​A kick-ass heavy metal masterpiece. The opening one-two punch of 'The Hellion/Electric Eye" may be the greatest in heavy metal history. The dual lead guitar work is quintessential Priest at its absolute best. And the rest of the album maintains the signature style and sound that we all love. This album is always mentioned when discussing classic metal records that genuinely defines this genre. Some critics rank the album as Priest's best. The only reason it's not higher for me is a few useless duds. No doubt one of their seminal albums and top rank worthy. Other standout tracks include "Devils Child," "Bloodstone," "Screaming For Vengeance," and "You've Got Another Thing Coming."  

​The sophomore release for the metal gods may have very well cemented heavy metal at its core. Some historians consider this the very FIRST proper metal album. Wherever you stand on this argument, there is no doubting the album's importance to overall heavy metal lore. Lead vocalist Rob Halford showcased his screeching high pitched voice throughout the record and quickly became a fan favorite. "Victim of Changes" is an epic musical masterpiece that features multiple bridges, bends, twists, and many other metal mania facets. Simultaneously, "The Ripper" showcased the first example of KK/Tipton's golden dual ax action. This may have been infancy, but it was undoubtedly mastery—an instant classic.

​​​Released as 'Hellbent for Leather' in the United States, this was the first in their catalog that embodied the classic incarnate sound. It was the gamechanger we had all been waiting for as Judas sealed the deal with a kiss. One of Priest's calling cards is their songwriting, and this song defined the essence of the elite. The record is littered with stalwart anthems, including "Delivering the Goods," "Hellbent for Leather," "Killing Machine," and "The Green Manalishi." They also recorded another front line ballad with "Before the Dawn." The maturity of the band indeed rings out on the album, and their diversity shines bright. The album is the straw that stirs the drink in The Priest's rise to the top.

​Judas Priest redefined traditional metal with one fell swoop when they released 'Painkiller.' Unfortunately, this would be the last record to feature Rob Halford for a very long time. This was the archetype metal album on display for the entire world to see, all guns blazing! The dictionary and thesaurus for all future metal bands to forge their craft. From beginning to end, this album flat out rips. The opening title track provides the narrative for the rest of the album—loud, heavy, intense, heart-pounding, and lightning-fast. A generous fistful of metal at your fingertips, and all you have to do is hit play. The album contains multiple hits, including "Painkiller," "Nightcrawler," and "A Touch of Evil," but it's the uncut gems that genuinely make this a standout among rulers. Now let 10,000 heavy metal maniacs scream!

​Speed metal was spoken into existence on this instant classic. "Exciter" was the prototype speed metal art de jour and spawned an absolute beast of an album. Finally, Judas Priest had arrived at the edge of their peak, and the result was a technically perfect blend of musical mastery. 'Stained Class' is the moment that The Priest announced they were kicking ass and taking names. Epic riffs, melodic symphonies, the Halford screech; this one has it all, folks. And dare I say, maybe the most superb heavy metal ballad was ever written..."Beyond the Realms of Death" takes the listener into another trance level. It's one of the most extraordinary pieces ever written by Priest and a flat-out mortal lock in the realms of heavy metal history.

​Eternal debate shines its light when ranking the favorite albums in The Priest catalog. However, there is no debating which album was made at the band's absolute peak, and that would be 'Defenders of the Faith.' The most polished effort they have ever recorded. The album once again is filled with masterful songwriting, and the musicianship is elite. The lyrical content is top-notch, and the composition is legendary. The entire album is enjoyable, mostly the first eight tracks, which rival most in their catalog—an innovating, inspiring performance by the whole band. "Freewheel Burning" brings the energy. "Jawbreaker" brings down the house. "Rock Hard Ride Free" has one of the most glorious intros you will ever hear. And "The Sentinel" may be their best song ever. The point is, I could write a novel about just how good this album is but will settle for a paragraph. The best of the best, hands down.

​Judas Priest will always be near and dear to all of those that admire heavy metal. 

It's no secret that they have produced one of the most excellent catalogs in metal history. Hopefully, you enjoyed our journey as we chronicled these albums and ranked the best. This has been an exciting new segment, and we hope to continue this trip down memory lane with the greatest metal bands of past and present. We certainly would love to hear feedback, and we challenge our fans to request their favorite bands.

Don't forget to check out Kevin Law and Johnny E every Thursday evening from 7 PM-9 PM as they countdown the most excellent metal from present to yesteryear! And as always, have a great week, and please stay safe in light of the recent coronavirus incident and mania. Please enjoy this Judas Priest classic as we leave you until next week...Rock Hard Ride Free!!!

Written By Jason Voorhees

Welcome back to another addition of Top Album Lists here at Philly Rock Radio. 

Thanks for joining us as we have taken a deep dive into some of the most iconic metal band's catalogs in history.  Today that journey continues as we take a look at one of the most popular metal band's to ever grace the stage. 

That band is of course AC/DC.  And just like the previous bands, these guys do not need any introduction. 

Their history and legacy speaks for itself.  Formed in 1973 by the Scottish-born brothers Malcolm and Angus Young, AC/DC quickly forged a path of elite musicianship in their rise to the top of Mount Rushmore. 

The results tell the true story...over 200 million records sold world wide; including 71.5 million albums in the United States alone.  The band was named the seventh greatest metal band of all-time by Rolling Stone Magazine.  VH1 ranked them at #4 on their "100 Greatest Hard Rock Artists of All-Time."  Some experts have even named them the greatest rock and roll band ever.  You get the point...this band is an iconic brand if we ever did see one.

Needless to say, when ranking the catalog for a band of this magnitude, the task will be incredibly difficult.  However; we are confident that our expert knowledge and ears for talent will help solidify the best of the best. 

​One fun part about these projects is that we get to go back In time and replay the albums in their entirety.  This process has been extremely rewarding and enlightening.  So For those about to rock we salute you.  Now let's go back in black on this highway to hell...      

An extremely underrated album and definitely one of my personal all-time favorites.  In fact, there is not one bad track on the record.  One popular knock on AC/DC is that many of their tracks sound exactly the same.  Well I would say that this particular release definitely spit back in the critics faces.  The record was more stylistically advanced and definitely had much more variety.  Overall a solid album from start to finish.  The album charted at # 4 on the US Billboard Top 200 and shares a 2x platinum in sales.  Key tracks include "Hard as a Rock", "Burnin' Alive", and "Ballbreaker".  If you want a sleeper though check out "Hail Caesar"...wow.  I think the x-factor was Rick Rubin as he initiated  an absolute killer production.  Obviously not the best AC/DC album ever but definitely top ten worthy! 

The eight year hiatus between albums was the longest tenure in AC/DC's history.  The fifteenth studio album just happened to be the bands' longest running time as well.  This record truly tried to recapture the classical sound that AC/DC fans had grown to love and the band did not disappoint.  "Black Ice" was a huge success as far as sales and it landed at #1 atop the billboard charts.  This was the kind of comeback that fans had all been starving for.  Great album with lots of energy.  Unfortunately, this was also the last time you would see the "Back in Black" era gang together as one.  Nonetheless, this was a solid effort that put AC/DC back on top of the musical mountain.  Did not think they would ever out due 'Ballbreaker' but this one absolutely ate the cake.  A must own for any of the classic era fans. 

What an awesome name for an album title.  Evil, raunchy and rowdy.  Album title and cover aside, this is a tremendous rock and roll record.  In fact, many say that this is arguably Bon Scott's best effort with AC/DC.  The title track is a live show staple and has stood the test of time as an absolute stalwart at all of the band's concerts.  Dirty Deeds as its known for short exemplifies the bands attitude and even more so the persona of lead singer Bon Scott.  The honesty and suggestive narrative is what separates the album from mainstream melancholy.  Tracks like "Big Balls", "Squealer", and "Problem Child" represent the epicenter of a band riding that bad boy mentality to pay dirt.  This masterpiece is raw and relentless.  Definitely one of the best albums in the catalog. 

The birthplace for AC/DC in the United States.  In reality, its the international version of T.N.T. which was only released in Australia.  Despite this confusion, there is no doubt that this album put the band on the map for the long haul.  An instant classic full of high energy tracks that is the calling card for the group.  Edgy and raw rock and roll in its truest form.  Although the album did not chart particularly well, it did receive critical acclaim for being original and to the point. This is what you call a plug and play as there is not one dud to be found.  Many of these tracks can be found on almost any AC/DC concert set list.  The staying power of this material makes it one of the most influential of the entire catalog.  T.N.T its dynamite, take cover from the high voltage folks or you may get the jack.  Top notch album.

As the successor to 'Back in Black' this album was pretty much set up to fail before it even began.  In fact, over the years the album has endured its fair share of criticism from countless avenues.  Despite the negative perception though, the album was a big hit as it scored a #1 rating on the Billboard, a feat that is sometimes forgotten.  One could say that this record lives mainly off of the gargantuan hit title track and that is the easy way out.  However; truth be told there are many solid songs on the album in spite of the lack of name recognition.  I think its safe to say that had this record been released before its predecessor, its popularity would have been off the charts.  Brian Johnson's pipes are even more glorious on this one if that can even be possible.  4 Million record sales later, it still remains a classic.

This was AC/DC's rebirth 2.0.  Just like 'Back in Black' had done ten years earlier in revitalizing the band's career, this album was the spark that fans had been waiting for.  Sometimes all it takes is a new producer with a new vision to get a band back on track.  That is exactly what happened here as they now had Bruce Fairbairn in toe and the rest was revisionist history.  Angus Young was given an ultimatum to travel the time machine to a place where he was once again seventeen.  And the finished product was absolutely epic.  The first track "Thunderstruck" is arguably the band's greatest song of all-time.  And the album is compromised of many other 'A' list monsters.  As other musical genres (grunge, nu-metal, etc.) were taking over, The Razors Edge saw AC/DC once again claim top dog of hard rock greatness.

Widely considered the crown jewel of the Bon Scott era, Let There Be Rock is the straw that stirred the drink for the bands takeoff in popularity.  This album was the antithesis to technical sound and progressive musicianship.  Punk rock meets heavy metal so to speak.  Angus Young truly showcased his talents on this one folks and Bon Scott's vocal words were musical magic.  If you did not know any better, one might mistake this studio album for a live one as far as sound production goes.  In fact, 'Hell Ain't A Bad Place to Be' was recorded completely out of tune.  The sound of the record was aggressive and raw; a feature that appealed to the masses.  The rest of the album smelled as good as roses...especially a 'Whole Lotta Rosie.'  Everyone was going left while AC/DC went right with this instant classic.

The band was finally able to take the platinum plunge.  AC/DC's breakthrough album busted down the highway and when the dust settled there was only hell to pay.  This would be the last album that Bon Scott would ever record as he sadly passed away only one year later.  Not only did the album fair better in sales and popularity, it also marked a change in production and sound quality.  Definitely the most polished and technical album of the Scott led era.  The title track may be the greatest arena anthem ever made and embodies the passion of the entire band.  The addition of Mutt Lange as the band's producer paid huge dividends.  They finally boasted a record with top of the line sound and quality.  This was the high point for the band till this point a crescendo that would not last very long though.

This was the album that truly showcased the dual guitar talents of Angus and Malcolm Young.  The duo was brilliant and Scott's lyrics were the missing link to an incredible masterpiece.  The infancy had matured in many ways, the training wheels were off and the band was rocking on all levels.  However; they still enjoyed that raw and unkept flavor and that's what made this album better than its successor in 'Highway to Hell.'  Most experts and many musicians consider this the best overall album of the band's catalog and cites its musical purity.  Another record with attitude but with more focus this time around.  You could tell that the group was trying to tell as story and the results were unanimous.  They finally struck gold and this was the holy grail.  This is another one you just have to crank up!

This was probably the easiest pick for a band's top album that I have ever had the chance of making.  A slam dunk, grand slam, power play, pick six all in one.  This album was literally the resurrection of AC/DC, as they had just lost their lead singer.  Not only was this the grand daddy of all comeback records, but it is mentioned as arguably the greatest rock and roll album of all-time.  The cream of the crop for the Australian Metal Gods, this represented their finest hour.  The album is littered with "A" list hits.  The hits keep coming fast and furious and if your looking for down time you will never ever find it.  I consider this one of the greatest overall records of all time in all musical genres.  The album never gets old and its one that you can still play through from beginning to end without skipping a track.  Passes the ear test with flying colors.  To hell with Mount Rushmore...This is more like Mount Everest.

Hope you enjoyed the walk down memory lane with AC/DC.  Next up is the METAL GODS themselves...Judas Priest.  Don't forget to check out Kevin Law and Johnny E every Thursday from 7PM-9PM.  Let us know what you think of the new segment and don't forget to send in any requests for a band you would like us to cover moving forward.  Until next time...Rock on Mates!!  We leave you with a special treat from AC/DC!

Written By Jason Voorhees

​We here at Philly Rock Radio certainly hope that our loyal listeners have enjoyed our latest showcase of "Top Album Lists." During each segment, our favorite band's albums are rated and ranked from worst to first. 

Of course, we had to start with the forefathers of heavy metal in Black Sabbath. We then tackled the British legend, Def Leppard, for the sophomore piece. As mentioned...If our listeners want us to feature a specific band, feel free to speak up or give us a shout-out.

In any event...

The next band up on this carousel is Van Halen. And when it comes to VH...which side of the ride you find yourself on depends on whether you prefer the David Lee Roth flavor or the Sammy Hagar variety. This is a debate that is not quickly settled and harbors many layers.

I have always preferred the Sammy Hagar led version of the band. With that being said, I have always maintained an objective mindset and admiration for the Diamond Dave era. Both versions have produced many excellent albums, which will make the task of ranking them that much more challenging.

Van Halen's catalog remains one of the most unrivaled in hard rock/heavy metal history in large part to the man on the ax...Mr. Eddie Van Halen. 

When your band employs a guitar God, you simply cannot go wrong. The band has released twelve albums in total, so two will be left off of this list. Nonetheless, there will be some difficult decisions, but we are definitely up for the challenge. So get your popcorn ready, crank up the volume, pull up a chair, and prepare yourselves for the Top Ten VH albums of all-time...

Often mislabeled a "cover album," this release often gets negative publicity. Eddie Van Halen himself was angry that the album's production was rushed to get released by the label. Although this is far from their best effort, Diver Down does have a lot of positive energy. Even though the album is cut in half by covers...those covers are pretty damn good! "Where have all the Good Times Gone," "(Oh) Pretty Woman," and "Dancing in the Street" are all gold-standard pieces of art. And the original material is equally good as well. While the album lacks the rest of their catalog's star power, it does not warrant leaving it off the top ten list. If this album had not been rushed, there is no telling where it could have landed. So dive in and get down with this classic.   

The final release of the Sammy Hagar era saw the band at the height of their maturity. While the tensions and relationships were tumultuous at best, the band was able to focus, and the result was another #1 on the US Billboard Top 200. Balance saw the band take a deep dive regarding a shift in topics and themes from what fans had grown accustomed to. The album also employed a fair amount of ballads, something die-hard fans remained unhappy with. Nonetheless, the band was able to release another top-notch record that has stood the test of time. Mainstream radio loved the album, which regularly played "Can't Stop Loving You" and "Don't Tell Me What Love Can Do." But the real gems were hidden like "Take Me Back (Deja Vu)," "Not Enough," and "Feelin." 

​This was Van Halen at their most raw. Full throttle rock and metal at its core. VH's third studio album charted at #6 on the US Billboard Top 200 and was their heaviest to date. One thing that truly stands out about this record is the band's shift from commercial popularity to an all out assault on the senses, and the results paid off. Timeless classics like "Everybody Wants Some" and "The Cradle Will Rock" are staples for any true Van Halen fan. I also think this was the album where David Lee Roth exploited his songwriting prowess and lyrical mastery. No two VH albums are alike, and this one was the next step in the band's rise to the top. A must own for VH enthusiasts and among the bands greatest of all-time.

​Welcome to the second installment of the Van Hagar catalog. The album would be hard-pressed to top the success of its predecessor, and rightfully so. And although this record did not have the same level of success, it was still a damn good record. In my opinion, this is the most diverse collection ever in the band's catalog. From the opening guitar riff on "Mine, all Mine" through the heart-pumping ballad screaming "When it's Love" to the bluesy ender "A Political Blues," the album has a fine mixture of style and content throughout. Plus, you can hear a focused man on a mission through Sammy's vocals. Another US Top 200 Billboard hit for the band; the record has since gone 4x platinum... a fantastic feat for a band that thought life was over after Dave.

​FUCK, is a pretty straightforward album title with an even more refined approach. Less diverse than the previous two Hagar era records, this one was more guitar-oriented with more in your face flavor. The result was a blend of elite craftsmanship and production. An album that can rock your socks off...one that you can put your top-down too when racing down the freeway. The tracks "Poundcake," "Runaround," and "Top of the World" were tremendous hit singles that defined the band's popularity in the music world then and now. While "Right Now" became a staple on MTV for years to come and raised the bar to unseen levels once again. An incredible album and one of my personal favorites. 

Sequels like Rocky2 and The Godfather2 are some of the most notable cinema sequels to rival their counterparts. Well, this was Van Halen's answer to their debut in music, and the results were similar. Not quite as epic as the beginning, but it's undoubtedly high level and impactful in quality. "Eruption" meets acoustic with "Spanish Fly." The album also produced more timeless classics to add to the band's catalog, like "Dance the Night Away," "Somebody Get Me a Dr.," and "Beautiful Girls." This was a killer record at a point in the band's life where it may have seemed impossible to recreate their first album's magic. While Van Halen faced enormous expectations; they were able to silence the critics thinking they were only one-hit wonders by showing that they were at the top and here to stay.

Many Van Halen die-hard fans consider this the band's best overall piece of work. No matter where you rank it, there is no doubt that this album belongs close to the very top of the scale for VH. The band's fourth studio album is their most dynamic. Although the album didn't sell particularly well initially, it still made it into the top 5 on the Top 200. This album tends to portray a darker style of music than the band's previous efforts. Tracks like "Unchained" are littered with attitude, and Eddie displays a more ballsy approach on the ax. The more I listen to this record, the more I grow to appreciate how terrific it is. I might as well ​WARN you, this album is ​FAIRLY addictive and will light your pants on fire. Give it a listen, and you'll be instantly hooked.   

When it was realized that David Lee Roth had left Van Halen, all hope was lost. No band is supposed to survive the loss of such a charismatic and elite entertainer of that level. Enter Sammy Hagar. When the new album was finally released, it indeed was like Dave had never left. 5150 was an instant classic and cemented the idea that bands can undoubtedly overcome a change at the helm. Sammy Hagar proved to be Van Halen's version of Brian Johnson or Ronnie James Dio, other lead vocalists who joined star bands where the band refused to miss a beat. Not only was this album iconic for Van Halen, but it also produced some absolute gems. "Best of Both Worlds," "Dreams," "Why Can't This Be Love," and "Love Walks In" are all top of the line stalwarts of their catalog. Not to mention the album is the third-highest seller coming in at 6x Platinum. Not bad for a band that thought they had lost their way.

This is where it all began for me as far as Van Halen goes. The first album I ever owned, and I was instantly a junkie. While their debut album put the band on the map, 1984 catapulted the band into superstardom rarely seen. The album charted well (#2) and sell a ton of records. Also produced three smash singles that were played out endlessly on MTV and radio. This was Van Halen's "Black" album. The record infiltrated the band's presence into the mainstream like a shot of heroin. This was the absolute peak for the band, even though it was the end of Diamond Dave's road. Not only does the album have star power, but it's also loaded with sleepers like "I'll Wait," "Drop Dead Legs," "Top Jimmy," and "Girl Gone Bad." Although it's 36 years old, it still has the smell of a brand new car today.

​The birthplace for Van Halen, their debut album, just so happens to be their best as well. Guitar god Eddie Van Halen was introduced to the world, and the rest was history. Van Halen's self-titled album not only put Eddie Van Halen on stage, but it was also the beginning of the entire band's rise to the top. "Eruption" hit the masses with a volcanic blast. "You Got Me" screeched louder than a lion. "Runnin' with the Devil" shook people to the core. "Jaime's Cryin" had all the girl's panties in a bunch. Ok...you get the point. There is not one wrong track on the album, and it almost tells a story...sort of like a concept album but kind of not. Anyways, I could write a book about how good this album is, and it would not do it justice. This is the album that all great guitarists pay close attention to, and we all know why. The crème de la crème on every level for Van Halen. Masterpiece 101.